This is How Movies Should Be Made

Simply A Masterpiece

A lot of fun.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

"Miss Hokusai" is a beautifully rendered and even 'mystic' anime originating from manga-artist Hinako Sugiura becoming a full-length animated 2015 Film by Keiichi Hara spotlighting legendary Edo period artist Hokusai, famous for the strikingly powerful and iconic painting "The Great Wave off Kanagawa" This particular story 'Miss Hokusai' reveals  the lesser known tale of Hokusai's amazingly gifted & equally artistic daughter 'O-Ei' who never received the recognition she richly deserved, positing that many of O-Ei's original artistic renderings became later attributed to her renowned father.From a purely visual-perspective the meticulous animation of 'Miss Hokusai' presents abundantly breathtaking artistic renderings and recreations of 'Hokusai' inspired Works, also evoking the rich imagery inherent to Classic Japanese Edo period-setting with all its sublime & ineffable-beauty.From the standpoint of storytelling 'Miss Hokusai' provides profound insights into the highly creative but also chaotic lifestyle of the obsessive artist, a Life filled with the endless search for unpredictable/ unexpected but authentic creative inspiration.There are also 'spiritual' (e.g. primarily Buddhist) elements introduced as the Story progresses which adds greatly to authenticity, providing additional insights about the culture (and belief-structure) inherent to the specific time & place in which O-Ei and her father Hokusai produced their timeless Works.'Miss Hokusai' embodies the rich combination of strikingly beautiful animation enhanced by an intriguing rumination reflecting on Edo-period Japanese culture replete with its deeply-spiritual qualities and ineffable contradictions, an anime film that is beautiful, unique and even enlightening.

American films are a shallow, inane mess. That's why people go see foreign films at art houses. They want to feel good about themselves, and they want to look good to others. Miss Hokusai probably isn't playing in theaters anymore. But if it was, it's a great place to take a date if you want to impress them with your amazing and elitist tastes.I'm not one for typical anime. And of the other anime-ish films that were big in America - Princess Mononoke, Spirited Away, etc. - I guess I kind of liked them, but I'm not sure why, other than I'm supposed to like them, and it's good and right to like them. Agree, NPR crowd?Well. Miss Hokusai is a film critic's dream. As soon as I saw it playing at my local college town theatre, I already knew it got 100% from Metacritic and consistent red tomatoes on Rotten Tomatoes. Film critics' tastes are extremely predictable. The more pretentious and experimental a film, the more it merits 5 stars, or 10 stars, or whatever's the highest rating of X publication or website. Why Miss Hokusai gets rave reviews from critics:-It's Japanese anime-ish, and critics and TED lecture fans alike all salivate for those. -It has - gasp! - LBGT in there, and it's not even implied or subdued!!-I don't know what the f--- it's about, but it sure looks good!-Japanese Edo period, about famous artist/painter! Critics love artsiness. -Beautiful Japanese anime-ish characters! Critics appreciate different cultures. -Japan, Japan, oh how they love and adore Japan!-Gorgeous 19th-century Edo cityscape and scenery. Critics adore and appreciate cinematography, history, architecture, and the outdoors - a plus if it's a different culture!-And what is the film about again? I don't care, it seems experimental and cool, so I'll upvote it!Anyway, I'm guilty of thinking like critics, so I was pretty impressed with the film, and I enjoyed it. I'd hate to say this, but it really is way better than typical American films. Art-house elitism!

The art, as well as the way the making of art is portrayed in the film is great; however, there is no real story arc or character development to speak of. Perhaps not much is known about the daughter of Hokusai, but even so, historical fiction is fiction for a reason. Though the film is narrated by the daughter, it is not about her at all, which is misleading (title, trailer all suggest the film will be about her). Her character does not develop much, though there is ample room for it to develop. Just when she may go beyond her immature, mean self, beyond her father's shadow, the film ends with a few narrated summary lines conveying what happens in the next 30 years without actually showing it. The film seems to focus on the period in which the blind daughter of the famous painter (the narrator's sister) is young, falls sick, and dies. It is not clear how and why Hokusai is separated from his wife, why his eldest daughter draws and paints with him (though she resents him plenty)... None of the romantic interests develop during the film, yet the summary in the end tells us she married once! It is hard to imagine her marrying, so this would be a great story, but it is not the subject of the film. At one point, we learn that she has a passion for fire, but have no idea how, if at all, this affects her paintings, her art...All in all, the art is great, especially the parts where painting and drawing itself is discussed. But the story is severely lacking and aimless.

In 1814 Edo, Japan, a master artist Katsushika Hokusai, known as Tetsuzo, and his daughter O-Ei spend their time creating splendid paintings, some on commission and some just because. Tetsuzo lives away from his wife and younger daughter, who is blind, and he tends to have little to do with them, perhaps because he is afraid of illness and disability. Instead, he instructs O-Ei and others in his art, but in some ways his daughter outstrips even his talent. This lands them in trouble on occasion, for example when one of her paintings is believed by its owner to be enchanted by devils, but Tetsuzo knows how to make things right again. If only his daughter wasn't so hot-headed!This is a beautifully rendered anime based on a manga, Sarusuberi; having not read the manga, I don't know how faithful the film is to the source material. In any event, it looks lovely and the story of the artists' lives is very well told. It has more of an episodic feel to it than a straight plot-line, but since Tetsuzo was apparently a real person in 19th Century Edo (now Tokyo), that method of story-telling works very well. If you like anime, you'll love this movie.