Gripping story with well-crafted characters

Excellent, a Must See

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

This movie feels like it was made purely to piss off people who want good shows

I had no idea what to expect going into "Klepto" --- it's one of gillions of low-fi indie films that can be seen for the cost of a Netflix membership and a Web-ready device.I knew it involved a shoplifter and a disgruntled security guard, so the permutations were going from the start. I didn't expect the shoplifter, played with a marvelously wizened-sense of "been-there-done-that" by Meredith Bishop, to also be an OCD head case with abandonment issues. I didn't expect her mother to be played by the superb Leigh Taylor-Young, whose specialty seems to be making otherwise small character roles jump from the screen.In short, the characterizations and acting are what really drives this film. No one is really as simple as you expect them to be...it's not a "this is the good guy and this is the bad guy" type of film. And even though the story kind of went down the alley I thought it would, it still threw me in a very nice way.If you like well-thought out indie pics, give Klepto a watch. It's 82 minute run-time will fly by.

This film ultimately fails, and its really a shame. About halfway through the scriptwriters appear to just walk off and leave and the rest of the film falls flat on its face.As a movie in its own right, Klepto is a disaster, however as a directorial debut (is it??) it is actually not bad - some of the use of music and the editing reminded me of the film Primer.If the plot and script clumsinesses could have been resolved, this would be a film I could recommend to others. As it was (I bought it cheap), I kept the blank translucent box spare but threw the cover insert and the disc in the rubbish bin.To the actors, director and writer(?) - please don't give up, you failed this time but you showed enormous potential.

I was pleased to find this gem of a film and appreciated its subtle, quirky and "watch"able (no pun intended) take on OCD and how the choices we make affect our lives.It reminded me of Hal Hartley's films- most notably "Trust" - tho these characters, at least Emily, are not quite so dysfunctional and there seemed to be a slightly more positive vibe (or rather less bleak outlook) to this film than Hartley's. Or maybe they seem similar cuz of the synth music ;) which was perhaps my only major criticism of this film which had good acting, camera-work and editing. Being an indie film shouldn't preclude you from having cohesive musical themes for characters or situations across the movie tho. Some of the music felt out of place. But that's my own personal pet peeve.Overall the movie certainly struck a chord for me at the parallels between Emily and Nick and their kinds of stealing and internal drives. And despite wanting a romantic ending for them - the way things turned out *felt right* as their motivations and ultimately their integrity were wholly incompatible and Nick deserved his fate. The parallels of Nick being a criminal like her father left had me wondering about the real truth about her father's life and her happy memories of him as it was obvious the OCD came from her mother's side.There were a few loose ends to this script as the Austin reviewer said but they weren't enough to sway me away from liking it. I also liked Michael Nouri's small role as the amusing & warm psychiatrist- a nice casting touch.I say watch out for Thomas Trail he's up for a promising career! I will certainly look out for more of his films.

I too have seen KLEPTO and consider the listed review from Austin to be wildly inaccurate. KLEPTO is a self-assured directing debut by a director that has a bright future. So what if he chooses to tell a story through multiple angles? Must every film review of every film begin with the Hollywood formula, specifically that a film must follow a singular protagonist through a specific set of paces that we have all become so sensitive to that we can predict them in our sleep?!Tom Trail has the good sense to take the O.C.D. psychological disorder and frame it in a real life situation, make it feel as though it could be the basis for those noises you hear coming through your own apartment wall, the life experience of a neighboring stranger you've never seen...His "Emily" as played by the juicy Meredith Bishop with conviction, despite her having to remain frail and unhinged, falls prey to the wiles and incliniations and ultimate scheme of the devious Security Specialist (watch for Jsu Garcia to become the next Latin male superstar in the Benicio Del Toro mold!). It's not at all "heavy handed" as one reviewer previously reported. It's a dance of sorts, the way "Nick" inserts himself into Emily's life right as her neurotic mother comes to stay for an unwanted visit.For me it was the fascinating and visually strategic lines of two people paths coming together, becoming inextricably intertwined, that was so fun, so involving. This succint (the flick is a brisk 84 minutes) and astute character study breaks out of the gate at race horse's pace and never lets up! The photography, the smaller supporting roles, the music (some of it performed on a classical piano even!), and one of the best single take "long shots" of the year (eat your heart out Scorsese!) all approximate the material to the perfect degree. This film is like a complicated meal, one with many ingredients, all vital to its final finish as a dish...nothing is peppered in here with the "heavy hand" suggested by the previous reviewer and the result? Delicious and full of depth.Find this film, whatever it