You won't be disappointed!

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Rented this unknown film last night suffering from yet another night of insomnia. This is the story of a man who keeps a woman chained in his basement for the sole purpose of using her lactating breasts to feed his fetish. Sounds like pretty family far huh? I jest.Well the problem is, she is not lactating, and he made a mistake. When capturing her she was jogging along with her sisters child and he is left not knowing what to do with his new victim. What follows could be described as a cat and mouse game between two lost souls. One a man scarred from childhood and the other a college graduate facing real life problems and that dreaded "what next" phase. This material has been covered similarly in other films (the more recent "Chained" has many similar moments) however it's never really been handled this way.Its a quiet film. One that may be overlooked by some based on its slow movement. The director doesn't seemed interested in making any bold statements or showing off for an audience. Here is a movie that basically takes place in one room between two characters. There's no real outlandish violence, no one scene that could be considered the ultimate climax - yet there is a sense of overwhelming dread the entire run time. It's an uneasy experience for sure. Due to the performance of the lead actor, Casey Chapman, the biggest sense of unease is that you have sympathy for his character throughout. His is a performance like many of the classic movie villains (Norman Bates really comes to mind). Like Anthony Perkins, Chapman has created a character that all at once you feel sorry for and are scared by. He is tender, personable, pleasant, attractive, yet all at once someone you would not want to be alone in a room with. If anything at all ties the film together and makes it a must-see it's this leading performance. It does take some twists and turns I didn't expect, and it showcases solid direction from a new director. I would highly recommend it.

The debut film of director Edward Pionke is a trip to the dark side for the viewer. As with many direct to streaming services release, this one again falls victim of misleading a careless cover art. What we are lead to believe is we are about to see a horror film, and this is quite simply not what were given. The only reason I cannot rank this film a perfect 10 is because of the misleading cover art and synopsis. The tag line "family is forever" is a bit more fitting, however what we have here is a glimpse into the mind of a truly disturbed man - not a horror film to please the fans of the Saw franchise or the Hostel franchise. If that's what you're looking for, stray away.We meet Claude, a professor who seems to live a solitary and lonely life. Early on we find out that he holds a woman captive in the basement of his modest home, we are unsure why. As the film dives down the rabbit hole we learn that he deals with issues from being raised by a mother who perhaps drank too much and perhaps nursed too long. Due to an unfortunate accident, Claude is left a broken and disturbed man. The film takes place mainly in one room, the dank basement of Claude's house. And besides a few very minor side characters, the film circles around two characters, Claude and Kim. Kim is an attractive woman kidnapped under the wrong circumstances and forced to take the role of "mommy" to Claude. There's no explosions, no high gore, no jump scares or BOO moments. This is a film that hinges upon the audiences ability to allow themselves to be locked in a room with a borderline psychopath and wonder what you would do in similar circumstances. Would you risk dying alone by fighting against your captor or would you get to know who this man is and find your own way out. In many ways the film is a cat and mouse thriller. It's very much Kim Vs. Claude. And as the film goes on it's very much Claude Vs. Claude. There's not a lot of movie making like this out today. The film was probably dumped direct on video because a studio would be afraid of how to market the film, afraid there would be no audience for it. I cannot imagine that there was a big budget behind this however, so I wouldn't believe it would be hard to make back its budget, because it is a highly interesting film that could be marketed towards an art house crowd - I know they exist. Besides featuring an interesting and fresh script and solid directing, it contains a performance that you just don't see even in mainstream films. The actor who plays Claude, Casey Chapman, does the unthinkable. Personally, although he does some unforgivable things, I was rooting for Claude. The actor has sympathized the devil. It's a remarkable performance. With solid support from the co-lead Mackenzie Wiglesworth, Mother's Milk amounts to a solid art house film that's perfectly worth the price of a rental. Besides the weird marketing angle, this is a dark dark gem.

I like "smart" horror films – and I got one.Mother's Milk is about the psychological unraveling of a deeply troubled teacher (Claude,) who fights personal demons that he's no match for. Claude is a character study in "quiet/mild-mannered" meets "savage brutality" (with a little bit of Anthony Hopkins-esque "sexy" thrown in). A young woman (Mackenzie Wiglesworth as Kim Rodgers) is abducted by Claude early in the film. Despite the odds (I think only "Beauty" ended up with "The Beast") – you hope somehow love will conquer all. In my favorite scene, Claude becomes a petulant five-year old when a dish he serves isn't embraced by his captive. A war of wills ensues, and oddly - you find yourself somehow championing Claude's culinary dictatorship. Here the director is absolutely skilled in capturing the right balance of tension and comic relief in the tug-of-wills between Claude and Kim.But what anchors the terror of the story - is an at first quiet, then frenetic build to a horrifying scene which I still can't get out of my head (no spoiler alert here – you've got to see it to appreciate this level of "disturbing"). I couldn't look, but I couldn't look away.

I saw "Mothers Milk" last week via the SoCal film festival. I really knew nothing about it going in, as it was a part of a ticket package I bought. I decided last minute to watch it, as I had time to kill - and I am glad I made the move. The story is pretty disturbing. It's about a man named Claude who kidnaps women and traps them in his basement in order to fill his childhood fetish.The movie basically takes place in one room. I could see some people thinking the movie is a bit slow moving, but there is a big payoff. It's really all about the actor who plays Claude (Casey Chapman). This is a performance that could hold up with anything being buzzed about currently for awards this season. He takes a character that is so disturbing, so disgusting, and so unlikeable and makes him sympathetic. There are points in the movie where I caught myself disagreeing with his victim at points, which shocked me as a woman.Glad that I attend smaller festivals, as you can find hidden gems like this that are just as good (if not better) than what you will see in one of the bigger festivals in the US. I will keep my eye out for films from this writer and director (Edward Pionke) as well.