I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

The best films of this genre always show a path and provide a takeaway for being a better person.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Dylan and Kylie live next to each other in the lower class townhouses outside Dublin with their dysfunctional families. Kylie's uncle has returned and she's hiding under her bed. She discovers a money stash. Dylan's ma gets hit by his da. Dylan escapes with Kylie's help. Fearing reprisal for the damages, they runaway and head off for Dylan's brother Barry.The kids are undeniably foul-mouthed cute. It's an adventurous trip and a coming-of-age story. It's part fable and part gutter realism. It is utterly sweet and poignant with a bit of Bob Dylan. And the two young actors are fabulous especially the girl. The camera is almost always at their level. It's a shorter indie but very sweet.

An excellent movie even. Even with a short 75 minute running the movie is crafted and developed impressively. Not a feel good movie in the slightest. It is the story of two Irish runaway children that come from abusive homes. It is unabashedly forthright in its hopeless outlook on life in general. The subject matter of the movie is undeniably grim and pessimistic, but this is a great example of superb minimalist film making. Nothing is overdone or excessive. Everything on screen seems to be needed and no time or scene is wasted for any reason. This movie will satisfy fans of art house and foreign film. Some people will be put off by it due to its subject matter but others who appreciate this kind of movie will definitely want to go see it.

Written and directed by Lance Daly, Kisses is one of those little enjoyable gems that had its main leads breathe life to a fairly simple plot of a road movie of sorts, set around Christmas in the streets of Dublin, following the adventures of two children Dylan (Shane Curry) and Kylie (Kelly O'Neill), neighbours who decide to run away from their dreadful family members, and spiteful peers with whom they cannot clique.Told in three main acts and bookended by black and white cinematography used to highlight the bleakness of their family lives full of constant bickering, violence, and an unspeakable act which will be revealed, these two loner kids find some common ground to want to escape together to the big unknown, with nary a clue and only a wad of cash which they bust on material goods.Like a typical road movie, the people they meet become episodic scenes in which the film got made up of, some extended, like the friendly boat man they meet early in their adventures, right down to the seedy kidnappers who take a fancy at Kylie, either for personal pleasure or for some money making scheme, and some fleeting, such as the surreal chancing of a Bob Dylan lookalike (played by Stephen Rea). It's a spectrum of the nice and the nasties, and the duo have only each other to help look out for, while trying to search for Dylan's long longs brother with whom they hope will take them in.It's a somewhat short feature film that becomes something like a travelogue where we get to see both the glitzier side of Dublin, and the stark nakedness of its grit, from unsavoury back alleys, to sub-urban neighbourhoods as we follow the kids in their attempt to survive on their own. Being short in run time, it managed to hold your attention throughout thanks to the wonderfully charismatic performances by the child actors Shane Curry and Kelly O'Neill, especially the latter as the vulnerable yet spunky Kylie who's more street smart than the dazed Dylan, and its indeed a wonder how she can actually fall for him.One of my personal favourite scenes would be the ending, with its surreal like moments in slow motion, and the wry smile that both of them exchange, in acknowledging their relationship is now at a different plane, coupled with that tinge of mischief that they've had quite an adventure and had a good run. While being very foul mouthed, I thought the parting shot was oh-so-sweet, that it made you want more, just like how Kisses in the film got explained as something to be given or taken, with that desire and craving to go at it all over again.Don't be put off by the thick Irish accent, as the film comes with English subtitles so that you can follow the humour, and adventures of two kids on the run from weariness, for that adventure of a lifetime. Recommended!

I caught this movie in the 49th Thessaloniki Film Festival in Greece just yesterday, and I have to admit it was an unexpected gem, since you can't really have high expectations out of the movies in Film Festivals...Sweet, kind-hearted, honest, brave, wonderfully-outlined characters, wonderfully-developed scenario, all in all -an amazing film. I wish I could stumble upon movies like this more often. The cinematography and the direction are splendid. The Bob Dylan soundtrack tribute not only brings this movie to life, but makes it all the more stunning, as is the rotation between color and black-and-white; the film obtains color when the two protagonists are happy and it turns back to black-and-white when they are unhappy.I'm pretty content to have caught this diamond of a movie amongst the piles of rocks. Congratulations to all involved for truly bold film-making.