All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

One of the most extraordinary films you will see this year. Take that as you want.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

This is another Japanese flick, like Premonition (Yogen) that I wanted to praise much higher, but it just missed it by that much. The premise of the film is very compelling and most of the movie has that unsettling sensation (like when someone is staring at you from just outside your peripheral vision). There was one part in the movie where I had to rewind it several times just to check to see if I really saw what I was just looking at (if you've seen it already, you probably know what I'm talking about). When the voyeuristic main character enters into the underworld, he has a compelling conversation with a strange passerby and then after that he brings a cannibal chick back to his apartment to eat him in sessions. Got all that? I'm not giving anything away, so rent and enjoy!

This movie is a pleasant offering for any fan of Japanese cinema and weird mystery movies. I just gave this movie a try because I was attracted by the strange cover of a naked woman and a press text on the back that compared this movie to the works of Cronenberg and especially Lynch which I admire.This movie is not as strange and difficult to follow as the works of a David Lynch, but it comes quite close and proves its uniqueness with a weird fantasy story and many original ideas that make you doubt what is reality or illusion in this movie as the frontier between both is a very small path. The movie lives by its strange and mysterious main character, by its dark and frightening scenes in the metro or in the strange apartment and by its idea that the main character films everything he sees. The dark footage, the minimalist dialogues and the atmospheric and frightening music create an intense and uneasy atmosphere like in a morbid horror movie plus the Lynchian weirdness and Japanese originality as well as a shot of intellectual or philosophical content. That's a highly explosive mixture even though it is a typical slow paced flick like many in this genre. I really suggest you to watch this flick if my description already made you curious.This is a dark tale of an isolated and frosty man that wants to discover such an intense emotion as deadly gripping fear after he has accidentally filmed the suicide of an unemployed in a metro station. The main character wants to live the same emotion, stops to take his pills against depression and goes out to look what could have frightened the suicidal man in the metro as he is convinced that the man has seen something frightening out there. In the depths of the metro, the main character discover a strange underworld where strange spider men or robots live as well as some beggars and the ghost of the suicidal guy. He later discovers a strange and abandoned city in between some mountains of madness where he meets a naked and pale girl that is imprisoned in a small cave by a chain. The main character liberated the girl and takes her home. But she is very strange as she doesn't speak a single work and refuses to eat or drink anything that her new friend wants to offer her. As the main actor then gets strange and menacing calls and is observed and followed by a hysterical lady that says that the strange girl was her daughter, the camera man realizes that a strange secret surrounds this wicked girl: she needs blood to live and forces her saviour to look for new carcasses if he doesn't want to fail his strange mission and get menaced by the strange calls.

This movie seemed to derive itself from the works of Abe Kobo, a Japanese existentialist novelist who created vast unseen worlds. The underworld presented in this book was much like those of Abe. The main character has no charisma and evokes no sympathy; however, as a viewer, I couldn't wait to see the next thing that would happen to him. He is a man obsessed by video, video-taping his whole day, then reviewing the tapes until late into the evening.A suicide, which he films, starts him on his journey into the underworld. He comes back with a mute vampire, who he is compelled to feed, eventually through a couple of matter-of-fact and video-documented murders. The movie is low-budget: The underworld is spiral stairways and municipal tunnels opening to what looks like a mountain-scape. None of these venues look like sets, but have a more mundane feel. The acting and directing is solid. I was disappointed by the ending which, I must confess, I didn't "get"...

A strange film by Grudge writer/director Takashi Shimizu.Shinya Tsukamoto (Ichi the Killer) is consumed with finding out the source of terror that caused a man to stab himself in the eye. He wants to experience the same terror - terror so horrible that it would cause you to want to kill yourself.He goes underground looking for the beings that inhabit the tunnels under Tokyo and finds a naked girl, who he brings home to live with him. The girls is more animal than human and he kills to provide her blood rather than give her his own blood, which she wants.It is not certain throughout whether he is going mad or finding what he is searching for. He even tries to escape, but resumes the search until he finally succumbs to the terror.Despite the shaky camera work, which some like, but which distracts me, it was a fascinating look at terror and certainly a film that contains much more than available at first glance. A blend of mysticism and horror, it is a worthy view for fans of Japanese horror.