Lack of good storyline.

Just so...so bad

Absolutely Fantastic

One of the best movies of the year! Incredible from the beginning to the end.

everyone in this movie is beautiful! every woman is sexy and gorgeous! every man is sexy and gorgeous! perfect clothes, perfect hair, perfect bodies, beautiful cars, lovely homes, etc. even the wait staff in the restaurants are perfect. and i had a problem with that!our leading man 'johnny' isn't to be believed, in my opinion, - he uses a typewriter (in the digital age), smokes, drinks and he's a writer. wow - what imagination for a character. the leading lady 'heather' has a medical problem. who couldn't see a disaster coming? BUT - i actually became tied up in the story due to the format in which it unfolds for the viewer. it does keep you guessing and wanting to see what happens next. before - after - next - (watch the flick you'll understand.)the leading man 'johnny' had me a bit on edge because he comes across as emotionally unstable and capable of murder. which would have thrown the story way off. fortunately that doesn't happen. but i wonder if the director intended this feeling?not a good movie - not a bad movie - it's a movie!

When actor Scott Caan wrote this script, he did an amazing job of condensing a stock romantic comedy formula into one of the sharpest and most personable 30 something minutes you'll ever see. That section of Mercy is so affecting that even though the film only has one other decent scene in it, you'll stay involved with the story through all the other too serious, self-important melodramatics. The problem is that once Caan got to the end of the formula, he couldn't come up with any more plot on his own. This is like the move Jersey Girl, except Ben Affleck and Jennifer Lopez didn't have a kid so when Lopez' character died, there's nothing for the Affleck character to do but mope around on screen for another hour. And I actually liked Jersey Girl and also enjoyed this motion picture. Mercy is just another example of how writers today are so good at other elements of storytelling but can't plot their way out of a paper bag.Johnny Ryan (Scott Caan) is that classic romantic comedy stereotype - the guy who doesn't believe in love. Johnny is an author of romantic novels who's happiest moment in any relationship with a woman is when she leaves the next morning without being asked. Then, to the surprise of absolutely no one who has seen even one of these flicks, Johnny runs into a woman who blows right through his nonsense and falls hopelessly in love with her. Mercy (Wendy Glenn) is a literary critic and her charm and confidence completely disarm Johnny. Their courtship, following Johnny's clever and wonderfully character defining interactions with one of his heartbroken friends (John Boyd) and two happily married others (Bre Blair and Troy Garity), is entirely predictable and thoroughly delightful.Then the story jumps forward to Johnny's heartbreak after his relationship with Mercy has ended, which is totally done in earnest even though it's seems to be an exact mirror of his friend's heartbreak, which was treated as comedy. The story then jumps back to why Johnny's story is different and then jumps forward again to Johnny emerging from his grief and back into the dating pool. All of that stuff has an utterly different tone and approach than the opening rom-com fluff of Johnny and Mercy. It is dour instead of bubbly. It is overwrought instead of sly. It is about a whole lot of nothing instead of the reliable step-by-step paradigm of boy meets girl.The scenes at the beginning with Johnny and his friends and then Johnny and Mercy are so much fun and so well crafted that I didn't mind the film shifting hard into essentially a different genre, from rom-com to tragedy. The initial switch was so jarring and so unexplained that I lost a little of my involvement and never got it back, not even when the switch was later explained, but by that point I cared about Johnny Ryan and where he was going to end up. Once that happens, and you don't have to necessarily do all that much original or daring to make it happen, you'll follow a character's story all the way to the end. If I hadn't been made to care about Johnny, I would have definitely lost patience with this movie and its schizophrenic nature.It's almost as if Scott Caan wrote this script to prove he could not only create both a great romantic comedy and a great drama, but he could seamlessly weave them together. Well, Caan sure wrote a great rom-com. He wrote an okay but aimless drama. Combining them together, though, was pretty much a failure. It's probably a bad idea to begin with, but after the moment of tragedy that divides the two, Caan simply doesn't have enough plot to sustain the story. There just aren't enough things that occur and all the non-linear machinations of Mercy can't disguise that. After watching a series of events where two people fall adorably in love, the rest is nothing more than watching one of them be sad until the film ends.With the excellent performances of Wendy Glenn as Mercy and Dylan McDermott as Johnny's agent, this movie starts great and whimpers to the end but remains worth watching.

