Mercy Streets
Mercy Streets
PG-13 | 31 October 2000 (USA)
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Estranged twin brothers - one a con man, the other an Episcopal deacon - accidentally switch places... and find God in the process.

Reviews
Joanna Mccarty

Amazing worth wacthing. So good. Biased but well made with many good points.

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Roy Hart

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

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Lachlan Coulson

This is a gorgeous movie made by a gorgeous spirit.

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Marva-nova

Amazing worth wacthing. So good. Biased but well made with many good points.

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wes-connors

Fresh out of prison, and sporting a hairstyle that commands your attention, hunky David White (as John Davis) begins looking for trouble. So, he meets up with snarling "old mentor" Eric Roberts (as Rome), who obviously doesn't even want to challenge Mr. White's piercing hair. Meanwhile, White's aptly-named twin brother "Jeremiah" (also played by White, with more normal-looking hair), is "awaiting his confirmation as an ordained minister." Pastor White proposes to pretty Cynthia Watros (definitely a female "Sam"). But, she and God don't think White is ready for Holy Wedlock, quite yet. Now, Mr. Roberts, who usually has the best hair in a movie, gets mad and kidnaps "fluffy-haired" White, then "greasy-haired" White takes his twin brother's place. As "John" and "Jeremiah" grow closer in spirit, their hair begins to match. Watch out for Stacy Keach (as Father Tom), in a hair-raising cameo.** Mercy Streets (10/31/00) Jon Gunn ~ David White, Eric Roberts, Cynthia Watros, Shiek Mahmud-Bey

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ncvp

Why do people feel that foul language MUST be used to make a movie good. We are so indoctrinated in gutter language now that we feel it is not "real" if a movie does not contain it. How about the STORY, folks? How about the characters? Plot? Timing? Why is it that we can accept the old "classics" that never contained any serious swearing, but we have to dis a newer movie that omits such language? It just shows how low we have sunken as a society. Mercy Streets was a really good movie on every level. A lack of swear words should have nothing to do with how one judges it.In terms of the acting (it seemed realistic), the pacing (it moved along quickly), the story (it was compelling), and the editing (it was contemporary and well done),the movie worked on all levels. I am very suspicious of people who reject movies because they are "Christian" but accept just passable movies like "Blair Witch". It's funny that movies that deal with occult issues, which are also supernatural, as are Christian themed movies, are somehow OK, but Christian ones are not in the eyes of many people. I think it is actually the message Christian movies put forth that many people do not want to accept and deal with in their own lives that cause them to criticize them. Just one man's opinion.

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jaiden

Christian films are still in their infancy, and this film, while great, proves a point. Hollywood is still the "big dog" on the block and it's hard for a film with a positive message such as this to find a better place at the table. MERCY STREETS has a few good things going for it, starting with the acting. It's not a stilted as you'd expect from a religious-themed film. The writers took great care to avoid unnecessary and gratuitous cursing (even though the violent content garnered a PG-13 rating) and also to avoid being too "preachy" with the message. Writer/director Jon Gunn and co-writer John Mann bring a message of hope and deliverance to the screen in a truly artistic way. So, while the gun-play might be a bit much for young viewers, I think this film is a worthy addition to any home library.

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farce4u

Christian film makers still haven't found their niche in today's movie market, and I don't they will for some time. Yet Mercy Streets seems to have succeeded where others have fallen short. Despite a relatively outrageous plot and some hokey acting, the film boasts some fine direction by Gunn, a good cast (Eric Roberts, David White), and an intriguing storyline. It's squeaky clean as far as language, yet it doesn't detract from the script. There's no book somewhere that says that there must be foul language for characters to express angst, hatred, etc. This movie has a lot going for it, and it's a step closer to a piece of great film making. 8 / 10.

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