Lack of good storyline.

Great visuals, story delivers no surprises

A brilliant film that helped define a genre

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

King of Herrings reminds me of the excitement I felt when I first saw Jim Jarmusch's 'Down By Law.' The writing is fresh and fits the setting. The characters live in a parallel universe that draws the viewer in and enlists you to care about their decisions. No car crashes or bank heists. Just human conflict - petty and personal - and believable resolves. Very glad I discovered this film and this unique collection of actors. Eddie Jemison has written himself a memorable character cut from that Joe Pesci cloth of spontaneous and utterly unpredictable screen wise guys. King of Herrings is a pure old school indie, the kind of film that makes you wish you were still hammering out your screenplay on a typewriter rather than a MacBook.

This film is proof that when you get the right people in the room good things are going to happen. These actors have been in the right room together for over 20 years and something great happened. The first time I saw this film, I watched as an audience member. Getting to know these characters who sustain themselves off of coffee and trivial games. Cheering for Mary to find something remarkable on the other side of the train tracks (if only she'd risk it)! But the second time I watched the film, I watched as an actor. The work by the artists in King of Herrings is so effortless while the characters are so detailed- it's like watching magic. This film makes you want to be in the room with these artists.

What can I say about "King of Herrings?" So very much. First....you will recognize these people. And that doesn't happen often in American movies. "Ditch," Gat," "The Professor," "Leon," "Augie," and most especially, the women in this film, "Mary" and "Evie." We all know them. We see them in the corner diner, or on the subway, or, likely, in our own homes. Particularly if you have lived in any big city...New Orleans as depicted in "King of Herrings"....but also Chicago, New York, LA....or Philadelphia or wherever. These are real people. Urban characters that live and breath and live and love and strive or fail. What is it about "King of Herrings" that makes it stick in your head and in your thoughts? The story and the writing first. Not many American movies let the viewer decide for themselves how to feel about the characters up on screen. The acting, certainly...uncompromising and rich. Eddie Jemison, known for his wide variety of character roles, often comic, zones in on a whole other realm of his talent. Brando-like he is here. And Joe Chrest, David Jensen, Wayne Pere, Carl Palmer and John Mese all compliment and further Jemison's breakthrough performance. This is excellence in ensemble acting. But, when all is said and done, the secret of "King of Herrings" is its women and the soul they give to it. Andrea Frankle, a featured player in a number of movies, gives a breakout performance as "Evie." It is a performance that should be seen and, when seen, will be appreciated. But, most of all, Laura Lamson is the heart and soul of "King of Herrings." Her performance is impeccable and heartbreaking. Without Lamson, there is no movie. It is a quiet performance amidst all the testosterone hue and cry. And it kills. Lastly, the co-direction of Sean Richardson (with Jemison) and music of Chris Walden fulfill every moviegoer's hope by bringing completion to this wonderful writing and acting. I loved "King of Herrings."

Had the great opportunity to see a free viewing of this film at BRCC today after our closing ceremony for Art fest. We were also fortunate to meet the actors and production (skeleton) crew. I refer to skeleton because the crew conceited of 2 people. It was great to meet and ask a few question. They were very approachable and were happy to let us pick their brains about the film and what it took to produce. I found that the film gave a sense of familiarity; a feeling that one could connect with the characters and the dynamics of each of their relationships. By featuring the film in black and white I believe it brought another level of depth not only to the story line but also the backdrop.