Instant Favorite.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

One of the best movies of the year! Incredible from the beginning to the end.

Still can not believe I managed to see this movie without falling asleep. I think it was because it contained some traditional Portuguese music, which gives it an exotic and unusual touch. At the beginning of the movie I thought that Laurie Anderson would have anything to do with it, the music of Mark De Gli Antoni and some of the text recalls her albums! I noticed that the Art Direction is made by someone with a Portuguese name which may explain the presence of "fado" (the traditional Portuguese music). Julianne Moore and Matthew Broderick give their best in these crazy, unusual and pointless roles in a movie full of pointless and pretentious scenes and narrative solutions. I imagine the authors with a glass in their hands at any party full of New York intellectuals saying that the public is ignorant and does not understand a work of art like this... Who knows?

"What do I know about man's destiny? I could tell you more about radishes." -Samuel BeckettMarie and Bruce tell me what I otherwise often take for granted about radishes, for me an apt metaphor for long-term relationships. Marie dwells on her disgust for her husband, Bruce, ad nauseam, and she continues to "bite" into him, taste the disgust anew, and "bite" again. This disgust seems to be the driving force behind the reverie that leaves her craving for that radish all over again. Bruce goes about his day, being the radish, knowing it, accepting it, even flaunting it in the face of Marie's disgust, vised between her gritted teeth. Some dialog reflects apt wisdom from John Gray's Men Are From Mars, Women Are From Venus, and Deborah Tannen's You Just Don't Understand: Women and Men in Conversation. Taste for radishes may be something acquired, as is taste for theater of the absurd. Bravo Wally and Tom. I love Beckett, Pinter, Ionesco, Stoppard, ... and you.

Wallace Shawn, the author of "Marie and Bruce", who wrote the original play in which this film is based on, is a man whose work in the theater leaves a lot to be desired. I don't wish anyone the experience we had with a play he co-wrote with a brother and that was seen at the Mineta Lane Theater in New York about three years ago, in which the audience kept leaving the performance because it was insufferable. This same quality can be said about this adaptation of yet another one of his works for the theater.Directed by Tom Cairns, who also translated the material for the screen, shows us a couple of misfits that have been together far too long and would have been better off dissolving their marriage some time ago. The main attraction for watching the picture was Julianne Moore and Matthew Broderick, both great actors that put in a brave appearance to be in front of the camera playing these people. One wonders why hasn't Marie left Bruce a long time before? It's easier to see why Bruce has stuck to the situation because he doesn't have much to offer anyone else in her right mind.The film can infuriate would be viewers who would not have enough patience to sit right through it.

I was very impressed with this movie, the acting was great,the writing was great, the sets were great. very little to say bad about this movie, which follows the end of the beginning of the end of a marriage. people say things outloud that one might say in one's head and the results are comical, insightful, and thoughtprovoking.among the dozen or so movies i saw at sundance this year, with a complete package, i put this in my top 5.