Fantastic!

Best movie ever!

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

For some reason unknown to me I received this video as a prize/gift from a company called 'Argus Press' who in the early '80's were one of many prolific ZX Spectrum games producers. Don't remember entering a competition, but there you go....Anyhow, the film was brilliant, and not to be confused with the later TV series that, from the other write ups, I now learn of.If this film is not on DVD then it should be. The dark urbun setting of some nightmare future is perfectly portrayed and the story is much as has been described in previous reviews.Blipverts! - I'm surprised they aren't on Fox nowadays, in saying that the most indolent members of society may be most at risk there! The one thing that hasn't been mentioned, but that should be emphasized, is the fantastic soundtrack, coming as it did from the pen of Midge Ure who had recently departed the prolific 'Ultravox'. The setting, soundtrack, script and performance from a tremendous bunch of characters made this a film that, to this day, I still pull out of the loft and watch on my annual pilgrimage back home for Christmas.To me its the urbun dystopia, the (then) futuristic use of desktop computers to track the action and the soundtrack that made this one hell of a movie and one of the most unsung of the 1980's.

Why this movie has never been put to DVD is beyond me. A wonderful cast of actors, Matt Frewer, Morgan Shepherd, Hilary Tindall, Paul Spurrier, Amanda Pays, Paul Spurrier and George Rossi.Matt Frewer and Amanda Pays are TV reporters who find out that a corporate TV company that controls what people watch run by Ben Chevio (Constantine Gregory) is developing a new type of advert - a Blipvert - to entice people to buy goods, unfortunately it has some unexpected side effects, Max Headroom (Matt Frewer) is created following a slight accident whilst trying to get away from Paul Spurrier and George Rossi (Breugal and Mahler - body part dealers who have been retained by its designer, Byrce Lynch (Paul Spurrier) to dissuade people from finding out about the project.Whilst escaping on a motorbike Frewer hits a closing – remotely closed by Bryce – car parking barrier and suffers head injuries, Frewer' personality is taken from his brain by Byrce Lynch and made into a computer generated TV icon as a pet project.Blank Reg (Morgan Shepherd) and Dominique (Hilary Tindall) owners of BIGTIME TV find the computer containing Max by accident and decide - when they power it up and see Max, to broadcast him as a presenter on their network.Theora Jones (Amanda Pays) then attempts to regain the personality to put back into Frewers head after rescuing him from the body bank.There's a lot more to it but overall an excellent movie, if the powers that be don't release this to DVD they themselves should receive a visit from Breugal and Mahler themselves.

I loved this film back in the 80s, and its story of CGI characters to replace real people for TV is easily a possibility now. This is my favourite film ever, infact I only found out today that the its less than an hour long - theres so much going on Id swear it was 90 mins plus.Anyone who is remotely into Sci Fi or computer graphics should see this, or anyone who just likes unusual films and fancies a break from the norm without being bored.If this was a Manga cartoon instead of a British film, it would be massive!

Like the TV show that followed it, the "Max Headroom" movie was a great grim look into a bleak, Blade-Runner-esque future ruled by corporations who keep the proletariat down by anesthetizing them with junk food and mind-numbing television pageantry. The parallels are frightening, or haven't you seen a Jerry Springer audience lately? The UK movie is, if anything, even grittier and more creepy than the eventual US pilot and TV series. It's out of print, but well worth searching out -- a dramatic, thought-provoking example of everything that's good about science fiction.