Wonderful character development!

What a beautiful movie!

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Right - another prison flick. Another movie about a young black man, in this case 3 young black men, wrongly accused of a crime, convicted and sent to prison. The statement behind that injustice is bold enough. It's a bit "Boyz n the Hood" up to that point. Once it hits the prison - there are few comparisons to match some of the intensity (how's that for ambiguity?).This movie has a few valuable segments worth the rest of its deficits. A few scenes may take you to a place you do not want ever to be. There are moments in the prison scenes where the actors are so credible it might as well be real. The directing had flickers of greatness to capture that intensity.But just like that, in a flicker you're back to watching a $2 film worth a penny. Just watch it for the acting and directing behind a few prison scenes that fairly represent "Lockdown".

This film was so predictable that it almost scared me into thinking that I had become a psychic! I had to think about something, because there certainly was nothing in the film worth any brain cells. I think a group of amateur drama students in a high school could do a better job, if only having watched a few episodes of HBO's "OZ"!

Yes, this is a brutal film. It's scary to us who are not criminals or have not been around these types for any length of time. Since I am a fan of HBO's "OZ," I felt that I'd partake in this much talked about flick. I ordered the DVD and I'm pleased to have it in my collection, mainly because it introduced me to a couple of really good actors. Bill Nunn, as Charles, the college scout, I've seen for years on TV and in the movies. Richard T. Jones was new to me. If he is going to be a star, he shouldn't do what Sidney Poitier did: ignore his own lighting. The star MUST always be lit correctly, especially if he is darker skinned. Mr. Jones is a good-looking leading man type and he should "tend to his business" and make sure HE looks good on that screen."Lockdown" is an okay movie. Gabriel Casseus as Cashmere was appropriately ignorant and vacuous. His "don't care" attitude is pervasive in poor neighborhoods where people feel helpless and hopeless in America. It was not surprising that he, a drug dealer, with a violent demeanor ended up in jail and adapted easily to that macabre world behind bars.Of course it was different for Dre (De'Aundre Bonds) as the sensitive brother of Jones' girlfriend, Krista (Melissa De Sousa). Dre is not gay, but his good looks scream "woman" to brutes behind bars. He is viciously raped by two Aryan thugs the first day he arrives in the big house. He is immediately frightened into becoming Graffiti's "bitch," sexually available at "his man's" will. Graffiti (David "Shark" Fralick) is a muscular and insane drug dealer who is in competition with the head black dealer, Clean Up (played by rapper, Master P) who is a psychotic, disgusting character who would kill you for a nickle, no problem. His speech is as brutal as the part he portrays.The movie is about survival, and that is what Avery (Jones) has to do, if he wants any kind of life and future. Yes, the characters are sterotypical, but aren't they always in this kind of vehicle?The sex was played down in this, as it is in all American-made prison films. Americans are very squemish about man/man sex and DO NOT want to see it on the screen. Two woman. That's okay. When are we going to grow up?If you liked "OZ" you might like this. But be prepared. It's not an easy watch.

"Lockdown" is a pathetic attempt at film making with a litany of deficits too long for this forum. The film fails in everything from over-acting to silly stereotypically characters to awful directing to....etc. Not recommendable for anyone for any reason. (D)