Who payed the critics

one of my absolute favorites!

In truth, there is barely enough story here to make a film.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

There's really nothing too interesting to this 30-minute short film. We see two very well-dressed men with canes in the distance strolling and moving a bit closer to the cameraman who made this film. The history behind it has some significance though. One of the two is William McKinley, he next President of the United States of America. He was portrayed on very many short films during his presidency, but this one here is actually one of two shorts that show him not only before he entered office, but even before the election. Sort of the first political movie star, long before Reagan. And there would have been certainly many more films if it hadn't been for McKinley's assassination shortly after his re-election in 1900. One to watch, not for the action, but for its historical context.

This is an approximately 35-second long Lumière Brothers actuality that shows the 25th President of the United States, William McKinley, at home in Ohio. As you might expect in a Lumière Brothers short, McKinley walks at an oblique angle from the front of his house to a planter in the front yard, then out of frame. An unidentified man walks with McKinley on his right hand side. At about mid-frame, just to the side of the planter, they stop, the man hands McKinley a paper, he puts on a top hat, he writes something on the paper, hands the paper back to the man, removes his hat, and they walk out of the frame.Depending on how you look at it, McKinley was either the first or second President to appear on film. The ambiguity rests on a couple technicalities. President McKinley at Home was actually filmed in 1896, when McKinley was campaigning for his first term--the actuality was probably taken during one of McKinley's famed "Front Porch" publicity events. Afterwards, another actuality was shot at McKinley's first inauguration in March 4, 1897, but Grover Cleveland, the 22nd and 24th U.S. President (he served two non-consecutive terms) was filmed first--he attended McKinley's inauguration. So Cleveland was captured on film as President moments before McKinley was captured on film as President.This short is not the most fascinating Lumière Brothers work from an artistic standpoint, but of course it is of historical value. It's interesting to note how conscious of the camera McKinley and his companion are--they hardly take their eyes off of it while they're walking. Like many other Lumière "documentaries", it's intriguing just how clearly this scene was staged. McKinley and his companion stop just to the side of the planter as if they're hitting a mark. Their gait is very deliberate, as if timed to last the length of the film before they exit the frame. McKinley carefully places his hat on his head and takes it back off, as if to offer different "looks" for photographs.Although McKinley may not have been the first President captured on film, he's certainly the first President for whom film captured many important moments, including scenes from the Pan-American Exhibition in Buffalo, New York, where McKinley was assassinated in 1901 at the beginning of his second term (although film of the assassination itself does not exist). Most of the McKinley films were produced by the Edison Manufacturing Company.

This short "documentary" from 1897 can be found in the Landmarks of Early Film DVD. Basically what it shows is President McKinley walking out of the White House, signing a piece of paper handed to him by a young man next to me, and then just strolling toward the camera for a few seconds before the film is over. Although this short does not have the charm and insight of the work of the Lumiere brothers, it is still fascinating to watch. You can see that McKinley is trying not to be different because there's a camera around, as is the young man next to him, but they are both greatly affected by its presence. You can also the wears and worries in McKinley, in his posture and movement, because he is far removed and you can hardly see his face. Even though this short decided to film someone of a stature far removed (instead of people exiting a factory or a train pulling into a station), it is still wonderful to watch, but for the few seconds you have to watch it.President McKinley lived a long time ago. It took me a while to realize just how long ago this man was president. But this captures him. And now, he's timeless. My grade: 7/10

William McKinley was an extremely popular President. (The man who assassinated him was a crackpot nihilist, who shot McKinley merely because he was the President ... not for any motive relevant to McKinley's policies.) Among McKinley's other achievements was his very dignified method of campaigning. McKinley refused to 'run' for office: instead, he made public appearances on the porch of his home near Canton, Ohio, politely answering the questions of reporters who came to interview him.This brief film purports to show William McKinley at the moment when he receives the Republican nomination in the summer of 1896, but it's actually a re-enactment staged several weeks later. At this early point in the history of movies, most 'newsreels' were doubly phony because the kings and generals depicted onscreen were actually anonymous actors in disguise, re-staging recent events. *This* film is also a re-enactment, but at least it features the actual people it claims to depict. William McKinley's brother Abner and his mentor Benjamin Harrison (the former President) were stockholders in the Biograph Film Company, and they persuaded McKinley to appear onscreen. A two-man camera crew arrived at McKinley's home in September 1896, setting up their equipment outside McKinley's L-shaped house. McKinley comes out of the house with his secretary, George Cortelyou, who formally hands McKinley the nomination documents (actually, a prop). McKinley glances at the papers, takes off his hat to reveal his receding hairline, and mops his large forehead with an even larger handkerchief.That's it. If you look closely at the porch in the background, you can see McKinley's wife: the former Ida Saxton sits on a rocking chair on the porch and fans herself during this gripping action. Mrs McKinley was a frail invalid: in private, she was pushed about in a wheelchair; in public, McKinley and his advisors went to great lengths to conceal her condition. When McKinley was fatally shot (in 1901, with George Cortelyou nearby), it's noteworthy that he ignored his own condition and spent his last conscious moments imploring Cortelyou to look after Mrs McKinley. By all accounts, the McKinleys were deeply in love. If he had lived, he might have been one of America's greatest Chief Executives ... he was certainly one of the most beloved.This movie is a vitally important historic document, but because it's a staged re-enactment I'll rate it only 9 out of 10 instead of a full 10 points.