the leading man is my tpye

What a waste of my time!!!

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Mostly, the movie is committed to the value of a good time.

Watched three Mr. Moto movies: One was "The Mysterious Mr. Moto". The 2ns one was, I think, "Mr. Moto's Last Warning".Maybe the best of the three was this one, "Mr. Moto in Danger Island: (1939) Danger Island is apparently Puerto RicoMr. Moto (Peter Lorre). Geez, I thought it would never end. But still, in this series, if you're a Lorre fan (I am)… I give it a "6". Not as high as others rated it.Mr. Moto picks up a sidekick, a wrestler named Twister Mcgirk, when he goes to Puerto Rico to investigate diamond smuggling and a missing investigator. (I didn't know diamond mines were big in Puerto Rico but that is explained). Twister's grammar makes Slip Mahoney (Bowery Boys) sound like Laurence Olivier.I saw Ward Bond among the wrestlers but he wasn't in the credits.I've been to Puerto Rico; I didn't see any swamps or quicksand but… okay. Maybe I missed it. All I saw was luxury hotels and beautiful beaches. Oh, and I didn't see any Puerto Ricans in this movie.

Calling this a typical Moto film is not a bad thing. After all, this series from Twentieth-Century Fox was about the equal in quality to their other series, Charlie Chan. The big difference being that Moto is more a "gun for hire"--a man who would play private detective or even mercenary in his films. Unlike the squeaky clean and rather sedate Chan, Moto is more physical and not above twisting the law or even killing someone. Sadly, he didn't kill anyone in this film--always a trademark of a great Moto film! Moto is on his way to Puerto Rico to investigate a diamond smuggling ring. However, on the way, he is laid out due to an appendicitis and it looks like Moto might have to drop the case. However, being a very sneaky character, there's a lot more to the story than this. Along for the ride is Warren Hymer, who plays Moto's new friend who tags along during the investigation. Having Hymer in the film makes sense, however, as the film was originally planned another Chan film. But, since Warner Oland had recently died, the script was adapted for Peter Lorre's series. In the usual role of Number One or Number Two son is Hymer--who gets into trouble and makes a nuisance of himself just like he was an honorary Chan himself! Overall, well written, exciting and up to the usual high standards of the series. The only serious knock I have against this film is that although it's set in Puerto Rico, there's no one who remotely looks or sounds Hispanic in the film. Of course, considering they have a German guy playing Moto, I guess this shouldn't come as much of a surprise.

Moto #7/8 finds us in "Porto Rico" with a great print, some nice sets and atmospheric photography and a sterling cast giving the flimsy plot all they had.Moto played as ever by Peter Lorre is called in by the Government in cahoots with the Governor to root out an international gang of diamond smugglers, discovers straight away that one the Governor's confidantes must be one of the baddies, if not the top dirty dog. Just picture the high profile suspects: Leon Ames, Douglas Dumbrille, Richard Lane, Jean Hersholt, Charles Brown or even Robert Lowery, all shifty and at each others throats from the word go but which one is guilty? At least Moto's sidekick wrestler Warren Hymer has no doubts, even if he is paradoxically also continually bewildered. Mention ghosts and Willie Best makes an appearance! The dialogue was surprisingly witty, the production values high - from the delightful evening party to the beads of sweat on various foreheads. The running gag was supplied by McGurk's unstinting admiration for Moto always besting him at judo - he sure took some beating and shooting at in here!Great non-heavy entertainment as usual, an excellent entry in the series.

Another entry in the late 1930's Mr. Moto series from Twentieth Century Fox, this one finds the Japanese sleuth in an adventure on the island of Puerto Rico. As in the first film, "Think Fast, Mr. Moto", the plot involves a diamond smuggling operation, and it too involves transport of the gems via cruise ships, however most of Mr. Moto's (Peter Lorre) investigation takes place on dry land.One of the things I liked about the early Charlie Chan movies from Fox were the references often made to events in a prior picture. In this story, Moto allows himself to be mistaken for a Japanese outlaw named Shimura. When Commissioner Gordon (Richard Lane) converses with a government official in the U.S., he learns that Moto will use any ruse as part of his investigation, learning of the escape from a Devil's Island prison camp in the prior movie, "Mysterious Mr. Moto". It's those little insertions that make the Oriental Detective movies so much fun for me.As in all the Moto films, this one features the sleuth in various martial arts scenes, but with a noticeable difference. In all the prior stories, the fights were almost always staged in very dim, even dark locations. The ones on display here are done in broad daylight, but even so, it's impossible to detect the stunt man (Harvey Parry) responsible for the flips and throws. Speaking of which, even Douglas Dumbrille's character La Costa manages to get a round house kick in on Moto's sidekick in the film, wrestler Twister McGurk (Warren Hymer). Twister becomes Moto's shadow for virtually the entire picture, thanks in part to Moto's distraction of opponent Sailor Sam in the film's opening sequence. Anyone else do a double take to see Ward Bond in that role?Keep an eye on the scenes involving Moto's second trip into the swamp in the latter half of the film. The lower half of Mr. Moto's pants are alternately muddy and clean in scenes that take place at the villains' camp.Some viewers may find the later pictures in the Moto series to be inferior to the early ones, but I have to say that this one was as entertaining to me as the ones that went before. By now one has a pretty good sense of how Moto operates, solving the crime via a series of masquerades, martial arts and clever analysis. The addition of some comic relief to this film by way of Twister's malapropisms was just the right touch to keep things moving along briskly.