Micro Men
Micro Men
| 08 October 2009 (USA)
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In 1979 Clive Sinclair, British inventor of the pocket calculator, frustrated by the lack of home investment in his project,the electric car, also opposes former assistant Chris Curry's belief that he can successfully market a micro-chip for a home computer. A parting of the ways sees Curry, in partnership with the Austrian Hermann Hauser and using whizz kid Cambridge students, set up his own, rival firm to Sinclair Radionics, Acorn. Acorn beat Sinclair to a lucrative contract supplying the BBC with machines for a computer series. From here on it is a battle for supremacy to gain the upper hand in the domestic market.

Reviews
MoPoshy

Absolutely brilliant

PiraBit

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

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Jemima

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

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Cissy Évelyne

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Glyn-52-910242

I grew up in the era where myself and my friends were playing and swapping Sinclair Spectrum games with each other, as well as during the infancy of using BBC micros at school. If you are of that same era, then Micro Men will seem like it was written for you. It's just perfection! It's factual, funny, and jammed full of references to the 1980's computer era. Even the music fits perfectly with the theme and date of the story. Martin Freeman and Alexander Armstrong play their roles incredibly well, as do all the other characters. Some people may criticise the accuracy, but at the end of the day, it's a story about a 4 or 5 year period squashed into about 90 minutes, so some creative writing had to occur in order to make the story flow. But overall it tells the story very well and accurately. There are some parts that I actually remember myself from the day, such as the fight at the 'Baron of Beef' which I remember reading about at the time in 'Crash'. If you still have a fond spot in your heart for your old ZX Spectrum, then you'll love Micro Men. It's one of my top films/documentaries of all time, and I always find myself watching it every few months. I've oribsbly watched it 20 times now, and it never gets boring! I love it. :)

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brane212

Havily simplified, to the point of absurdity.Clive is shown as a clown. They have shown his eccentric sides without representing his ingenuity. He is no mental slouch by any means.Real dynamics around Sinclair Research was far more colorful.Cliwe did not stick with C5 because he just couldn't see its flaws but because he was desperately trying to push it to some point where he could hit some market niche and make some money off it. Anyone that has ever done some electronic projects, sold them and lived off that profit will tell you that sometimes you have to get creative to put bread on the table and some projects you do in some arrangements for the money.Sinclair Research was not exception, rather the opposite.

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MtlDty

What could have been an interesting docu-drama about the birth of the UK computer industry, instead turned into something unintentionally farcical.In its efforts to create drama the film pitches Clive Sinclair as a cut-throat rogue, battling against one-time colleague Chris Curry (played by Martin Freeman). Freeman seems to be settling into being typecast into roles where he plays lovable harmless, guy next door types, and this film fits his role well.Unfortunately, Alexander Armstrong struggles to make a convincing Clive Sinclair, no doubt hindered by the terrible prosthetic bald head/wig and ridiculous accent. Its possible the prosthetics may have prevented him from turning his head and his performance seems terribly stiff throughout. The viewer is left with an unfair impression that Sinclair was a humourless, uncharismatic maniac - flying off the handle at the slightest upset.A lot of the comedy in the film (at least the intentional comedy) seems to come from situations which are unfortunately completely unbelievable. Clive screaming down the phone and then launching it (cordless apparently) through a door for example, or the ridiculous attempts to stall the BBC before the boffins at Acorn realise that the key issue preventing a computer from working is a huge wire that needs cutting in two.Its a shame that the film hides the technical breakthroughs that were made in that period with mumbo-jumbo references to computer chips, and reduces the creativeness of these industry leaders to simply picking the right advertising poster to use.

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trevorwomble

Just saw this on BBC4. A very interesting take on how close the UK came to dominating the world computer development and manufacturing industry in the early 80s, only for it to all fall apart just 5 years later.Despite some garish and unconvincing make-up, Armstrong shows he can do serious drama in his portrayal of Sir Clive Sinclair, the man who brought affordable computing to the masses. Martin Freeman is good (as always) as the confidante in Sinclair's company who, unable to understand Sinclairs bloody mindedness over what to concentrate their efforts on, leaves and sets up arch rival 'Acorn Computers' with an Austrian business partner.The production team have done a solid job in displaying the drabness of the era. The mix of archive TV footage of the time inter-cut with this filmed TV drama works quite well. The background story of how the UK became a world leader in the home PC market, and then blew it, is a fascinating tale for anyone interested in recent history. At one point Freemans character turns to Sinclair and says 'We could have been the British IBM but you wouldn't listen to me' is very apt. Sinclairs obsession with the notorious C5 is also addressed. It does make you wonder what would have happened had there been more cohesion in the industry at the time rather than the arrogant self interest of the industry that resulted in the UK losing such a massive foothold.A thought provoking drama that has just enough momentum to keep itself interesting despite some flaws.

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