Karl Marx City
Karl Marx City
| 13 January 2017 (USA)
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Petra Epperlein and Michael Tucker take a powerfully personal journey through the former East Germany, as Epperlein investigates her father’s 1999 suicide and the possibility that he may have worked as a spy for the dreaded Stasi security service.

Reviews
Stellead

Don't listen to the Hype. It's awful

Taraparain

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

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Mischa Redfern

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

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Edwin

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

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Horst in Translation (filmreviews@web.de)

"Karl Marx City" or "Karl Marx Stadt", the old no longer existing name of a German city, is a German 2016 film that runs for 1.5 hours almost and scored a solid amount of awards recognition for writers and director Epperlein and Tucker and for the former it is a family affair really as we find out about a woman's journey into the past life of her deceased father and what caused him to commit suicide at the end of the old millennium. The film is partially in black-and-white, but more from a historic than aesthetic perspective. Large parts of the movie are in English, the rest in German, so maybe I'd even call it an English-language documentary and maybe you will even need subtitles. Most of the film is about GDR references and how they had an impact on the dead man's life back then. Surveillance and espionage is as much of a subject as resistance here all in the frame of the history of one family. I personally think it will be difficult for wide audiences to feel involved in this one, partially because of how bleak and slow-moving it is, but also because with this one it is probably to have your own history and connection with the GDR in order to really appreciate the film. The thing I liked the most was one female narrator in this one and she had a really good voice that may not have fit the context and contents entirely, but still elevated the material every time we could hear her. Overall, this is a priceless addition to the family history of the people depicted in there, but for general audiences this hardly makes an impact and with the exception of a few moments (not enough for the runtime), I found it mostly forgettable. Watch something else instead.

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