Laaga Chunari Mein Daag
Laaga Chunari Mein Daag
| 12 October 2007 (USA)
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Badki and Chutki live a fun-filled life in Banaras, playing pranks, sneaking off to see a forbidden mujra, and soaking up all the excitement that goes on the ghats of the Ganga. Badki is aware that the family is in dire straits, but she and her mother protect Chutki at all costs. When things get worse, Badki decides to go to Mumbai and seek a living for the family.

Reviews
UnowPriceless

hyped garbage

Micah Lloyd

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

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Lucia Ayala

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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Cissy Évelyne

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Aparna Gangopadhyay

Aaina – remake – Laga Chunari Man Daag (LCMD) – release year 2007 30 years later, Bollywood made the same theme because they failed to drive in the message in the think-brains of we, the Indians – way back in 1977! So in LCMD- Rani (who eventually becomes a prostitute in the film) is the daughter of a retired Professor (Anupam Kher) who is not getting his pension and is shown running from pillar to post to get it. Jaya (playing Ran's mother) is somehow managing to run the household by sewing blouses & petticoats. Financial crunch drives Rani to the big city where she becomes a high class Prostitute – having the designation of 'Escort' because in big-big corporate sectors, the senior officials cannot ask like 'get me a prostitute for the night' …..etiquette does not allow – so a new name 'Escort' has been given to such sex-workers. They obviously get paid higher than the red light area sex-workers….yea – this is a kind of injustice – absolutely the same work but payment is vastly different! So in this world, in 2007, where unemployment is rampant, Rani starts living in a plush house in Mumbai plus starts sending money to not just feed the family but also renovate the dilapidated building they lived in! People from her village (her cousin in fact) comes to know that she was actually a sex-worker and even starts blackmailing her! She then meets a filthy rich handsome hunk who starts dating her and then even marries her because rich males – mostly f**k around all kinds of females – but in Rani – he could see the subservient, submissive qualities as well (along with promising sex-postures that escorts are supposedly experts at) – after all she was from a small town and decides to marry her after all. His brother marries Rani's younger sister – who was an MBA (not an escort because she was educated…..I think this is the reason why Indian females are kept uneducated – coz if they all become literate and independent..who would do the job of sex-worker?..this is an inherent fear that sleazy debauch males have and thus do their level best to promote whoredom among women and keep it alive forever!) Take Home for commoners (thick brained esp.) after watching LCMD:That a female can be a sex-worker – either out of choice or by force – whatever – because eventually they will find some rich & handsome idiot to marry – so why not enjoy with as many males as possible?When males are allowed to happily hump around females – why shouldn't females do the same? Why on earth should they maintain their chastity or virginity – when some debauch, amply humped demon will ultimately marry them? A demon only deserves a witch. Ravana needs to marry Mandodari. So there.Some males seem hardly bothered about concepts like chastity or virginity (so it seems in the film) – the fact that Abhishek (Rani's hubby in the film) happily agreed to marry the escort – knowing very well that later, when he attends the corporate meetings etc., the BEEPS will smile and even wink at his wife…reminding her of the 'nude' times they had together!!(you see Abishek happened to meet Rani in one of the corporate meetings…means that he will be meeting the same officers or executives – for whom Rani was present……like to entertain them on bed!Aaina - a yesteryear Bollywood film Difference between Aaina 1977 and LCMD 2007 – Not much really. Parents are dumb enough to not understand the source of money. Both the times the prostitutes got married and lived happily ever after.Indians (maximum) went to see the conical blouse & open cleavage of Mumtaz and Rani respectively.

