Labor Pains
Labor Pains
| 07 November 2000 (USA)
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A New York City columnist falls in love with -- and quickly gets pregnant by -- a free-spirited artist who promptly vanishes for eight months.

Reviews
TinsHeadline

Touches You

Micitype

Pretty Good

Kaelan Mccaffrey

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

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Juana

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

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Amy Adler

Sarah (Kyra Sedgwick) and Ryan (Rob Morrow) have broken things off after a long relationship. However, Sarah is pregnant and makes the decision not to tell Ryan. At the moment Sarah goes in to labor, her parents rush to her side and someone knowingly informs Ryan. When Ryan dashes into the fray, humor and discord come along. What kind of situation is Baby X coming into? Sedgwick and Morrow are touching and ticklish in their roles as parents to be. Mary Tyler Moore and Robert Klein, as Sedgwick's parents, alternate between amusing and exasperating. The script has oodles of possibilities but just can't quite gel into a winning result. Nevertheless, for those who love romantic comedies with mayhem, this film is an non-painful and diverting way to spend a rainy afternoon.

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cmyklefty

I rented Labor Pains see if it was good. This is not worth buying or renting. It a waste of money to see the film. The actors are good but not the story. It lacked all over. Do yourself a favor see Nine Months than this movie.

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g0b0

I was pleasantly surprised by this comedy. It was well written; in fact much of the dialogue reminded me of Michael Frayn (Noises Off!). There was potential for that rapid-fire repartee going back and forth between two or more characters. Also, the actors were well cast and terrific. I'd say that actors of this. caliber were either working for scale wages or else, the lion's share of the budget went to on-screen talent. The place where this film suffered a crushing blow was the direction. It was written and directed by Tracy Alexson. I think Tracy has a brighter future in writing than in direction. Entire scenes seemed to sag under a lack of direction. If you watch, don't expect a neat and tight comedy. Instead, expect some good dialogue, good acting and a comedy that misses its potential.

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