You won't be disappointed!

It's entirely possible that sending the audience out feeling lousy was intentional

Good films always raise compelling questions, whether the format is fiction or documentary fact.

Exactly the movie you think it is, but not the movie you want it to be.

Wow...talk about a ROTTEN pilot. The film begins with George Brent flying his sister, mother and father some place. However, the plane runs out of fuel. Now this is really a bad scene, as instead of just gliding down as any SANE pilot would do in a case like this, the plane inexplicably goes into a spin(!) and crashes into the ground. No sane pilot can be this bad but the film expects the audience to accept that it was just a mistake! What a sloppy setup.Following the crash, Brent goes through a period of a few years where he is aimless reckless. He travels the world--nearly getting killed or landing in jail repeatedly. Eventually he ends up back in the US and you see him buzzing a squadron of military planes--something that the film said was not against the law--though it clearly was and would have resulted at least in his pilots license being suspended or revoked! IT seemed odd that the deaths of his family caused him to become a jerk and not a morbid and brooding character. What a sloppy follow-up to the crash.After the US Air Corps incident, an old friend (Warren William) takes Brent under his wing--and introduces him to his society friends. Why introduce this nut-job to these folks is a bit beyond me! When Brent meets the woman William plans on marrying (Kay Francis), Francis almost immediately falls in love with Brent and they marry. While the idea of a smart and well-educated lady marrying a definite 'fixer upper' is silly, it does happen in real life. But, William magnanimously stepping aside good naturedly when this occurred is sloppy and tough to believe. It's a shame to see such a usually confident and good actor like William playing such a mushy wuss.Fortunately, while none of the film particularly made sense or was believable so far, at least the marriage went as you might expect in the real world. Brent continues to be incredibly irresponsible--having an aversion to work. At first, Francis is very long-suffering--but over time, Brent's attitude and actions take a toll on the marriage. She is incredibly co-dependent and always blames herself from not being able to change her loopy husband. And, even after they split up, the film seems to take the Tammy Wynette approach to life..."Stand By Your Man"....regardless!!! In other words, if you love an irresponsible man ENOUGH, things will magically work! What idiots!! What drivel!! Overall, this film is a great case of very good actors in a poorly written film. The characters rarely behave in a realistic or believable manner and it got boring watching them behave so stupidly. Brent, Francis and William were frankly ill-suited to such a crappy film that looks more like an insignificant B-movie than a film starring some of the top actors of the day. While I would watch anything these actors would appear in because I like them so much, most viewers won't be so charitable. And, since life is so short, why waste it with a film that had no right to be this bad.By the way, the worst line in the movie has to be "Poor devil...flying in the fog" as Brent looks out the window as a plane passes overhead. Talk about subtle!!!

Coming just before " Stranded" , a movie dealing with the plight of people left out in the cold ," Living On Velvet" ,if there were any doubt about it,shows how much Frank Borzage was an auteur.His sympathy for suffering people was infinite and the things he tells us still reverberates today.A man has lost all his family in a plane crash.So he is "living on velvet" now,playing the part of a faux bon vivant,incapable of "filling the void" .A man ("Gibraltar") will have to sacrifice his true love for a woman to give Clarence a reason to believe in life again.There are real saints in Borzage's work: Margaret Sullavan would do the same in " the shining hour" where she's willing to leave her husband she loves dearly so that two people will be happy.Like this ? try these ......"Phone Call from a stranger" (Jean Negulesco,1952) "Fearless" (Peter Weir,1993)

A young wife tries to bring her improvident husband's head out of the clouds before his dreaming spoils their relationship.What might have been a mere soap opera in other circumstances, here, thanks to high production values & a literate script, comes across as a fine, thoughtful drama. Most especially, however, the film owes a great deal to the trio of excellent performances which raise it above the ordinary.Kay Francis, crisply articulate, coolly sensual, plays the wife who wants to make a success of her marriage, but is afraid her husband will never come down to reality. George Brent, playfully sophisticated, is the pilot fleeing a terrible personal tragedy, feeling he has cheated death and life from henceforth is mere LIVING ON VELVET. Warren William takes what is essentially a supporting role and turns it into something special. As the wealthy friend of Brent's who loves Miss Francis terribly, he assumes the role of benefactor for the couple, swallowing his own disappointments in an attempt to see them successfully established in marriage. Together, the three stars enact a story well worth watching.Elderly Helen Lowell portrays Miss Francis' stern aunt. Samuel S. Hinds has the tiny role of Brent's doomed father. Slow-burning Edgar Kennedy helps to liven up a scene as an exasperated diner counterman.Movie mavens will recognize chubby Harry Holman, uncredited, as a nervous bartender.The brief & dangerous military air show flying sequence, early in the film, is especially well presented.

There's not much of a plot. George Brent piloted a plane which crashed killing his parents and sister, while he walked away with hardly a scratch. So he believes he's living on borrowed time - "living on velvet" as he puts it. But he meets Kay Francis, the fiancee of his best friend, Warren William, and they fall in love. William wants her to be happy and not only approves of their marriage, but helps them out by setting them up in a Long Island estate he rents at $4.50 a month. Still the marriage has its problems because of Brent's irresponsible attitudes about working.Although the movie is somewhat enjoyable at the melodramatic level, there is one sequence that had me in stitches. To appreciate it, you must know in advance that Kay Francis always had trouble with the letter "r", which often sounded like "w". I notice it in all her movies. Here, George Brent gently ribs her about it. The night they meet, he tells her he likes the sound of her voice, and asks her to say something nice and long. She begins "30 days has September, Apwil June..." "Apwil? Apwil?" he interrupts. "Repeat after me please 'Around the rugged rocks the ragged rascals ran'." Miss Francis repeats it, purposely exaggerating the "w" sound and starts her poem again this time saying "Aprrril", but letting the "w" sound creep in for some of the other months. It is a very funny sequence. As star of the movie, she easily could have suppressed that dialogue, but all the more power to her for letting it stay. It raised my opinion of her considerably.