just watch it!

Dreadfully Boring

While it doesn't offer any answers, it both thrills and makes you think.

Great movie. Not sure what people expected but I found it highly entertaining.

For the Mitch Albom's fans it is perfect gift. The pieces of novel are present in the correct order. The feeling is same-delicate, nostalgic and warm.Michael Imperioli is the good choice. Eleen Burstyn is the perfect provocation. And the movie is the skin of last reading. Only problem, same in that cases, is the expectation. Is it only a adaptation? Is it another soup for soul? It is a madlene for deep fillings and start for different relation with parents? Is it a beautiful story about a son and his mother and picture of usually motivational literature? Is it occasion to discover another Imperioli, behind the crumbs of Soprano? Is it only a movie for rainy afternoon? No, I suppose. It is invitation to define the relation with past. Personal past. And a lesson about the delicate form to create air of a story. For people of spectacular and fake appearances.

I was eager to see this film since I had enjoyed "The Five People You Meet in Heaven" so much. This film just wasn't in the same ballpark--pardon the allusion to baseball since the main character's overwhelming need to re-live his brief baseball glory days is a major plot point.Don't get me wrong: Imperioli and Burstyn give the kind of fine, heartfelt, and nuanced performances that audiences know they can count on them for.Imperioli has a way of making you feel for his character even when you want to slap some sense into him. Even though it's pretty obvious where the movie will go, there are a few surprises in the plot. So, if I was very moved by the lead performances and was already interested in the story, why didn't I like it more? Well, the framing device immediately distanced me from the movie and became an annoying intrusion as it went on. I felt the movie could have easily gone on for another half hour to flesh out key plot points. SPOILER: Also, even though I'm pretty sure the ending followed the book--I haven't read it, but the author wrote the script--, it added: A)more of the aforementioned annoying framing device of a third party narration and B)ended a film on an somewhat downbeat note that cancelled out the hopeful feelings the film had just engendered. Since I found the ending so hurried, I couldn't fully process and therefore fully feel all the emotions I feel the film wanted to elicit.I appreciated the excellent acting and fine attention to period detail. I just wish I'd liked it more.

Contrived, poorly written, clichéd, Too-important-for-itself. Kept watching in case there was something redeeming, but there wasn't. Ellen B's acting was superb, as always, and she is aging so gracefully. Really have nothing better to say. Unfortunate. I'm usually a sucker for these things and was really looking forward to it. I wasn't a fan of "5 People...," also felt it seemed too important for itself -- trying too hard to deliver a message, while lacking a story to do so. This however, I had higher hopes for. The previews intrigued me, the actors intrigued me, and as I said, I usually like this kinda stuff. Very disappointing.

A richly-detailed screenplay and superb performances by the stars are the main selling points of FOR ONE MORE DAY, an exquisite and deeply moving TV fantasy about a desperate and lonely drunk named Chick Benetto,who, at the moment he is about to commit suicide, encounters the ghost of his mother, who has been dead for nine years. Still racked with guilt about not being there when his mother died, this man is given the opportunity to spend one final day with his loving mother. The intricate screenplay effectively shows the specific events in Chick's life that have led him to his suicide attempt and then flashes back and forth through various parts of his life from early childhood to his blossoming career as a professional baseball player to illustrate the downward spiral his life took, apparently affected by the separation of his parents. His mother is portrayed as a luminous free spirit whose exuberance for life was constantly being crushed by her chauvinistic Neanderthal husband who felt she was making Chick soft. The screenplay allows us to see Chick at various highs and lows during his life and allows Chick the opportunity to ask his mother all those things about his parents'separation that he never got the opportunity to ask. Emmy winner Michael Imperioli (THE SOPRANOS)delivers a powerful and delicately layered performance as the tortured Chick and Oscar winner Ellen Burstyn is luminous, as always, as the ghostly mom who materializes when her son needs her the most. OK, there were little problems I had with logic and continuity such as Mom's abilities to tend to Chick's wounds even though she is a ghost and that Imperioli is a little too young to appear to have done all the things Chick is supposed to have done, but I allowed this lovely story to envelop me in the emotions it evoked and forgive the inconsistencies. This movie should be shown annually on Mother's Day to remind us all how special our mothers are. But above all it is the sublime performances of Burstyn and Imperioli that make this such a rewarding film experience and I hope they are both remembered at Emmy time.