People are voting emotionally.

The film makes a home in your brain and the only cure is to see it again.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

I had read/heard many of the stories talked about in this documentary over the years but it was very nice to see them all put together in one form. It gives great insight into what truly goes on behind the scenes in the intelligence community that most people are not privy to.Anyone using the mindset of comparing this to Zero Dark Thirty are going about things the incorrect way. Zero Dark was a glamorized Hollywood story that actually was a project about the failure to capture UBL until ST6 accomplished their mission. Once that mission was completed, the script for Zero Dark changed.This documentary starts before anyone in the intelligence community even knew Al-Q existed and how their rise to prominence was dealt with along the way.Manhunt should give those that watch it a great understanding of how years upon years of hard work can and does pay off. While not glamorous, the most important people in the battle against those who commit evil are the ones you know nothing about.

I went into the theatre expecting this to be a more sober, objective and documentary- styled version of the events depicted in Zero Dark Thirty, but I was very much surprised by what I ended up seeing. The interview objects, or characters if you will, with very few exceptions all struck me as having frighteningly little ability to question the events they were at the centre of on any moral level. It's possible that this is of the director's doing, but regardless I left the theatre with the feeling that the film was mostly about people defending their reputation as good workers among their superiors and co- workers after an office quarrel, and not even remotely about the larger moral questions of what the military and intelligence bureaus are doing to human beings in other countries. I was extremely disappointed. To me this film appears pointless. And in the light of how important and complex the events it circles around are, crushingly so. I also left the theatre with an ominous feeling of that if the level of intelligence displayed in this film is representative for the people in charge of some of the most powerful organisations on earth, then we're all in trouble.

This is an HBO documentary about the hunt and the killing of Osama Bin Laden by the Americans. It's great to see an inside look at the team that was tasked to hunt for Bin Laden. Certainly there's a sense that some parts are being left out or glossed over. It's hard to determine whether it's a matter of personal views or actual secrecy requirement. But overall it's important to see what actually happened. I found the interviews with many of the people involved very compelling. Sadly, some of the main people weren't there. One in particular was killed in Afghanistan.

I saw this on HBO recently. It is a great counter-point to "Zero Dark Thirty" which, it is now even more clear, summarized and dramatized the work of a group of CIA analysts that spans many decades. The character "Maya" from Zero Dark Thirty is shown as a young analyst obsessed with catching OBL. The truth is that there were a group of analysts, mostly women, who were all collectively obsessed with catching him, and their work spanned a time frame much longer than many know, going back around 10 years before most of the public had ever heard of OBL.This movie sheds more light on what goes on behind the scenes and (without revealing any secrets or classified information) how analysts collect and organize the blizzard of seemingly unrelated data to draw conclusions and direct agents in the field. It is hard to imagine working on such an unbounded, complex problem for 10, 20 or even 30 years without reaching the goal, and then to finally and suddenly get there. It makes it clear that the credit for stopping OBL goes far beyond one analyst, one special forces operative, or one president, and is the culmination of dozens of person-years of hard work.I found the interviews to be very candid, much more so than I expected, and they touch on subjects such as how information is relayed between analysts and agents "downrange", how analysts can get comfortable with the idea of hunting people down and killing them, and whether or not "extreme interrogation techniques" are useful or morally acceptable. The CIA can have an image of being bureaucratic, incompetent, and occasionally brutal and arbitrary. However, the people interviewed come across as passionate about their work, dedicated, empathetic, and extremely human despite the intense jobs they have.Rather than just have people talk into the camera, the producers spiced things up with scenes of analyst whiteboards, connect-the-dots type animations, eerie footage of battlefields and locations in the middle east, dramatic but staged scenes of analysts talking while driving through well-known DC area locations, etc. This is primarily just eye candy but serves to move the narrative along and give you something to look at while they unveil the story. I didn't find this distracting but I can see how some people would.Overall well worth watching if you are interested in the subject and are open to a relatively favorable view of the CIA and its employees.