Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

I'm not sure and I'm certain to be corrected if I'm wrong, but Minstrel Man might very well be the only PRC film ever to get recognition from the Academy. It received two Oscar nominations for Best Song and for musical scoring. A studio known for its pinch penny budgets for noirs, westerns, and a few horror films producing a musical? It's worth the novelty just to watch the thing.A year before Minstrel Man came out Paramount even used Technicolor in its minstrel film Dixie that starred Bing Crosby. The folks at PRC thought that maybe a minstrel film would work for them. Of course they did not have Crosby or color.The lead here is Benny Fields who was a well known song and dance man and became even better known when he teamed on the stage and in life with Blossom Seeley. Blossom was smart enough to stay away from this.Good song and dance man that he was Fields just couldn't act. When not singing he's wooden and as charming as a wet napkin. The story covers some thirty years of the life of Fields's character Dixie Boy Johnson.The climax involves the revival of minstrel shows. I mean in 1944, really?Seasoned performers like Gladys George and Roscoe Karns are wasted as the surrogate parents to the daughter of Dixie Boy Johnson. And a pretty perky blond like Molly Lamont wants to hide that beauty under cork makeup. Give me a break. It's more than the subject matter that's kept this film under wraps.

As a super fan of Al Jolson, I was really interested in seeing this movie, but was sadly disappointed. It strained credulity to believe that the lead, a character named Dixie Boy Johnson, had any kind of following, let alone star power. Voice, body language, dance routines, character - all this was sorely lacking. The scenes of minstrelsy, notwithstanding the elaborate costumes, were dead in the water. I don't understand how the music was nominated for an Oscar. Really it was very ordinary. Moreover, the songs functioned as padding for a storyline was lame from start to finish. Too bad. If you want to see minstrelsy at its entertaining best, check out Swannee River, the biopic of Stephen Foster with Al Jolson as E.P.Christy and give Minstrel Man a pass.

This PRC cheapie made the Poverty Row studio a lot of money but really, it is very routine and not that interesting or groundbreaking. 'Dixie Boy' Johnson is a vaudeville performer, played by Benny Fields, who had been in vaudeville himself. He has a lovely voice to sing songs like 'Melancholy Baby' and 'Carolina' but he can't act to save his life; which is a pity considering he is in the lead role.After his wife dies giving birth to a daughter (who grows up to be 'Dixie Girl' Johnson), 'Dixie Boy' runs out and starts a life incognito, elsewhere, eventually maybe being lost at sea ... at this point I gave up and just waited patiently for the film to end. Of course, 'Dixie Girl' Johnson becomes a star in her own right, there's a reconciliation with her long-lost dad, and all is well with the world.Interesting what passed as entertainment in the 1940s ... but actually, this one isn't a turkey - the musical numbers are good, and with Gladys George in the cast at least we get a bit of glamour.

As cheap musicals go, it's not bad. The subject matter is respectable, avoiding unnecessary comedy that B-musicals of the mid forties boosted. The problem appears to be casting. For Benny Fields this is his only major dramatic lead in films, and one can easily understand, why. He is a relatively unexciting old man with no remarkable talents to showcase. He does sing, but his voice is very soft and definitely not one that would carry in a live theatre. Judy Clark is so perk that it makes your eyes hurt, and as natural as Duracel bunny. How did a quality actress like Gladys George get lost in that vehicle, is a minor mystery. Said all that, the film is quite entertaining, and the music (not meaning some well-known standards that get used but the original score) is better than is usual for a small time musical. Plus it's a reasonably short flick that doesn't let you get bored. It's also very nice to look at a good old fashioned, dignified minstrel show. Makes you wonder what the world would be like if minstrels hadn't paved the way to making black music part of our everyday life.