Mr. Mean
Mr. Mean
| 01 December 1977 (USA)
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With Fred Williamson as director and star of Mr. Mean, is there any question as to the identity of the title character? Williamson plays a former Cosa Nostra henchman who seeks greener pastures. Hiring himself out as a hit man, he immediately lands a job. His mission: wipe out his old boss. Filmed in Italy, Mr. Mean certainly fulfills audience expectations

Reviews
SteinMo

What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

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Grimossfer

Clever and entertaining enough to recommend even to members of the 1%

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filippaberry84

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Tayyab Torres

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

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tnlamonica

I rented this movie many years ago and since then I have told many people about this movie because it is SOOOO funny. I try to take into consideration that this movie was made in the 1970's and probably had a budget of $1000.00 but still. There are so many mistakes, tacky scenes, and just plain bad scenes that you should rent it just for a laugh. It's kind of like James Bond meets ghetto. Rent this movie at least once for a good laugh.

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DrSatan

One would think that a Fred Williamson star vehicle, with Fred having the director's chair and the Ohio Players on the soundtrack would be a highly entertaining film. One would be wrong. This film is cluttered, boring, incredibly poorly acted. The villain is one of the least menacing I've ever seen-he's basically a pudgy shmuck. The only redeeming scene in the whole film involes Fred's giant medallion saving his life.

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Fred Sliman (fs3)

In the mid-70's, Fred Williamson began his own productions away from the big and mini-major studios that had been home to his best (and worst) films. After the Jesse Crowder duo and the really bad Mean Johnny Barrows, this one had a nice feel, good music, lots of smart and tough lines, and good action. Can it be stilted and rough-around-the-edges at times? Of course, but overall it's one of the better Hammers from his company and maybe the best of his directorial stuff.

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