Must See Movie...

Best movie ever!

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Celia Green (Patricia Clarkson) gathers her family for labor day weekend at the Lake Tahoe family lakehouse. Her son Theo Green brings his friends Luke, Nora and Sean Oakes. Her other son Roger Green and Vanessa arrive with some troubles and a case of water. Celia tells her friends Vivian and Jeannie that she and Malcolm are considering selling the house. Theo is a writer on Blake Curtis' TV show and he has invited her to the house. Hector and Maria Castillo are the help around the house.It's yet another dysfunctional family. They're not funny or terribly dramatic. They are simply a bunch of people each with their idiotic quirks. Celia with her money obsession seems set up for a reveal of family financial problems. Then it turns out that it is simply another silly personal quirk. It's rich people with rich people problem. Every once in awhile, they get to a real problem and it feels refreshing like minty water. However most of the movie feels empty and without calories. Maybe there's a real reason why she wants to sell the house. In which case, that should be the central reveal which could lead to family discourse and reconciliation.

The people in this movie are clueless narcissists, very well portrayed. I know people like this, limousine liberals, and this is perfectly spot on. And then the portrayal of their humanity gradually shining through the fog of pretension infects every character and makes for a great movie experience. Patricia Clarkson is once again fabulous in a lead role, and the others play off of her nicely. The pretty scenery doesn't hurt, and the director makes full use of the stunning light show that the California/Nevada mountains provides. I question some of the devices that went nowhere, like the screenplay and the Indian museum. They are not used as devices so much as character filler, most of which is not necessary for our understanding of the characters, but which also doesn't get too much in the way.I have liked Mays in other things she's done, but I thought she was a bit miscast for the role she was asked to play. I thought the story could have done more with the Nora-Sean couple other than just fill up the house and provide background. Overall though, I really liked the way this movie was put together. It does a very good job of showing how insular this world can be and how people who want for nothing will manufacture their own problems just by calling them problems. Misery rises to the level of comfort. All this without veering off into melodrama. Highly recommended.

A family of spoiled narcissists spend a long weekend at their fabulous Lake Tahoe home(s). The children are, for the most part, unreflective, unaccomplished and unkind. Self-absorption incarnate. Add assorted wives, boyfriends and hangers-on. Mom (the always glorious Patricia Clarkson) has the most unbelievable character trajectory from uptight, cold control-freak to, well, the opposite of that. Dad pretty much looks angry and disappointed all the time (with some good reason, if you ask me) until he, too, experiences a miraculous transformation at the very, very end where he is kind and gentle to his now changed wife. In summary: a group of exceedingly unattractive and under-appreciative people do rather little over the course of a weekend, but one or two seemed to be changed by it. Oh, and they sell the house. I would keep the house and get rid of the damn kids.

Last Weekend is a poignant and moving meditation of family, loss, and change. Patricia Clarkson leads a magnificent ensemble with her raw performance. She is a brilliant actress, but gets far too few leading roles. Here, she is the heart of the film as a mother confronting the passage of time, and the rest of the cast match her nuanced intensity brilliantly, with especially great turns by up-and-comers Zachary Booth, Joseph Cross, and Devon Graye. The film's directors maintain a tone of quiet longing throughout, and the film is beautiful to look at (Lake Tahoe has never looked better), but look beneath its shimmering surface and you will find a compassionate look at the difficult bonds of family. Stunning.