Load of rubbish!!

Beautiful, moving film.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Worth seeing just to witness how winsome it is.

'Mr. Wong in Chinatown' is quiet but lively. Good movie, dramatic, atmospheric, suspenseful, a genuine mystery chiller, with one scene set in Chinatown (so don't expect much about colorful exotic shocker; yet the Chinese princess had charm and appeal), and the rest in offices, houses, etc.; it's also a screwball. Karloff plays Wong as a good-natured gentleman, and he sometimes resembles a bit Irons, Wong puts few questions, and sometimes needs help (he's rescued by the girl in this movie); Wong meets some really tough businessmen, who do not hesitate before the strongest measures, and his visit to the Chinese oldsters is nice, but Wong's two pals, the policeman and the newspaper girl, provide good roles. The screwball is funny. Wong, charming, soft-spoken, mild, reasonably streetwise, would of made an actor's career, but Karloff did so many interesting performances, that this one got less love. I missed such an old mystery movie, and this one did charm me. In these old movies, they disposed easily of secondary characters (like Carradine in a Moto outing, and the dwarf here), not to mention bit players and lesser parts. These movies were like episodes of the serials they made once, but on a bigger budget perhaps.

For Boris Karloff fans Mr Wong in Chinatown makes for good curiosity value and has good things that makes it a little more than that. Mr Wong in Chinatown is far from bad and Karloff has certainly done worse(look at the Mexican films he did) but he has also done better and deserved better. If asked whether Mr Wong in Chinatown is recommended, I'd say yes but only partially. There are some good things, Karloff is still commanding and gives a very good performance(as said many times by me one of those actors that gave his all regardless of the material). Marjorie Reynolds is the other, and in a way only other, standout in the cast, she brings a great deal of sass to Logan and really spices things up but deserved better material to do so more. Some of the sparring-constant- between her and Grant Withers is entertaining. The closing gag is great. The music has its jauntiness and eeriness. The sets are appropriate and nicely done. And Lotus Long while killed off quickly, perhaps too quickly, she makes for a sensual presence and makes things promising to begin with. However, while the sparring between Reynolds and Withers is fun their chemistry could have been better, aside from their dialogue the chemistry doesn't gel. And Withers to me is the problem, his performance more scenery-chewing rather than subtle and often of the worst kind, the shouting and frozen facial expressions did get annoying after a while. The photography is serviceable but could have been more fluid, the low-budget does show. Outside of the verbal sparring and the closing gag, the dialogue does come across as stilted and could have developed things more. The story shows good potential but peters out after the beginning but picks up at the final solution, which is a nice surprise, the mystery did feel weak because of the dull pacing(the film did feel longer than it was), lack of suspense and tension, the lacking dialogue and that really only two performances stood out. It also got very routine and didn't contain that many surprises. In conclusion, a watchable film with interest points but not great, one of the weaker entries of the series. 5.5/10 Bethany Cox

Mr. Wong in Chinatown (1939)I've seen a number of these Boris Karloff movies where he plays the Chinese detective Mr. Wong, and I can never quite get used to the idea that they cast Karloff in that role. Oddly, he's the best part of the series (he was a great actor, really, going far beyond being a great Monster.There was the potential at first for some pre-WWII intrigue, because the key element behind the murders with the poison darts is a shipment of airplanes (which seem a bit tricky to smuggle, but whatever). Nothing really comes of it, however. Strickly low budget.For a full intro to the series, check out this very nice site: cheddarbay.com/0000celebrityfiles/films/wong/wong.htmlThis one is a routine affair, with the chipper female reporter to spice up the dialog. I'm not sure I'd recommend it in particular!

Reviewer Planktonrules nails the key problem. The movie is indeed "low-energy". Karloff walks through the Wong role with only eye makeup to suggest he's not Philo Vance, Crime Doctor, or any one of the other myriad sleuths of the 30's. Then too, count up his lines that are surprisingly few, suggesting his part was shot in a couple of days, probably all low-budget Monogram could afford for a headliner like Karloff. Instead, Withers and Reynolds carry much of the dialogue. But since their chemistry never gels, mainly because Withers is not very good at tongue-in-cheek, their supposed byplay falls pretty flat. Nonetheless, Reynolds shows both spunk and motivation, providing the movie's only real spark. Too bad the glamorous Lotus Long was killed off early. She could have remained a real object of interest as a mysterious dragon lady. Then too, what happened to sinister dwarf Angelo Rossito. He suddenly disappears for no apparent reason after making a colorful first impression. Instead, we get several badly choreographed fistfights among basically uninteresting characters. Add to these human elements a thoroughly muddled "mystery" that fails to generate either whodunit suspense or much interest, and you've got an inferior entry in the Moto-Chan-Wong series.