Slow pace in the most part of the movie.

Most undeservingly overhyped movie of all time??

Disturbing yet enthralling

Charming and brutal

Liane, Jungle Goddess (1956)* 1/2 (out of 4)A German expedition through Africa turns up a beautiful blonde girl (Marion Michael) who the locals think is a goddess. The crew kidnap the girl and take her back to the press who has a field day with her and soon it turns out she might be the long lost daughter of a very important man.This is a pretty strange film that I'm sure was loved by teenage boys back in the day. This Tarzan-wannabe was filmed in German but it was sold throughout the world and in many locations it played matinees to where kids could watch it. They would have loved that because of the beautiful blonde in the lead plus the fact that she wasn't very many clothes and at times we see a few slips of nudity. Obviously, it's easy to see why so many teens from this period have such a fondness for the film.As it stands today, the film is pretty weird because it starts off as a Tarzan rip-off but then it quickly turns into some weird drama where people are fighting over who actually owns the title character. I'm really not sure why they decided to leave the jungle because that's where all the fun was. These early scenes contain shots of the wildlife and it was rather fun seeing the young girl in her natural location.All of the fun gets sucked out once we get back to civilization and the girl get taught how to speak English and how to be proper. This stuff is just told in such a boring way that you can't help but wish they were back in the jungle. Michael certainly has the appropriate look for the role and she's certainly fun to watch. Hardy Kruger is fun as the lead male and we also get Reggie Nalder playing a bad guy. LIANA, JUNGLE GODDESS really isn't that good of a film. I'm sure when you watch it in life will determine how much entertainment you actually get out of it. For me personally, the film is harmless fun at the start but it slowly grows more boring as it moves along.

It's clear that this movie's target audience is 14-year-old boys. "Liane, das Mädchen aus dem Urwald" ("Liane, Jungle Goddess" in English) has little purpose beyond showing off Marion Michael's body, especially the upper half. And boy is there something to show off! I understand that Marion Michael was known as Germany's answer to Brigitte Bardot. As expected, the movie got treated as an adults-only movie upon its initial release (although you can bet money that a number of boys went to see it and it helped them become men).Obviously the movie has a colonial mentality in its depiction of the Africans. That's to be expected. We can understand that and simply luxuriate in all the shots of Marion Michael swinging from the vines wearing as little as was allowed.

"Liane, Jungle Goddess" is a slight film but one that pubescent boys would generally love. This is because in this Tarzan knockoff, the queen of the jungle is a good looking teenage girl from runs around topless (and wearing little else) during the first portion of the film. It's the sort of film that they simply couldn't have made in the US at the time due to censorship laws and I wasn't surprised that it was a German film (dubbed into English).When the film begins, you see the usual stock footage of Africa--for the most part. It is less grainy and looks good, but it's also random--with Toucans (a South and Central American bird) and natives with blowguns (they use them in the Pacific and South America) in Africa! This sort of thing isn't that unusual in a 1940s and 50s jungle epic--and as I mentioned above, the quality of the footage is pretty good otherwise.A group of explorers learn that there is a white teen living in the jungle amongst 'those savages', so they kidnap her and take her back to civilization. A problem arises, however, when an unscrupulous man contemplates harming Liane because she might be the heir to a family fortune--and he's counting on having this money for himself. For this sort of movie, "Liane" is actually pretty good. While it's not a must-see or even a very good movie, it's a mildly enjoyable B-movie that has slipped into the public domain (and can be downloaded from the link on IMDb). My only serious reservation is that the actress playing Liane was only 16 and I worry that pervs might watch the film for all the wrong reasons. 12-18 year-old pervs are welcome...old creepy guys watching it are not!By the way, I was really surprised when one of the characters was referred to as 'Mr. Goehring'. Considering it was made only a little over a decade after the war, I certainly was not expecting to hear this name in a German film!

"Liane, Jungle Goddess" is a simple German Tarzan clone. Clearly aimed at the Saturday matinée market, it remains a worthwhile family film.It is a straightforward adventure story and was obviously made quite cheaply. There are few twists in the plot and there is a distinct lack of artistry in the storytelling and direction but it remains quite watchable after sixty years.The story tells of how white girl is found living amidst an African tribe and is rehabilitated to her family. As is so often the case in these stories, it emerges she is the granddaughter of a wealthy tycoon so, fairytale-like, she is set to inherit a fortune unless a jealous antagonist's plot is successful.The African tribes-people are initially treated as a marginalised "other" and have no voice in the initial stages of the film. It is only when one of them travels back to Germany with Liane does he gain a voice and he is shown to be an honourable protector. Nevertheless, throughout the black people are shown to be subservient to the white girl who leads them which is interesting given the film was made in a German still coming to terms with the horrific racial policies of its recent past.The early colour in the film is badly faded now. The sets are limited but emphasise the contrast between the rich western world and the jungle life but it condemns neither. Implicitly, though, there is the feeling the white girl belongs with the white people and that a return to civilisation is a better place for her.The initial mystery of Liane's origins is staged in a very rudimentary way, as is the plot at the end. More fun is seeing how she adapts to life in Hamburg and uses her jungle knowledge on her family estate.Marion Michael's acting is passable in a brave performance. Some other reviewers have raised the question of the nudity in the film. It is completely non-sexual in nature so conservative parents need have no concern. Indeed, there is no offensive material in this film at all, apart from possibly the representations of race mentioned above.Overall, this is a very workmanlike film and, on one level, it is sad to see how the German film industry had declined since the heady days of Fritz Land and the Weimar Republic. On the other hand, in its simplicity and wholesomeness, the film is clearly trying to capture something of innocence, an innocence that had been lost in the horrors of the Third Reich. Marion Michael herself was a refugee from Königsberg, evacuated as a child as her city was annihilated around her, so the fact that she was able to survive that absolutely horrific situation and find success in the film industry by personifying a character displaced yet holding onto a hopeful innocence, perhaps gave the German populace and, indeed, all of us a hope for humanity that the civilian victims of war may survive and overcome the trauma to create something so good and so wholesome.