L.A. Without a Map
L.A. Without a Map
NR | 26 February 1999 (USA)
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An aspiring Hollywood actress, on a visit to a charming North England town, has a brief fling with the town undertaker, who also writes obituaries for the local paper. Returning home, where she works as a waitress at a Japanese restaurant, she tells everyone about the handsome "writer" she met on her trip. Unfortunately, he decides to follow her back to Hollywood, setting up the expected light romantic comedy with asides as the newcomer gains experience about the goings on in Hollywood.

Reviews
Ensofter

Overrated and overhyped

BelSports

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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Kien Navarro

Exactly the movie you think it is, but not the movie you want it to be.

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Cody

One of the best movies of the year! Incredible from the beginning to the end.

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Amy Adler

Richard (David Tennant) is a Scottish undertaker who dreams of being a screenwriter. To his amazement, the woman of his casting dreams, aspiring actress Barbara (Vinessa Shaw) meets him unexpectedly as a tourist in his native land. She is flattered by Richard's immediate attentions and the two spark up a friendship until its time for Barbara to go home. End of story? Not quite. Richard decides to take an extended vacation and travel to Los Angeles in search of his true love. After all, maybe his yearning to make it as a screenwriter will be better realized in Hollywood, too. His initial landing in the city is humorous as he goes to the bad part of town and is the target of scorn by the tough guys. Yet, a man rescues him, takes him to a vacant apartment and gets him a job as a pool boy. Now, Rich must make an entrance at the fancy restaurant where Barb works and see if she missed him. It's a surprise and surreal reunion. There are also complications as Barbara has a boyfriend with many connections in the movie business. How can she dump her current beau for Richard, when she is just about to "make it" in Tinseltown? Can she get good advice from Julie (Julie Delpy) , a zany co-worker at the eatery? This sweet film is definitely enhanced by Tennant's winning ways and handsome face. He is a charmer and quite funny. Shaw is beautiful indeed but somewhat of a cold fish. Delpy has her moments while, most importantly, Johnny Depp makes a cameo that is side-splitting. The scenery, costumes, script and direction are all above average. For romcom fans, like me, there is always an endless pursuit to find hidden gems like this movie of 25 years ago.

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fedor8

Aki Karusmaki or his equally brilliant brother Mika directed and wrote this stunning piece of Europeana. Or Finneana. I love it when these European amateurs poke fun at Hollywood while they themselves aren't capable of making one good movie per decade. Besides, Hollywood is such an obvious and all-too-easy target, and this sort of thing has been done a zillion times before, and mostly much better. The gags are primitive, unfunny, badly directed or written, and the movie has to be endured instead of enjoyed. So trite, the way they yet again use the unfunny, stone-faced Leningrad Cowboys as some kind of sorry comic relief. Many familiar faces in small roles (Saskia Reeves - with about three seconds of screen time, Delpy - as a ridiculously overplayed dumb blonde, Gallo - ridiculously overplaying an L.A. "dude", Depp - "re-doing" his "Dead Man" character as an obvious tribute to Karusmaki's infinitely more talented pal Jarmusch, etc.); these actors probably appeared for nothing, thereby pretentiously supporting Le Europeanne Cinematique Arte-te-te that way. If the Karusmakis are one of the current leaders in Europe's Filmlandschaft then Continental Europe must be in the worst shape than it's ever been. Politically and morally anyway.

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ptervin

The film tends to fizzle out, like the bright lights of Hollywood for the main character, Bradford undertaker Richard (David Tennant), but the movie is still worth viewing. I enjoyed it, especially the drab lighting in Bradford turning to the neon colors of Los Angeles, Las Vegas, and actress wannabe Barbara (Vinessa Shaw), and then blending to black and white. The two don't stand a chance of working out together, but they do. The character development is shallow and much in the film is predictable enough to draw from it greatness, but the contrasting views (European and America, rich and poor, dreams and reality) give the film just enough spice to make this a good film. Vincent Gallo's character, Moss, is funny, and the cameo appearance by Johnny Depp is good--his poster eyes talk--and should have been played out along with Barbara talking with her dead father. (7/10)

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jmorency_au

This movie is worth seeing.......Vincent Gallo is hilarious. If you don't need a lot of action, if dialogue satisfies you then this movie will suit your taste. Bizarre, quirky, if you liked Swingers, Go, Very Bad Things...L.A without a Map, will be a favorite of yours.

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