Massacre Mafia Style
Massacre Mafia Style
| 19 December 1974 (USA)
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Terror reigns when Mimi, the son of a deported Don, along with his associate Jolly Rizzo wage a bloody war for control of the West Coast underworld, battling hordes of hard-boiled mobsters and deadly black pimps on their rise to the top!

Reviews
Inclubabu

Plot so thin, it passes unnoticed.

Claysaba

Excellent, Without a doubt!!

Solidrariol

Am I Missing Something?

TaryBiggBall

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

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Coventry

"The Executioner" a.k.a "Massacre Mafia Style" – which obviously is a much more apt title – was promoted to me by fellow genre fanatics as THE ultimate must-see cult exploitation classic of the seventies. It took me quite a while to track down (apparently it's also one of the most obscure cult exploitation classic of the seventies) but eventually I'm very glad that I took the effort. Not because this is such a great movie, quite the contrary in fact, but the least you can say is that "Massacre Mafia Style" is truly a unique accomplishment and definitely unequaled in terms of ineptitude and entertainment value. This is somewhat the one man project of a good old pal named Duke Mitchell. Duke produced, wrote the screenplay, composed the soundtrack, sat in the director's chair and depicted the anti-heroic lead character in this unsung grindhouse variation on the immensely popular "The Godfather". Duke Mitchell was a godfather, all right… The godfather of absurdity and sheer incompetence! The film is a non-stop series of pointless shotgun assassinations (the craziest you'll ever see), altered with incredibly overlong and wannabe philosophical monologues about how traditional Italian families in America are dishonored by the mafia's vicious reputation ("you see this old woman's hands? They smell of oregano and gave us pizza, lasagna and some of the most appreciated foods in the world! But what did we give her in return? We gave her violence, death and dishonor!"). What the hell, indeed! Mitchell's character Mimi Miceli returns to the US, many years after his father got exiled. Together with his childhood friend Jolly Rizzo he intends to work his way back to the top, but he merely only succeeds in becoming an efficient hit man and raising a couple of family feuds. The opening sequences of "Massacre Mafia Style" are legendary, with Duke Mitchell and his buddy Vic Caesar strolling around an office building and liquidating everyone in sight (including secretaries, black guys with immense Afros and a crippled man in a wheelchair) to the tunes of a cheerful Italian party song. This scene as well as all the other massacres in the film, are supposed to be extremely violent and nihilistic, but they're actually downright hilarious and the complete opposite of shocking. The poor people who volunteered to appear in this mess of a movie are just standing around, not looking the least bit surprised by the sounds of screaming and heavy shotgun fire, waiting to be killed next to the elevator or behind their desk, and the next shot shows their exaggeratedly bloodied body. I have a lot of admiration and respect for Duke Mitchell, because he made this movie even though he probably realized himself that it is spectacularly awful in all possible departments, but I can only recommend this to a very limited number of people. Crazy cult fans, rejoice!

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Gangsteroctopus

If any movie ever made Italians look bad, this is it.Duke Mitchell - what an A--HOLE. Duke Mitchell, I s--t on your grave. Seeing as practically every person gunned down in this film by the cowardly Mimi is either black or of some other racial or ethnic minority, it's hard not to become convinced that the guy ultimately owes his allegiance to the Ku Klux Klan or skinheads. Awww, but he doesn't shoot the little black kid in the elevator in the opening sequence, so that means he can't be all bad, right? WRONG. Typical softheaded sentimental tripe.While I do understand why some people might be struck by and even, to a certain extent, admire the film's audacious, totally un-PC verve (it's certainly unashamed of its own hatefulness and sense of self-involvement), this doesn't change the fact that the main character, Mimi (and, by extension, Duke Mitchell), is thoroughly loathsome human being who earns not one iota of empathy or interest, especially given that Duke Mitchell is such a COMPLETE BORE as a performer. But what do you expect from a guy whose main claim to fame (apart from this dog t--d of a movie) was being a second rate Dean Martin imitator?

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surgeonsgirl@hotmail.com

Oh my. It has been so many years since I saw that preview, but I never forgot it. Three minutes of non-stop violence, no dialog (not that it needs any), the infamous "urinal scene" and all accompanied by a VERY catchy little song about being in love?! Finally I get to see The Executioner, on a Danish-subtitled bootleg of all things (and FYI I guess certain bad words don't translate well into Danish; ha ha) and I'm just blown away. I won't write a "spoiler" of the plot as, to be honest, I don't completely understand it . Not that it matters, I was still very very entertained and find Duke Mitchell completely fascinating. He's gotta be THE sleaziest non-porno person I've EVER seen on screen and was apparently a lounge singer prior to making the film; he contributes some unbelievably schmaltzy tunes to the soundtrack too. Someone, PLEASE dig up the negative or a nice print and release a proper DVD of this classic film! And while you're at it maybe write a biography of Duke Mitchell too!

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Doug Galecawitz

This mega cheapo budget film has all of the plot devices of The Godfather and none of the acting, directing, writing, cinematography, special effects, choreography, camera work, or general feeling. I haven't seen the Plan 9 From Outer Space but this easily has to compete with it for worst acting. Every word, every line sounds as forced out as every line in Pink Flamingos. Getting the actors to time their movements even was disaster. This movie also has the distinguishment of being one of the most racially challenged movies ever. The only black man in the film is called Super Spook!!!!! Super Spook is actually crusified!! The Italian American community is portrayed as dumb mob hoods who revel in Spaghetti! The movies mob bosses are weaklings who forgive having relatives killed and body parts cut off. The only worth in watching this is knowing you could easily do a better job. How bad is the writing? When a mob boss is kidnapped his finger his cut off and mailed home with a ransom note, a friend upon reading the note and seeing the thumb utters the stupid line "That's Chucky's thumb all right, I've seen it on him a million times" A THUMB!!!!! Give this movie a three out of ten, for hilarious stupidity and a wacked out soundtrack!

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