Very very predictable, including the post credit scene !!!

Excellent, a Must See

In other words,this film is a surreal ride.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

"Night Train Murders" is one of those several rape revenge flicks that came from the 1970's following "I Spit On Your Grave" and "Last House On The Left", and now this one, which is just as unsettling as the previous two, where in this one we have 2 girls terrorised by 2 men and a woman, who torture and eventually kill the young girls and then they come into contact with one of the dead girl's parents and when they find out the father wreaks revenge.Okay I found this movie way too unsettling even for my taste, not that I'm saying that this movie is terrible, it just started off well and the torture scenes were this movie's strong point as they were filled with tension and it made me really feel for these girls, but it's the second half of this movie which was a kind of let down, It just didn't have the pay off that I was hoping for, and there could have been a bit more too it. But on a positive not I did like the distinctive use of blue light while the girls are being held captive on the train along with the films cinema photography is perfectly executed as most of the film is shot in claustrophobic spaces adding to the tension that builds as the film progresses is also another of this movie's highlights.The acting was also strong and convincing especially from the two unlucky girls who were both outstanding. Enrico Maria Saleno who plays the father was also great as he goes from mild mannered doctor and then pushed to his very limits of sanity. But it's Macha Meril who plays the woman of the trio of sickos who steals the show as the ice cold queen who quickly goes from early victim to taking charge of the other two thugs. All in all "Night Train Murders" is a decent enough horror movie and not just a clone of "Last House On The Left" and definitely a must see for fans of 70's Italian horror movies.

Night train murders registers itself in the category of most disturbing movies of all times. It is inspired by Wes Craven's Last house on left,which was released couple of years earlier but it appears more brutal because the story looks more realistic and believable. Two girls travelling by train on Christmas Eve are humiliated and tortured sadistically by two men and a woman. Its amazing what wonder, a good direction does to a pretty tame storyline. Firstly we are introduced to two super pretty and innocent characters and when we start liking them, the movie get switched to its darker phase showing ruthless violence & extreme brutality towards the most affectionate characters in the movie. Some may categorize it as 'torture porn'though I have seen hell lot of gore movies which are meant to affect you visually, but this one is supposed to hunt your mind, it tracks you mentally and makes you feel sick and disturbed

Lisa and Margaret are two sweet, if less than innocent teenagers taking a train ride across the European countryside on Christmas Eve. The unlucky pair run afoul of a couple of vicious sleazy thugs and an icy cold wealthy woman on board the train who proceed to rape, torment, debase and eventually murder poor Lisa and Margaret. Director/co-writer Aldo Lado wrings plenty of gut-wrenching claustrophobic tension from the edgy, unsettling story, adroitly creates a gritty, threatening atmosphere rife with sadism and perversion, addresses the troubling issue of random everyday gratuitous violence with truly jolting results, and delivers a few savagely powerful moments of startling brutality (the sequence where the virginal Lisa gets gruesomely violated with a knife is especially ugly and upsetting). The performances are uniformly excellent: Irene Miracle and Laura D'Angelo make for very attractive and appealing fair damsels in distress while Flavio Bucci and Gianfranco De Grassi are frightfully credible and disgusting as the greasy low-life criminal villains who are memorably first seen in the picture beating up a sidewalk Santa for his money. But top acting honors clearly go to the strikingly lovely blonde Macha Meril, who gives a positively chilling portrayal of the cruel, haughty rich bitch who gladly joins in on the hoodlum's ferocious degradation of Lisa and Margaret. Gabor Pogany's slick, handsome cinematography works wonders with the tightly confined setting while the great Ennio Morricone supplies a typically haunting, throbbing and melodic score. Demis Roussos' beautiful ballad "A Flower Is All You Need" is used as an achingly ironic bookend for all the harsh barbarism. A nice'n'nasty Euroslime exploitation thriller.

You'll probably never see a review of this film that doesn't make reference to Wes Craven's classic 'The Last House on the Left', and there's a good reason for that; as this film has basically the exact (and I mean EXACT) same plot, only instead of a couple of young girls being raped, beaten and humiliated in the woods, they're raped, beaten and humiliated on board a train. Of course, I knew that this was the case before I began watching the film; but I was honestly expecting the two to differ a lot more than they actually do. I do sometimes wonder about my mental health when I purposefully track down and enjoy films like this one and The House on the Edge of the Park; films that are famous purely for relentless violence, but I can rest easy with this one as it really isn't all that enjoyable. The plot follows a couple of young women that decide to take a train ride in celebration of the holidays. However, their bad luck is in when it turns out that a trio of lunatics have also decided to ride the train that day; and the meeting between the two parties is pleasurable for one side only! The main problem with this film is the fact that the first hour is unbelievably dull and there isn't a lot going on in the way of plot or violence. The early scenes set up the movie - but they go on too long, and the film even descends into political discussion on several occasions - and I may be on my own here, but that's not what I want from an exploitation flick. What I do want from an exploitation flick is violence, and the film doesn't completely deliver on that front either. There are unpleasant scenes aplenty in the final third, but one sequence aside; they're not all that shocking. The saving grace of Night Train Murders is director Aldo Lado's attention to detail. He makes good use of his mobile setting, and the train always seems a claustrophobic and unpleasant place to be. Ennio Morricone's score isn't one of his best, and merely goes along with the common exploitation beat. Anyone who has seen The Last House on the Left will know how it all ends, but it fails to pack a punch because the characters are so hard to care for, and Lado doesn't manage to make the audience really hate the villains. Overall, this film isn't very good; but there are a few positives, and exploitation completists may get a kick out of it.