Clever and entertaining enough to recommend even to members of the 1%

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

Worth seeing just to witness how winsome it is.

"Merton of the Movies" is a Red Skelton movie that sure lacked originality. It's based on the movie by the same name from 1924 and was already remade in 1932. Additionally, the plot bears a very strong resemblance to a Harold Lloyd film from 1932--"Movie Crazy". So, while this 1947 film is nice, it's all terribly familiar. Plus, the Lloyd film was a heck of a lot better.Skelton plays the title character, Merton Gill--a rube from a small town that thought his path to becoming a movie star was by taking a correspondence course. So, when he wins a trip to Hollywood, he incorrectly assumes it's because of his diploma--but it's really just a publicity stunt. However, he's not deterred and tries to get work as an extra. But he's a clumsy oaf and seems to be out of place in dramas-- until his girlfriend (also an actress) convinces the studio executives to use his terrible footage and just market the films as comedies. Soon, Merton is a star but has no idea everyone is laughing at him. What's next? This is a rather agreeable film but not much more. Skelton has done better stuff but it's a decent time-passer provided you haven't seen these other films--then it just seems a bit repetitious.

This isn't the best film Red Skelton ever made. That is probably either "The Fuller Brush Man" or maybe even when he was teamed with Fred Astaire in "Three Little Words". However, it is funny enough and very sweet. Skelton plays Merton Gill, an usher from a small town that dreams of making it big in films back in 1914. He unintentionally foils a robbery attempt at the theater where he works and attributes his success to his movie hero, Lawrence Rupert. Rupert's publicist thinks it would be good publicity for Rupert if Gill were invited to Hollywood for a few photos labeling Gill as Rupert's protégé. Unfortunately, Morton believes he really is Rupert's protégé and is disappointed when he is told to take a hike after the publicity campaign is over. He takes several stabs at making it in the movies, but his overacting and clumsiness get him ejected every time. What Morton doesn't know is that what is hideous acting in a drama is perfect for the slapstick comedies of the 1910's, and this leads to his big break. Skelton is perfect as the naive and easily rattled Merton, and Virginia O'Brien is very good as the stunt woman who ends up Merton's protector and love interest.The original silent version of this film made in 1924 is lost, and one interview with Buster Keaton prior to 1924 had him saying that he would really like to make this film himself. He did in a way. He was an uncredited gag man on this and many of Skelton's other MGM films, and you can see the Keaton touch in several of the gags throughout the film. Recommended if you want to watch something that will make you laugh and also warm your heart.

Merton Gill (Red Skelton) is an usher from Tinkerton, Kansas, who yearns to be a movie actor and thinks his worthless diploma from the Budolph School of Dramatic Acting will help him realize his dream. When Merton foils a robbery - supposedly using the skills he learned from his idol, Lawrence Rupert - the fading film star's gun-toting lackeys bring Merton to Hollywood to drum up some much-needed publicity. But after a speedy photo shoot, Rupert and his underlings are through with the country bumpkin and give him a ticket back home. A resolute Merton remains in Hollywood and does his best to get a job at Mammoth Studio, where he befriends the famous Beulah Baxter's stunt double, Phyllis Montague (Virginia O'Brien). Merton proves to be a natural - if unintentional - comedian and gets a job burlesquing Lawrence Rupert. Only Merton thinks he is playing a serious part.This poorly plotted slapstick comedy pays half-hearted homage to the silent movie days and does a particularly indifferent job of recreating Keystone-style antics in the climax. There are several funny sequences, including a scene at a men's club and another in which Beulah Baxter (Gloria Grahame) attempts to get Merton drunk - but they have little to do with movie-making.The romantic angle is surprisingly affecting. Skelton does an adorable job with a sometimes irritatingly naive character, and the quirky Virginia O'Brien gives her character three times what it deserves.

If "slapstick" is your genre here is one of the best. I saw it in 1947 or -48 shortly after its release.I have been on the lookout for it on tape but to no avail. Hopefully it will be preserved as one of the outstanding examples of "slapstick".