Thanks for the memories!

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

A lot of "Lena's Holiday" feels pointless (like Pat Morita's cameo near the start) and almost improvisational; the budget is limited, and there are long stretches of very little happening. Yet, in the last 20 minutes or so, I realized the purpose of this movie: it is to bring the classic romantic-thriller formula of films like "Charade" up to date. Because the crime plot had been strictly peripheral until then, the plot twists surprised me completely. And Felicity Waterman gives a winning performance as the fish-out-of-water heroine; she is also extremely convincing as an East German - in fact, I actually thought the actress WAS German until I checked out her bio and found out she is British! **1/2 out of 4.

This film is based upon mixed up luggage at L.A.X.and crooks chasing someone as a result. I can think of at least two movies that were loosely based on the same concept, which came out much earlier than this.Out of Bounds with Anthony Michael Hall and Into The Night with Jeff Goldblum.Chris Lemmon has a very appealing and natural screen presence. What a bizarre twist of fate that his career never took off, yet less appealing actors' careers did. Even being the son of a world famous actor didn't propel him to the next level. That's a shame, because he is wonderful in this role.The lead actress fit her role beyond perfection, because they didn't want her to be smoking-hot like some chick born and raised in the free world. But they still needed her to be above average, in order to hold the male viewer. (She is supposed to be from East Germany)This lady was a bit too thin and sported the accent of an unappealing national identity, (East German), so it wasn't like she was a voluptuous Swedish blonde.Nevertheless, at times she played up her femininity and then she was hot enough.What really marks this film as unique is that it's also based upon an historical milestone (Berlin wall coming down/End of European Communism), and plays off of that dynamic. It was filmed in 1990, right after that event and its' historical paradigm shift took place in '89.Add to the mixture the fact that 1990 marked the beginning of the end of white middle class culture in Los Angeles. The world-rocking events of '89 put an end to the Cold War and our need for lots of Aerospace innovation. This eroded the L.A. economy, which had been filled with good-paying Aerospace Engineer and support jobs.Then just two years later the L.A. riots pushed more middle class folks out, and the floodgates of illegal immigration opened wider to fill the void. So the movie is showing you an L.A. on the cusp of change, although one would not necessarily know that if they were watching it when it came out.1990 also marks the beginning of the end of 80s culture in L.A. So I loved to catch any musical or style-related motifs in this movie. Having said that, it did not have an abundance of synth-pop music, since James Dean and the 50s were a major theme of the movie and the main character drives a car from that era.The gangster stuff and the horribly miscast Nick Mancuso were huge errors, but the cuteness of the characterizations of our two main protagonists saved this film from oblivion. Watch it with your partner and bring some popcorn. I watched it alone, and on an empty stomach. It wasn't satisfying enough to fulfill me, but would have been with the latter two enhancements.

I enjoyed the movie, partially because I was in rapture with Felicity Waterman. She is very attractive and did an excellent job portraying a naive East German girl coming to visit Hollywood. I even believed she was European, her accent seemed that good. Also thought Chris Lemmon was good in his role. While obviously no way he could match his father's career, was surprised he didn't have a larger career. Seems like a very likable guy. Some excitement, some laughs, some love. I enjoyed the movie, would watch it again, even if only to see Ms. Waterman in that short dress. Somebody involved in creating this movie definitely had a thing for James Dean.

With the fall of the Berlin wall, East German, Lena (Felicity Waterman)goes on holiday in California. Except, only tours Los Angeles, and Lena is having the worst vacation, as nothing seems to go as planned; she learns that reservations she made for a hotel turned out to be phony, a cab driver rips her off, and worst of all, her luggage has conveniently been switched with that of a lady who suddenly winds up dead. Although, this is understandable, considering how gullible Lena is. You'd think she was new to the planet the way she fell for one stupid scam after the next.Only the scams look good when compared to the fact that she is being pursued by hoods who have been watching her. When the dead lady's bag doesn't contain what they want, they go after Lena, knowing she has the same bag and was the last to see the other lady alive. They figure that she is in on the deal. Things seem to turn around when Lena unexpectedly befriends a fast-talking cab driver named Mike (Chris Lemmon as a sometimes arrogant, sometimes sincere guy), who helps her in sporadically timed moments of emergency.'Lena's Holiday' is more of a dreamy love story and a comedy surrounding a vacation nightmare (but pretty soon only just love the story) than it is a caper, which you're only reminded off at certain convenient moments in the movie. I would say it is about 70% love story, 20% comedy about Lena's disastrous holiday misadventures (which is pretty much the entire intro), and 10% caper. It is still an enjoyable comedy, nonetheless.