Very very predictable, including the post credit scene !!!

The greatest movie ever!

Plot so thin, it passes unnoticed.

Good start, but then it gets ruined

I saw this film in glorious Cinemascope and color at the Palace Theatre when it first opened in 1957, and was already enchanted with the dancing charms of Vera-Ellen, certainly one of, if not the best dancers in Hollywood history. No, she didn't sing (always dubbed, although early stage recordings display a fun dancer's voice), and her acting relied heavily on her charm and good looks, but when she danced, watch out! The film is a slight vehicle for the charms of Vera-Ellen and Tony Martin, star baritone of various MGM films of the 40s and 50s (and as Robert Osborne points out on TCM, you expect this to be an MGM film, but it's one of the few Allied Artists musicals of the period), complete with songs written by composer Nicholas Brodszky (Love Me Or Leave Me). At least it's not studio-bound; it was filmed in 1956 at the dazzling Edinburgh Festival, as well as other beautiful Scotland locales.You will long to see the original Cinemascope print, but all that seems to exist is a pan and scan version. Better than nothing, and it is the only chance to see the film, which TCM just began showing in the past year, after it had been seemingly lost for the past 20-odd years. But now we need a proper print in the original Scope on DVD. Come on, Warner Archives, you've released every grade B and C film known and unknown, give a little TLC to LET'S BE HAPPY.

After inheriting some money, small Vermont town dancer Vera-Ellen (as Jeannie MacLean) decides to visit Scotland. On the plane, she meets singing Idaho businessman Tony Martin (as Stanley Smith). Romance begins, but things get complicated when she meets dashing Robert Flemyng (as James "Jimmy" MacNairn), a broke English Lord looking for a rich American wife. Meanwhile, Mr. Martin has caught the eye of sexy red-haired Zena Marshall (as Helene). The film's tagline "Tony Rocks 'Em!! Vera Rolls 'Em!!" points to how the two early 1950s stars were being falsely promoted to a new audience, who were not going to find any "Rock 'n' Roll" here. "Let's Be Happy" features nice color and setting.**** Let's Be Happy (5/8/57) Henry Levin ~ Vera-Ellen, Tony Martin, Robert Flemyng, Zena Marshall

A minor musical, to be sure, but some of the dialogue reminds us that things have not changed much. How about the bell boy who, when asked by the hick from Vermont, if she should tip him, says with Scottish reserve: "yes, it has been done.". When Tony Martin, appliance magnate, proposes to Vera Ellen, he ups the ante with "You don't know what you're getting -- a washer that irons!".A musical with bagpipes! A lord who acknowledges that he needs tourist dollars (before he admits that he needs to marry for money), an American that can out-duel a French customs-clerk!How can one not be affected by this innocent charm!?

A minor 50's musical with the unusual backdrop of Edinburgh! Vera-Ellen is the biggest name, if that's any gauge, and she seems to have been cast for the circumference of her cinched waist. Watch her attempting to obey the direction to NOT look in the camera: her eye movements bring to mind Carol Burnett's over-the-top Norah Desmond.The storyline has a slightly screwball premise so dear to musicals; 'young' Jeannie [Vera-Ellen in her last major role] goes to Europe for a vacation and spends her entire inheritance of $4000; two cads, one a helpful Yankee [Tony Martin, stalwart of lesser musicals and Cyd Charisse's husband] and the other a poor Scottish laird [Robert Flemyng] who believes her to be a million-heiress vie for her affections. An odd jazz-ballet number reminds you it was made in the late 50's. The city of Edinburgh and some stunning gowns co-star. ** out of **** stars