Wonderful character development!

An absolute waste of money

In other words,this film is a surreal ride.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

...of a different Paris, different love story and images of cops. a precise and impressive film. for the portraits of characters. for the science to escape from cliches circle, for the inspired way to tell a dirty, insignificant, ordinary story, using each of its nuances in admirable manner. a woman. and her man. and the Police as the shark in the essence of relationship who could be normal. it is easy to define it as a film with a great cast , from Maurice Ronet and young Tcheky Karyo to Nathalie Baye. but the authentic star of film remains Phililipe Leotard, giving a dramatic performance. so, a revelation. at each new view. because it represents the realistic portrait of a world who seems, from so many (American) films, well known.

One of the great French bad-cop bad-cop thrillers, which I remember vividly from years ago. I love that the supposed criminals were so well characterized, not like today's shoot-em-ups. Recommended, and I will buy it again, if it has subtitles. (I speak French, but it's sort of rusty, and the fascinating Parisian slang can be hard to follow.)

First off, this movie's plot is outdated, but the acting of Philippe Leotard and Nathalie Baye is superb and makes up for it. Monsieur Leotard has the hangdog charm that most women would find irresistible. If you've ever heard a woman say that French men are sexy and wondered why? This is an example of the wondering why? He is a scoundrel but irresistible. Apparently this guy knew how to party. There is something coiled and feline in the way Nathalie Baye moves. Her comic timing is perfect and delivery impeccable. If that's not enough her clothes are totally 80s but back in style now. The same goes for Monsieur Leotard. I want to get some Lacoste shirts to wear with my leisure suit now!

What a nifty top of the B-film heap is this gritty Paris film, complete with love stories going bad, habits going strong, and cars going fast. Leotard has one of the great faces in the world and Nathalie Baye (in this outing new to me on release date) is just spectacularly vulnerable and perhaps a bit duplicitous. I would definitely make this part of my French film library. The film's co-director is from Evanston, Illinois! Bob Swaim has written films and directed them, mostly in France, and obviously learned his B-films on Saturdays with the rest of us and his France by living in it for a long time.