Good , But It Is Overrated By Some

Exactly the movie you think it is, but not the movie you want it to be.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Copyright 31 May 1934 by Paramount Productions, Inc. New York opening at the Paramount, 18 May 1934. Sydney opening at the Prince Edward (on a double bill with the W. C. Fields comedy The Old- Fashioned Way), 13 October 1934 (ran 3 weeks). 9 reels. 80 minutes. U.K. release title: GIRL IN PAWN.SYNOPSIS: Man leaves his daughter as a deposit with a bookmaker. NOTES: Academy Award to Shirley Temple, best juvenile performer of 1934. Re-made as Sorrowful Jones (1949): 40 Pounds of trouble (1963); and again as Little Miss Marker (1980).COMMENT: Despite the fact that the title role is enacted by the one and only Shirley Temple, "Little Miss Marker" is actually a Dorothy Dell vehicle. Shirley gets to sing only one song ("Laugh, You Son- of-a-Gun") — and that in tandem with Miss Dell who also has two solos ("Black Sheep Blues" and "Low-Down Lullaby"). The musical program is rounded out by Lynne Overman and chorus rendering "East Side, West Side, Sidewalks of New York" and "The Bowery". Miss Dell is a very able actress — and a most accomplished singer — but you are excused if you don't recognize her. She had previously starred in "Wharf Angel" and after this film made "Shoot the Works". Before the latter film was released, she was killed in a car accident.Unfortunately, despite the skill of Miss Dell and the obvious charm of Miss Temple, this first version of "Little Miss Marker" doesn't really stand up to any of its re-makes. The fault can be proportioned equally among the scriptwriters, the director, and the rest of the players. Too much dialogue, too slow a pace, too little dramatic tension (despite a few promises and hints now and then).As a result, the film lacks punch, sharpness, contrast. The characters are all too wishy-washy. We are never led to believe for one moment that Menjou is as mean as he says he is, or that Bickford (for all his customary blustering) as tough. In fact, most of the players seem miscast as Runyonesque types. Warren Hymer and John Kelly overact atrociously. However, the movie is reasonably attractive to look at, even if its lighting, costuming and staging are somewhat bland.

"Little Miss Marker" has been remade many times. Now, after seeing some of these films it's nice to finally see the original. The story is based on a Damon Runyan story and was one of Shirley Temple's earliest full-length roles.The film stars Adolph Menjou as Sorrowful Jones--a hard-hearted bookie whose all-consuming love of money and gambling is soon to be challenged by a cute kid. That's because a sap leaves her (Shirley Temple) at the gambling establishment--with the intention on coming back for her. But, when he loses, he kills himself--leaving little 'Marky' an orphan. Now you'd think that Jones would take the child to the police. However, he comes up with a scheme with an even harder-hearted guy, Big Steve (Charles Bickford)--they'll register a horse in the child's name and then take the kid to the cops AFTER the big race! There is a problem with the plan, however--they don't realize how absolutely marvelous the child is and how she'll melt their stony hearts. There's much more to the film than this--see it and have a nice time doing so. The film gets very high marks for entertainment value, and Temple IS about the cutest thing you've ever seen! The film isn't perfect and makes little sense, but if you can just sit back and enjoy the film for what it is, then you will no doubt be happy you did. A swell film.

This is a precode film, so the bad guys don't have to be punished for their crimes, and its a good thing because most of the lovable characters would have ended up with long jail sentences if the film had been made a year or two later.This movie may be disappointing for Shirley Temple fans as she does relative little. Most of the movie concerns the rough gangsters whose life is disrupted by her. They are wonderful characters, while Temple does little more than act like "the doll" that the characters often call her.Adolph Menjou and Dorothy Dell really carries the movie. Menjou gives an hilariously understated performance as cheap gambler "Sorrowful Jones" Menjou was a fashionable dresser, so it is particularly funny to see him unkempt in wrinkled clothes for most of the movie. Whereas Walter Matthau played the role with a wink, Menjou plays it quite straight. Sorrowful Jones is a sorrowful human being in this movie. Dorothy Dell gives a terrific Mae West style performance as gangster moll/nightclub singer Bangles Carson. It is assured and polished, and it is impossible to believe that she was only 19 when she did it.Incidentally Dorothy Dell and Dorothy Lamour were best friends as teenagers. When she won the Miss USA beauty pageant, Dorothy Dell invited Dorothy Lamour to come with her to Hollywood. In her autobiography, "My Side of the Road," Lamour notes that they went to the premiere of the Marx's Brother's "Animal Crackers" together in 1930. Dell helped and influenced Lamour to start her career.Also watch some of the great comic actors in small parts here. Lynn Overman as Regret and Warren Hymer as Sore Toe are flawless.This film is more than an excellent Shirley Temple star vehicle, it a comic masterpiece with Shirley Temple as the icing on the cake.

Despite only two songs, it's another entertaining Shirley Temple film. The story is familiar; it's been done several other times, once under the name "Sorrowful Jones," with Bob Hope. This movie is a bit different from that one, so you could own both and have two different slants on the famous Damon Runyon story.This version has a lot more comedy from the supporting players, since Temple is cute but she' isn't going to be the main source of humor as Hope was in his films. In here, all the bookies and gangsters provide the humor. The leading male, played by Adolph Menjou, is a sourpuss but still likable. The leading adult female, Dorothy Dell, was a bit tough-looking, I thought, for this role.Temple doesn't play as sweet a role as she did in most of her films, but she still has her tender moments. Nobody can produce a sentimental scene as quickly as Shirley could. In all, a nice film and enjoyable from start to finish.Note: This was the best colorized version I have seen of Temple's films. Perhaps that was because MGM did this, not Fox, which did the others. It advertises "stereo" but I didn't hear any.