Such a frustrating disappointment

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

One of the worst ways to make a cult movie is to set out to make a cult movie.

A touching story all over the two hours, not just in the end. Intrigues - all over the movie, not just in the start. The end of the story - it may end at any moment, and it would still be great. No particular connection to Moscow, Russia, subterranean train - it can be anywhere, any time. People meet each other, struggle, about to die, struggle, survive, get to know each other on a new perspective.It's a "must pause" every time you go to the bathroom. 'Cause even without the "subway drama", it's still a deepest drama, and it would rise your sentiments to a whole new level. 9 out of 10, but it starts from 9.

Metro. It's a Russian disaster movie based on the simple plot of how one day a metro train gets hit by the unexpected flood in a tunnel and how few key characters make themselves to see the sun light again despite all odds against them. What drives this metro are two key factors; technical finesse in showing the flood hitting the metro and few characters worth rooting for. The scene where water strikes the passengers in the compartments is a technical marvel. A small fresh love story, a broken marriage and a love triangle, all key connections and conflicts between the key characters are done nicely. Camera work and art direction in showing the haunting images of the disaster is astounding. However, acting wise there was ample possibility of improvement. I am going with good 7 out of 10 for Metro. It never reaches to the height of perfection but by doing few things up right, it makes you feel the experience of a disaster.

In Metro, a breach in the old subway system of Moscow lets water pour in, trapping an entire rush hour subway train underground. The crash scenes are spectacular and the rest of the film follows a small group of survivors trying to get to the surface.This is what Stallone's Daylight should have been. There is no heroic saviour that solves everyone's problems, but everybody for themselves. The tension, the interaction between the characters, the very beautiful Svetlana Khodchenkova and Katerina Shpitsa and a kind of over the top coincidence involving a love triangle, they all bring quality to the film.At more than two hours long, I can say that I did not feel the desire to fast forward even once, which is very rare. The Russian references have that sad/funny feel about them. You could laugh at them if you didn't have to go through them yourself, and then it's kind of sad, but you appreciate the recognition.Bottom line: get yourself a decent translation (unfortunately I did not have one) and watch Metro. Its flaws are minimal, mainly related to acting, and you can easily enjoy the film from start to end.

From the cinematic point of view, this is a pretty good movie, and it shows excellent craftsmanship and directing skills. This is a showcase of capabilities of Russian filmmakers and production facilities that won't get unnoticed by international distribution and producing circles.There are, however, numerous inconsistencies and illogical situations in the script that require a HUGE suspension of disbelief for people who are familiar with how the subway system functions.Other than that, there are normal for this genre stereotyped characters, a love triangle, and, of course, a catastrophe itself that changes everything...