What a waste of my time!!!

An Exercise In Nonsense

This movie was so-so. It had it's moments, but wasn't the greatest.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

This title can best be described as a '' Pay it forward '' on the Philipines. Without the glitter and the glamor of a Hollywood flick, it tells the heartwarming story of a young boy from a poor family, trying to arrange the burial for his grandmother. Of course he teaches the so called adults around him that they have to break their lethargy around certain choices to get further in life.I had to get used to the simplistic way of filming. It felt a bit cheap, comparing to most of the similar films made in the U.S. But as the story evolved, I also started to like this simplicity because of the authentic view it gives us of poverty in the Philipines. It never felt artificial, as most of the American movies with similar themes usually do. Its characters are humans of flesh and blood, and although their acting is stiff and sometimes uncharismatic, they feel natural. But still, at the end I felt a bit hollow. This usually happens when I liked a movie but when there is some aspect that doesn't really fulfill my expectations. The ending is cheesy, predictable and far from original. It doesn't surpass the level of those cheap '' based on true stories ''- movies or anything inspired by the books of Danielle Steel. And to add more criticism; the soundtrack is incredible awful.My conclusion: At the end it's not that great, but that doesn't mean that I couldn't like this cute story. Especially the scene in which our little hero measures up the size of his grandmother is truly heartwarming. This is for the sensitive moviegoers, cynics shouldn't even bother to try it!

Unfortunately, I never got the chance to watch this film in Germany when it won its awards at the Berlin Film Festival in 2004. I only had the chance to watch it when I came back to the Philippines and I never really expected what impact it would have on me.First, it is obvious that Miss Yamamoto is a gifted screenplay writer and director de los Reyes will bring it far in his respective field if he will continue his great contributions for Philippine cinema. Maginifico is really an enlightment and inspiration towards the development of Filipino films. This is what the dying entertainment industry needs right now.The story and the sound effects were good, the music really fitted very well to the setting. The beginning scenes of the story weren't really captivating at all so one needed patience to get attracted to its plot. The scenes are simple but they become touching once the story gears to an end. In this film, no character has to wail or shout to catch viewers' emotions, the reality and frankness of the film was so direct and impressive that the story simply forces you to cry at some point. I never really cry at movies, even Hollywood tear-jerkers have no effect on me. This one has just awaken so much truth and reality in the Philippine society of poverty and innocence of a child, it really is heartrending.One thing that could have been improved are the visual qualities of the film, they are really not compatible to global standards. And there were too many scenes at the story that were really out of topic etc. but otherwise, this film really is a knockout. It is a great contribution to the local film industry and films like these with high quality deserve good production and not only support for the commercial mainstream in the Philippines but also in cinemas worldwide. It can really par with many Hollywood masterpieces.

I can't figure out why people are saying that this film isn't melodramatic, because it really lays on the sap. It follows a formula we've seen before of inspiration and tragedy, all just to get a few cheap tugs at the heartstrings. The story's evolution is not convincing and the dignity of the poor aspect is overplayed for what it is worth.All that said, there are redeeming aspects. Most notably is the cinematography. The images are all well lit for depth and contrast of cool and warm colors. Also, the camera shots from low angles with wide lenses give an overall visual perspective that rings true as the way a child would see the world. There is also some good scenes between the protagonist and his grandmother and his sister. These three were probably the best actors to boot.In the end, it is not something worth going out of your way to see though.

A Filipino cinematic gem that went largely unnoticed during its commercial run. Thankfully, it got the acclaim it truly deserves when it won both the grand prix and children's jury prize -- a feat never before achieved -- in the 2004 Berlin Film Festival.A Palanca-winning story, masterful directing and great acting from just about everyone in the cast, but most specially child actors Jiro Manio, Isabella de Leon and the boy who played Manio's best friend, combine for a viewing experience you will remember long after the credits roll. Poverty and death do not beg for sympathy and tears in this movie, but they are likely to fall just the same.Could be veteran (though nonetheless underrated) director Maryo J. delos Reyes' most heartwarming, uplifting film.