A lot of fun.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Great movie. Not sure what people expected but I found it highly entertaining.

Pretty-boy hitchhiker and a small town waitress witness a shooting between the redneck sheriff and his deputy; they take it on the lam, with the crooked law in hot pursuit. Everything in "Moving Violation" seems misplaced: the actors, the milieu, the music. Despite a screenplay by David Osterhout and the estimable William Norton--plus a potentially strong cast of actors including sexy Kay Lenz and Eddie Albert as a lawyer--this shoestring production from Roger and Julie Corman gets off on the wrong foot and never finds its balance. Leading man Stephen McHattie blithely zips through the whole abysmal shebang on cruise-control, emitting no discernible sparks. * from ****

This drive-in/exploitation movie from the almighty producer Roger Corman was filmed during the mid-seventies and takes place in a small town in the deep south. You know what that means, right? It means plenty of wild car chase action, crashes, lone heroes and dumb coppers, gratuitous violence and – of course – a lot of banjo music! But please don't expect another brainless comedy like "Smokey and the Bandit" or a carsploitation classic like "Death Race 2000" or "Cannonball". "Moving Violation" actually has a story to tell and the tone & atmosphere are often quite grim and disturbing. The best contemporary film to compare it with is probably the 1973 flick "White Lightning" starring Burt Reynolds and Ned Beatty. Both titles theoretically qualify as straightforward and undemanding 70's hillbilly car-chasing movies, but there are sober sub plots and characters with depth and background. The cops here might have big sweaty bald heads and clichéd names like Bubba, but they are vicious psychopaths instead of dim-witted losers and don't hesitate to cruelly execute innocent people. The charismatic drifter Eddie and his brand new ice-cream selling girlfriend Camille find themselves in a world of trouble when they accidentally witness how the corrupt Sheriff Rankin kills off one of his deputies because he wasn't satisfied with his share of palm oil. The nasty Sheriff naturally accuses the young couple of the cowardly murder and mobilizes his entire precinct to hunt them down. The virulent chase quickly leads to other counties, but the authorities there are also eager to stop them because they are signaled as cop killers. "Moving Violation" feels very familiar, what with its superficially stereotypical characters and predictable plot, but the scenario holds several surprises in store and manages to remain suspenseful. The chase sequences, which pretty much cover 75% of the running time, are extremely spectacular and adrenalin-rushing. You'll witness the total demolition of approximately 25 vehicles and plenty of other scenery like billboards, gas stations and even entire farmhouses! I have tremendous respect for the very bleak finale that is very atypical for such a movie and that I personally never would have predicted. "Moving Violation" features good roles of Stephen McHattie (still at the beginning of his career), Eddie Albert and the astonishingly beautiful Kay Lenz, but the most memorable roles are for the bad coppers Lonny Chapman and Jack Murdock. B-movie favorite and Roger Corman regular Dick Miller has a brief but remarkable supportive role as the over-enthusiast bounty hunter Mack. Highly recommended for fans of the seventies in general, but particularly drive-in fanatics and Roger Corman admirers.

In the 1970s, just about nobody understood the drive-in audience like movie producer Roger Corman. So it should come as no surprise that several times in the 1970s, major Hollywood movie studios hired Corman to make drive-in movies for them. "Moving Violation" was one of those movies, but despite the resources of a major studio at hand, it isn't very successful for the most part. The movie does look slicker and more expensive than Corman's independent movies of the time, but not by much. There's almost no effort in writing a story or characters with depth - we don't even learn the name of one of the lovers before the two of them go on the run! As a result, the actors for the most part aren't able to do much with their characters, though Eddie Albert does shine in his somewhat brief role. As for action sequences, it's mostly car chases done in standard mode, so they lack excitement. If you're desperate, this may help 91 or so minutes to pass by, but even then you might wonder if this is a good way to use your time.

I had my doubts about this movie because it was a Roger Corman production. This usually means very low production values. I was surprised as to how good it was. What helped was that it was on a preminum channel with no cuts, edits or commercials. The only thing that I did not like was the car chases because they were speeded up way too much. I was almost like the Keystone Cops. I don't mind chases that are slightly speeded up but these were like a cartoon. The performances by Steven McHattie, Kay Lenz, Lonny Chapman and Eddie Albert were all first rate. I recommned it as a Sat. afternoon movie.