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CupcakeLovesMuffin

I remember when this movie first released, and I was told that I was too young to watch it. My mother told me that the theme of the movie was a little mature for my age, so after huffing and puffing, I decided I would wait a little while.So, about two weeks ago, I decided to finally watch it (late much?) ha ha. And well, it was worth the wait. As the movie opened up on screen, I knew from that moment that it would be amazing.This is a story of a family, this is a story of a boy and a girl, this is a story of two sisters, this is a story about the truth of life and what people do for a living to make an income for themselves.Badki and Chutki (Rani Mukherjee and Konkona Sen Sharma) are living happily with their parents (Jaya Bachchan and Anupam Kher) even though Banaras isn't the most glamorous place in India, and neither is their current lifestyle. But all that changes simply when their father gets a heart attack after a certain string of events.Rani Mukherjee rushes to the city where it can all happen, certain that she will make it big and send her family money for her father's medicines and treatment. She is proved wrong. After her qualifications and language barrier preventing her from doing the jobs she tries out for, she only has one solution-prostitution.Now, this is where the movie takes a big leap forward. And you slowly watch the transformation of a small village girl becoming a high level escort, taking the name of Natasha. lying to her family and sending high amounts of money, causes her father happy, her sister excited, and her mother onto what she is doing.This movie is not a tear-jerker, though some scenes may make you cry if you cry easily. Note the scene where Konkona finds out about Natasha and follows her to the hotel and then the breakdown which follows. Or the scene where her life is unfolding in front of her eyes. Or maybe the scene in which she lets the manager of the company take full advantage of her. They all leave a lasting impact on you, even after the movie has finished.Rani Mukherjee proves once again-she can act. We've seen her in many different characters, each with a different state of mind and under different circumstances. Konkona Sen Sharma also acted exceptionally well as the little sister. Kunal Kapoor is very convincing. Abishek Bachchan is just wasted. Anupam Kher is very good. Jaya Bachchan is alright.Definitely worth a watch, but watch this alone, not with family.

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VirginiaK_NYC

As anyone who has seen a trailer for this movie knows, Rani Mukherjee is a girl from a fine Banaras family on the economic downslide, who goes to Bombay intending to make money to help them out and finds herself in business as a high-class professional escort.When her younger sister, Konkona Sen Sharma, comes to Bombay to take up her own job in an ad agency, we see the two of them in a tonga on Marine Drive, the Queen's Necklace fulfilling its promise to swirl the city in glamor. When some ladies of the night pass by the carriage, Konkona makes an unthinking provincial girl's harsh comment, and her sister rebukes her sharply for her lack of compassion.In this passage of perfect dialogue, you have the main tension driving the story, and one of its many moments of good acting between well-drawn women characters. What is going to happen if the younger sister finds out what her big sister has done in order to secure her own future? Will Rani's sacrifice separate her forever from her sister's love and respect, and from a chance at acceptance in romance and marriage?I gather this is a Hindi movie theme known to the Indian audience. LCMD is far from perfect -- there's a mixing of story types going on probably, the old-style melodrama and something more modern and psychological -- but the good things about it make it more than worth seeing. There are four striking women characters (Jaya as mother, and Hema Malini in a special appearance that blesses the whole movie, including a dance that should have been much longer) who all seem relatively "real" in relation to Hindi movie women. They relate to each other in a decent, normal way (in small roles we have a less-nice girl and also a friend in Bombay as well).Another good thing: the parents are less than respect-worthy without being "bad" Hindi movie parents -- father clearly is an upper-class slacker who'd rather develop "symptoms" than get a job, rent out a room, sell the property and live within his means; and mother is interestingly ambivalent about what her daughter is doing in order to be sending home the cash.The cinematography of Banares and Bombay is worth the trip to the theaters, and the clothes are worth taking notes on, both the subtle and stunning cotton traditional clothes of the family in Banaras and Rani's high-style nicely top-of-the-city wardrobe. You might be reminded of India as the home of the most wonderful textiles on the planet.If the story is still Bollywoodized and Bollywood-y (how did a villain know the thing he knows? why don't we see a bit more of Rani's "work life"? why do we need a song that is actually set in Switzerland -- though maybe that's ironic/postmodern?), it nonetheless is a rich enough, fresh enough, and engaging enough experience, with great performances. As it really is about its women, the men are fine but you wouldn't focus on them in thinking about the movie. If you see the movie, you may find it raises good questions -- it it progressive? regressive? what do we mean by these things? -- worth talking and thinking about.

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praneeth karkera

A look at a lush green fully grown tree might be a treat for one's eye but even it's root might have ended up in some drain of a cosmopolitan city from where it sources its life.Well such is the story of this movie where in a simple small town girl falls in the webs of the flesh industry to get her family out of it's hysterical trouble. Now when such is the story of the movie less is left for the director and more for the actors to perform....and do they deliver???....YES they do, Rani Mukherjee does justice to this difficult role that she has performed, specially during the transformation from a village girl to the so called "high class escort". But Hats off to Jaya Bachchan & Konkona Sen Sharma who i should say is a jewel of bollywood. Its now that i realize how talented Mrs Bachchan is, a remarkable performance i should say. Abhiskek Bachchan is not Akshay Kumar but does his part in the movie to the audience's pleasure.On an all it is a well crafted movie, a movie on which effort has not been put only to sell it but otherwise.As far as the Rs 220 that i spent on watching this film is concerned, i think i got my money's worth. My suggestion is "please go and watch the film for the performances.

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