disgusting, overrated, pointless

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Alex (Albert Dupontel) and Claire (Marianne Denicourt) are living a boring and tedious life after years of marriage. They do not communicate to each other anymore, and Alex is almost speechless at home and without motivation and inspiration in his work as a former successful photographer. When Claire decides to leave him to live with her sculptor teacher, and Alex, completely wasted, accidentally orders an expensive and desirable sex molded doll called "Monique", his life changes completely. Alex falls in love with Monique, making all his fantasies come true, while his privacy is respected. His behavior affects the lives of his closest friends and Claire.This witty and original comedy plays with endured and routine relationships that are completely exhausted, without communication or sex life. Alex represents those men in middle-age crisis that keep their boring and tedious marriage without any further emotions or dialog, actually accommodated to the situation. Claire represents those women afraid to give a step ahead in life, balancing between a stable finished relationship and the fear for new feelings and experiences. Monique represents the new, the refreshment of a wasted life and the dream of most "Alexs". The director Valérie Guignabodet shows a great sensibility, approaching this delicate theme in a funny and neutral way, never being corny or accusing or defending who is right or who is wrong in this battle of sexes. One correction: The Worldcup of 1950 was in Brazil, director Valérie Guignabodet committed a serious research mistake. My vote is eight.Title (Brazil): "Monique – Sempre Feliz" ("Monique – Always Happy")

I watched the movie yesterday and must admit that this is a pretty good one, although not the best ever. First of all one of the good arguments in favor of the movie is the very fact that this tackles the common issue of midlife depression in a very different way than it usually is dealt with. Second, the "carpe diem" feeling is very strong. The scenes with all of Alex's wife's friends coming to see him and convince to give up the molded doll is extremely funny on the one hand, and added to this it is sooooo true, so close to what reality would bring such a situation to ! After all, the movie is all about going blindly the way you want to, without paying attention to common society safeguards. Alex does what he wants, although everybody think his having a relationship with a doll makes him some sort of perverse ans sick guy. Even more, he eventually decides to take his doll out, and show everybody that he doesn't feel guilty nor sick. He's even proud of this relationship with the doll, and therefore proves his friends' and wife's feeling that their "common normal life" is very good. You'd first think that he's the one who might consider himself sick, but in the end everybody around him gets interested into his new silicone girlfriend, and all of a sudden everybody seem to realize that their common lifestyle and everyday life is as boring as ALex first considered his own life. Everybody needs a Monique, that would be the last word of the movie.

I've just seen the movie, and it was quite a nice surprise for me. although it contains a lot of Hollywood-style touches, there are plenty of original elements to offer a comforting change versus the usual American comedy. without going into spoilers, i can just say that one must be French to put that much sex in a movie without making it boring an without letting it be just about sex. actually, the movie presents a rather common theme - midlife crisis for men - placing it in a rather forced, yet comedy-creating context. I think one should be more into the French modern lifestyle to get all the hints, but it's quite enjoyable even without it. another thing i just have to state is that Marianne Denicourt is drop-dead gorgeous, and her acting is not bad either :-). the support cast does the job pretty nice, but every once in a while you can get that "TV production" feeling, mainly because of the settings. All in all, a movie that can improve someone's evening.

After nice French movies like 'Le Fabuleux Destin ...' and 'L'Auberge Espagnole', 'Monique' shows us that France can also make very bad movies. There are some scenes very funny in this movie, but they can't make the people forget the stupid story. The cast are doing their very best, it's a pity. 'Monique' is not a good movie, that's for sure!