Mr. Mean
Mr. Mean

Mr. Mean

December. 01,1977 | 1h 38m | en
Watch similar movies
Apple TV
Watch similar movies on Apple TV for free
Watch Free for 30 Days

Stream thousands of hit movies and TV shows

Start 30-day Free Trial

Mr. Mean Trailers

View All

With Fred Williamson as director and star of Mr. Mean, is there any question as to the identity of the title character? Williamson plays a former Cosa Nostra henchman who seeks greener pastures. Hiring himself out as a hit man, he immediately lands a job. His mission: wipe out his old boss. Filmed in Italy, Mr. Mean certainly fulfills audience expectations

Reviews

SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.
Grimossfer Clever and entertaining enough to recommend even to members of the 1%
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
tnlamonica I rented this movie many years ago and since then I have told many people about this movie because it is SOOOO funny. I try to take into consideration that this movie was made in the 1970's and probably had a budget of $1000.00 but still. There are so many mistakes, tacky scenes, and just plain bad scenes that you should rent it just for a laugh. It's kind of like James Bond meets ghetto. Rent this movie at least once for a good laugh.
DrSatan One would think that a Fred Williamson star vehicle, with Fred having the director's chair and the Ohio Players on the soundtrack would be a highly entertaining film. One would be wrong. This film is cluttered, boring, incredibly poorly acted. The villain is one of the least menacing I've ever seen-he's basically a pudgy shmuck. The only redeeming scene in the whole film involes Fred's giant medallion saving his life.
Fred Sliman (fs3) In the mid-70's, Fred Williamson began his own productions away from the big and mini-major studios that had been home to his best (and worst) films. After the Jesse Crowder duo and the really bad Mean Johnny Barrows, this one had a nice feel, good music, lots of smart and tough lines, and good action. Can it be stilted and rough-around-the-edges at times? Of course, but overall it's one of the better Hammers from his company and maybe the best of his directorial stuff.