Mami, La Moula
Mami, La Moula
| 10 January 2020 (USA)
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Fatima, in the beginning of her twenties. She cooks, takes care of her child and does her everyday house cleaning. Gradually, her life begins to change, she worked as a cleaner, her husband abused her, she asked for help, and then escaped away to live in a social house. After escaping with the hope of having a better life, she is suddenly faced by another problem related to the status of her child. The director was shooting with an iPhone since meeting Fatima to make a semi-fiction movie. But instead, Anhar kept the footage and continued shooting with her personal phone for documenting Fatima's new dramatic changes more closely, in the sake of keeping the same relationship and distance. At the same time, the film tries to emphasize Fatima’s emotional/occasional status throughout the film by using more vivid images connected to her situation, places, and old memories as an ex-dancer back in Algeria.

Reviews
Comwayon

A Disappointing Continuation

Ogosmith

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Yash Wade

Close shines in drama with strong language, adult themes.

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Frances Chung

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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