Waste of time

That was an excellent one.

hyped garbage

One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

Meet Mr. Lucifer is directed by Anthony Pelissier and adapted to screenplay by Monja Danischewsky from Arnold Ridley's (later to play private Godfrey in the long running situation comedy) Dad's Army) play (Beggar My Neighbour). It stars Stanley Holloway, Peggy Cummins, Jack Watling, Barbara Murray, Joseph Tomelty, Humphrey Lestocq and Gordon Jackson. Music is by Eric Rogers and cinematography by Desmond Dickinson.Out of Ealing Studios, Meet Mr. Lucifer is one of that great studio's lesser lights. Homing in on a sort of fear of the new home entertainment of the 50s, that of the TV set, plot features a television set that moves from owner to owner and causes nothing but trouble for said owners. This of course is the work of Old Nick himself, here essayed with a glint in his eye by Holloway. Sadly the attempts at satire miss the mark, leaving us with a somewhat uneven mix of comedy and seriousness. On the plus side it opens the eyes to the iffy quality on the TV in the early 50s, while there's a roll call of fine British actors in the supporting (cameo) slots.Interestingly the Ealing hierarchy were very wary of the themes at the core of the picture, which explains why Pelissier was fetched in to direct. Knowing they themselves were uncommitted to the production goes some way to explaining the flat feel to it all. 5/10

Just seen it again after many years, and what now impresses me is a a surprisingly good and sharp script. The script's critique of the negative effects of TV addiction is excellent and prescient for its day, considering how early this film was made into the march of TV (1953) which would eventually supplant film as the medium for our diet of social media.Incidentally, my parents had a set for the 1953 British Coronation, amongst the first in their neighbourhood and thus became that day a focal point for all those who did not yet have a TV.The Miss Lonelyhearts segment would work today in the way it could manipulate all those Mr. Lonelyhearts out there. Kay Kendall was never so alluring.Having said that, TV is today as important to me as it is to anyone else, at least where news and documentaries are concerned. There are, probably, some good effects in the ubiquity of TV, but I personally wonder what the final balance is. It is interesting that the science fiction writer Arthur C. Clarke observed how, along with Marshall Mcluhan, the Canadian media commentator, that TV has created a 'global village' and even the poorest of households will own a TV, even in the worst of slums or favelas, as they are known in South American. Indeed, I suspect that the social glue holding Latin American countries together are its soaps. That may hold good for the West, too. But back to the film; the ensemble acting is excellent, with Stanley Holloway as its focal point, but, goodness me, how gorgeous a young Barbara Murray and Peggy Cummings are, how they brighten the dreariness and blight of a post-war Britain all too slowly recovering from its wounds.

This film ,made in 1953,is largely forgotten.It is a misfiring satire.At the time this film was released TV was about to make a substantial impact on cinema audiences as a result of the Coronation.By 1960 cinema audiences had dropped by two thirds from their post war high and thousands of cinemas were closing.Also,just 3 years after this film was made Ealing studios themselves were closed and purchased by the BBC.Also those music halls that had managed to struggle on finally closed their doors in the late 50s.So i am afraid that Michael Balcon was just spitting in the wind by trying to tell people that television was a bad influence.The film is quite entertaining ,particularly Gordon Jackson playing very much against type.

Another in a long line of great black and white British films of the 1950's. When Mr Pedelty (Joseph Tomelty) leaves his firm, he is given a TV set as a retirement present. At first he enjoys all the attention from his neighbours,but soon the attraction wears off, and he sells it on to the young married couple (Jack Watling and Peggy Cummins) living in the flat above him. They soon encounter the same problems,and again the set is passed on to several different charatures all with the same results. A very enjoyable story with a strong cast including Kay Kendall, Barbara Murray, and as the pantomime devil Stanley Holloway.