Stylish but barely mediocre overall

A different way of telling a story

The film makes a home in your brain and the only cure is to see it again.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

It's really rewarding when you can find a gem where you weren't expecting to. I watched "Kit Carson" because it was raining and golf was cancelled, and I wanted to kill some time. What a surprise to see Jon Hall, of all people, in an action-packed story better than many with higher ratings. I figure it must have been the second feature paired with a more expensive picture, but this one held its own. It moves along at a good clip with some good second unit work on several fight scenes between the settlers and the Cavalry troop, led by Capt. Dana Andrews, chief scout Jon Hall and sidekick Ward Bond. One of the settlers wagons is driven by Clayton Moore - you can close your eyes when he talks and he becomes the Lone Ranger. Close your eyes again, and Jon Hall sounds like Randolph Scott, soft drawl and all.See it when it's on again if you like surprises and action westerns, and overlook the plot holes. It's one of those pictures that is better the younger you are. I found it was nice to be young again.Star rating is in the heading. The website no longer prints mine.

The western film Kit Carson, an independent release from United Artists in 1940 presents a rousing action filled portrayal of one of the greatest of American frontier characters. But the real Kit Carson was so much more interesting that it's almost a shame that this one is his screen epitaph. Jon Hall plays Carson in proper frontier style with Mesquiteer like mountain men companions Ward Bond and Harold Huber. Dana Andrews is John C. Fremont noted explorer and surveyor of the west who eventually became the first Republican party presidential candidate. One thing I should dispel right away, they never quarreled over any woman, even one as beautiful as Lynn Bari. Fremont was already married to Jessie Benton, daughter of US Senator Thomas Hart Benton and Carson after living among the Indians and fathering two illegitimate children married the daughter of the governor of New Mexico when it was still in old Mexico. He even took instructions in the Roman Catholic faith to make such a marriage. The action of about two years is compressed into approximately a few months with Fremont's expedition being the catspaw of the US government to check out California to see if it was ripe for the taking. Fremont never took a wagon train to California or anywhere else, especially since he was mapping and surveying the territory that Carson and other mountain knew about before. He had enough trouble getting him and his men over the Rockies and Sierras without women and kids along.Both Hall and Andrews certainly do right by their characterizations of both men and I wish I could rate the film higher. Sad to say though its accuracy is so bad that it's almost on the level of a B western where they use some real life western figure and build a fictitious plot around them. Plenty of action though with Indian fights and then fights with the Mexican army in California. Kit Carson must have done well with the Saturday matinée crowd back in the day.

Something tells me that there are a lot of facts missing from this story of Kit Carson, the Indian Scout who helped the army protect a wagon train across the wild west. With the tribe in cahoots with the Mexican government to prevent the wagon train to make it through (lead by evil Mexican general C. Henry Gordon), my eyebrows raised when the Indian leaders revealed that Kit was guilty of various crimes against native Americans, yet the film makes him out to be a hero. Of course, there is the obligatory romantic between Kit (Jon Hall), the beautiful Lynn Bari and Army officer Dana Andrews which dominates most of the movie when there aren't battle scenes with the Indians. In spite of the motivation of the Native Americans to attack the wagon trains, they are presented rather one dimensionally, manipulated by the stereotypical Mexicans who are mearly using them for their own agenda against the whites (to keep control of California), which made me ask, what made the settlers think they had the right to take over it anyway?In spite of those misgivings concerning this film, I still found it entertaining, and extremely well photographed with a depth of perception of the outdoor scenes usually flat in dimension in most westerns. I must add that I saw a computer colorized version of this film which was actually fine for the outdoor settings but not for the facial features of the actors who look like they are suffering from jaundice.

Kit Carson is an amazing film, it reminds you of one of those old Zane Grey books about caravans going west. Everything that you can expect to happen, is here, an ambush on a narrow passage, the caravans making a circle to protect themselves in an attack, making the enemy believe there are more people then actually are in a place, making a horse run with a dead man mounted, so the Indians will follow, it is all there . At the same time you feel the film was made on a low budget, even though it was made in 1940, it seems older. Jon Hall is very good as Kit Carson, also Dana Andrews as the hard headed Captain. Lynn Bari has an incredible old fashioned look, she seems more like an actress from the twenties. I remember this film being shown here in Brazil, very often during the early fifties, and always with good results at the box office.