I suppose there may be a few less likely names for a book critic than "Mercy," (Miss Illiterate Fool comes to mind), but surely there cannot be many. I do not think the New York Times would have a food column by-lined "Al L. Yucky." If the best guy for the job WAS actually named that, they would have him write his offerings under a more suitable pseudonym, such as "Pierre Frenchman" or something. It's hard not to imagine tons of texts from publishers/authors/publicity hacks arriving with every novel's proof exam copies sent to Mercy's employer along the lines of "Please have Mercy on me." As a long-time veteran of the book business, I cannot recall any critics going by the handle of "Mercy;" obviously, any that were born that way saw fit to update before breaking into the critiquing game. Furthermore, most asthmatics who are subject to dropping down dead from the least little attack wear their inhalers on lanyards, with back-ups in their pockets. That way, if a purse-snatching brings on an attack, it's not an automatic death sentence. If your car keys were the only thing keeping you alive for the next five minutes, would you be constantly losing or forgetting them?

I saw "Mercy" as the closing night film at the Gen Art Film Festival. This was one of those movies where I didn't have any real feeling about it going into the screening. Basically. it was one of those films that if I saw it that would be cool, but if I didn't that's OK too. With that being said, I did venture into the screening and below is what I thought of it.In "Mercy," Scott Caan plays Johnny, a successful fictional writer, who writes about love but has never been in love. One night at his latest book party, Johnny is up to his usual flirtatious nature when he eyes Mercy (Wendy Glenn) from across the room. He walks over to her but Mercy isn't falling for his playboy routine and all of Johnny's pick up lines. Johnny is taking back because Mercy isn't falling for his charming nature and feels that there is something else to this girl that he has never seen or felt before. Johnny now has to question if his idea of love is a "fictitious" feeling or if he is truly is falling in love. An interesting and sometimes dark film ensues...After having mixed feelings on actually seeing the film, I am glad that I did in fact see it. While the film itself didn't blow me away, it definitely had a well written story and solid performances all around. I think the script itself, which was written by Scott Caan is probably what made it work for the most part. Like any script there are some flaws and definitely a lot of clichéd moments here. I think we all heard this plot outline before but the way the story was written basically is what made it seem out of the ordinary. What I mean by that is Mr. Caan decided to overlap a lot of the acts and kind of blur them together. A lot of films do this but very few that I seen do it successfully. This one did a good job of it which made an overused idea seem fresh.The acting was very noteworthy. I actually really liked Scott Caan's performance as Johnny. He had a very diverse role for him here. He went from a very upbeat and typical male character to a darker and depressing character. Also I have to point out that his chemistry with Wendy Glenn was just terrific. They had a great on-screen presence and their chemistry felt powerful and real. Wendy by herself did a great job as well and I think she is definitely on her way to star in some new films sooner rather than later. The supporting cast all did a great job as well and really added to feeling the film was trying to create. Also I must lastly point out James Caan's performance and how dead on it was. I think the director, Patrick Hoelck made the right choice by picking James Caan to play the father role although it did seem like the obvious to me as well.The director, Patrick Hoelck, did a great job here with his directorial debut. I think working with friends probably made the film-making process a bit more easier but his quality of work on this film was very good for a first feature. I have to also say that he did a really good job capturing the characters feelings and emotions as well as changing the direction of the film from light and fluffy to dark and depressing.In the end, "Mercy" was good for what it is. It wasn't anything spectacular and won't be winning any awards any time soon. I feel the unique direction the story went, although pretty predictable half way through, and the acting was it's strongest marks. The film did a decent job holding the interest of the audience but again didn't really do anything to blow them away. It was definitely a good first time effort and for that I give everyone involved a round of applause.MovieManMenzel's final rating for "Mercy" is a 7 out of 10.