For all the hype it got I was expecting a lot more!

Excellent, Without a doubt!!

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

Blistering performances.

"They've never been on a building site. Not to say that that's, you know; not to say that the dirt under your fingernails is some sort of badge of honor. It's not. It's just a fact, you know. They never had a paper route, you know. I had a milk route and stuff like that. I've working on building sites. That fundamentally makes my soul a lot more purer than theirs." --- Noel Gallagher on the rivalry with Blur. The best part is that he said it with a straight face.

This could have been good...and some of it was, but first of all, someone should have told this filmmaker that there were more than five bands involved with the Britpop scene, for heaven's sake! And before I go further I must ask...what in the world has Massive Attack got to do with anything? The filmmaker obviously is a big Massive Attack fan, while the rest of us just do not care. Actually, I like Portishead but the mention of them was out of place as well.So, wouldn't you think a documentary about Britpop would be about the whole scene? There are a million bands that could have been mentioned. Where was Supergrass (except for the brief video clip)? Where were the Charlatans UK?They showed us Louise Wenner talking a lot but never showed us Sleeper. And not once did anyone mention the word "Madchester." Oh, there was the slight nod to the Stone Roses but everyone knows that Britpop is the direct result of Madchester and to not mention that scene (or Shaun Ryder) is a crime.Who cared what the guy from Loaded had to say? Shees! Could have gotten rid of that useless Damien Hirst as well. There was too much talk about New Labour and Thacherism...blah, blah, blah. Sure it was a factor but this is supposed to be about Brit-POP, not Brit-TAIN. Princess Di...totally irrelevant to the topic. This documentary about music needed a heck of a lot more MUSIC.How can you talk to Jarvis Cocker and never mention that brilliant Michael Jackson incident?So what did I like? First of all, it was a hoot to check back in with the Gallaghers since my mid-90s fanship has fallen off. Noel was a bit more articulate and bright then I remembered him, and Liam was a whole lot dumber. Boy, is that kid stupid. But that is what makes him a rock star. He is absolutely pure...a good looking ape that is dumb as a post...but it works. I loved the interview with Damon Albarn. He is the epitome of a really bright, talented guy who is completely fed-up with all the crap. He was so wonderfully disgusted with everything. And rightly so.

"Live Forever" is a brave attempt to document what has come to be known as'Britpop'. Unfortunately, it fails miserably. Most of the 82 minutes running time is devoted to the band Oasis, and the band's frontmen, Noel & Liam Gallagher - is Liam Gallagher that much of a dimwit? While Damon Albarn, and Jarvis Cocker,leaders of Blur & Pulp, respectively, don't get too much of a look in. In fact, after sitting through "Live Forever", you could be forgiven for thinking these were the only bands around.

7.5/10I thought that Live Forever was an excellent documentary capturing the phenomenon of the Britpop passage. It is worth noting that I think that even if you didn't get the whole Britpop experience it is still worth watching to try and understand exactly what the period of time tried to encapsulate. Dragging Britain from a period of being totally dormant, to generating great music and creating an aura of genuine invincibility.Live Forever features the obvious candidates that are Oasis and Blur as the battle for number one captured a nation, whilst also giving an analysis of movie culture and the feel good factor that took over Britain during those 2/3 years. Massive Attack were also undoubtedly another factor in the way that Britain seemed to transcend itself to another plain, and although many will be put off by some of the language used it is worth remembering that the laddish behaviour of that period was a factor that boosted the industry and re-ignited interest in British pop/rock.The documentary also takes perspectives from a political sense whilst also highlighting perhaps a more sinister undercurrent to Britpop and the way it was used by stragglers and then dumped once the period was over. Whatever your perspective, it made me feel alive and was more than happy to re-visit that golden few years where the music was on another level and the country was swept with the feel good factor. Nirvana was the catalyst for the whole period that saw the change, and I was more than happy to re-visit Cobain's angst ridden voice, Oasis' brilliance and the competition that was Blur.