Mrityudaata
Mrityudaata
| 06 June 1997 (USA)
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Dr Ram Prasad Ghayal (Amitabh) is a surgeon whose scalpel proves to be a magic wand. He has a wife called Janaki (Dimple) and a brother called Bharat. Bharat is in love with a dancing doll Renu (Karishma) whom the baddie's brother (Deepak Tijouri) also loves. Bharat, an architect refuses to sign a power project involving heavy kickbacks and heavier displacement (with so many scams in the air, what can one expect the plot to be). He is implicated in a plot and sent to jail. Unable to bear this humiliation, he commits suicide and Renu marries Deepak instead of repenting her beloved's loss. Now is the time for our 'Mrityudaata' to avenge the loss of his wife and his brother. He trades his scalpel for a machine gun and apron for a commando coat and cap.

Reviews
Laikals

The greatest movie ever made..!

ScoobyWell

Great visuals, story delivers no surprises

Solidrariol

Am I Missing Something?

Beystiman

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

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gurdeepmann59

This was Amitabh Bachchan's comeback after INSANIYAT (1994)Sadly this film bombed at the box officeThe film has a storyline that may have worked in the 70s but this is the 90s which was full of college campus, justice and a revenge-seeking hero This film just had to release in the 90sAmitabh and Pran had some memorable work like AMAR AKBAR ANTHONY, NASEEB, NASTIK, SHARAABI and the last to be JAADUGAR which was horrible and also crashedAmitabh Bachchan can't get his emotions right Dimple Kapadia is alright Karisma Kapoor's voice sounds different Arbaaz Ali Khan cannot act Deepak Tijori is a loser Mukesh Rishi is typecast Ashish Vidyarthi is funny

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superindrajit

After Bachan's delayed release Insaniyat(1994) flopped, Bachan took a break from movies and made a comeback with Mrityudaata(1997). Director Mehul Kumar also directed Mrityudaata after his two super hit films Tiranga and Krantiveer. I had great expectations from this movie and Amitabh Bachan is not a flopper like Akshay Kumar in 1997 who gave 7 flops in a single year. However, his only 2 hits being Bade Miya Chote Miya and Major Saab in 1998, he was crticized for picking some wrong films. The movie started off well, the introduction of the villains and their needs is shown well. The attempt to murder is also well shown and the introduction and current position of our hero Amitabh is well shown. The flashbacks of how Amitabh's family is killed is also well shown. Basically, everything before the interval is good and I really liked this movie before the interval. But, right after the interval, all the crying from the family about Arbaz's death and then when Karishma is getting married and Big B's brothers death things meet, Dimple Kapadia dies after doing some retarted shouting. But, I expected the movie to get better with some revenge and action. The following happened. However, the story was out of control and Pran's limited screen time is nothing good, he is just wasted. Big B running from the police and then Diler Mehendi's squeezed in song which was good. However, the plot is weak how they run into to Diler's show. Then they chase Amitabh to a brothel and Amitabh suddenly stops running and starts doing a Sunny Deol act beating everyone up. From here, they stop lengthing the movie and quickly finish it with Amitabh killing every villain. The ending is good, how they expose the villains. But, the prolonged ending of Amitabh and all the crowd chasing Paresh Rawal to the end is really prolonged and dragged. Amitabh kills the villains but is injured to such an extent, he dies. Its stupid how Amitabh kills all the villains but burning them and even in his last movie, he dies at the end. But, that was stupider. Mehul Kumar is a pathetic filmmaker who relied on actors to save his films but Amitabh doesn't save the movie for him. According to box office results, Mrityudaata was a flop, not as bad as Insaniyat but still a flop. Amitabh does his role in ease, he doesn't ham or mess his role up, Dimple Kapadia does good but her death scene is bad, she overacts, Karishma Kappoor is good but even she overacts, and Arbaaz Ali Khan doesn't known how to act, he's terrible. The villain inlcude Deepak Tijori who is wasted in his little screen time, Mukesh Rishi who can only get angry and overact, Ashish Vidhyarthi who is okay and Paresh Rawal who is good. Supporting Actors like Pran had only 20 minutes of screen time and is wasted. Overall, a movie which is just average. Could have been better if the second half was improved and then Big B would have saved the day.

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Avinash Patalay

ABCL's maiden production with Big B in the lead. Gave away expectations that the movie will showcase Big B in its glorious form and deliver a product that is nothing short of perfection. Add to that Mehul Kumar fresh out of success of "Tiranga" & "Krantiveer" which breathed a new lease of life for Rajkumar and showcased Nana Patekar in his best. The icing on the cake was the comeback movie of Big B after his sabbatical. You bet, it couldn't get any better. Sadly even the hardcore Big B fans found it appalling. It seemed the stale 1980's script was served a decade later and fan-base questioned how could the star even approve of it. "Foul" they yelled. Surprisingly the audience cheered when Daler Mehendi's song was injected which gives an inkling how poorly the proceedings were. There was absolutely nothing that seemed positive about "Mrityudaata". Later Big B accepted with humility that as an artist it was a bad decision to impose a self-exile which led to turning a blind eye to the real world. "Mrityudaata" will be remembered for first amongst the series of flops which sunk his "larger than life-size" image deeper than the reason. Nonetheless he later returned as a true "phoenix".

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elshikh4

(Amitabh Bachchan) is a superstar, an icon, and a big part of the Indian pop culture. But after more than 75 movies in 2 decades between the mid-70s and the mid-90s I bet that he has had it. He became so tired of too many movies, massive fame, and bad career in politics. True that (Francois Truffaut) called him once "a one-man industry", but he is a "man" before being an industry. So the man had to rest a while. And that's why he took the decision of "the break" in 1994.However, after 3 years, he returned to movies and through a production company of his own (ABCL) or (Amitabh Bachchan Cooperation Limited). Big move. So, Where did exist the big fault that made this movie a big flop ?!!It's mainly in the repetitive formula, which is simple : The revenge story + a political satire + a great speech at the end about the lost justice with Bachchan's distinct baritone voice. Cool stuff… Yet at the 1980s ! As we got this whole merchandise before, from the same star, and more than once, yet better and smarter ("Aakhree Raasta" 11 years earlier was a perfect example).It suffered from what made it look naive and be naive : the poor action (the explosion of the car was a farce !), the pretty easy story-lines (the character of alcoholic surgeon as a lead was pure gold, it could've been great, but except this nothing was gold !), or an older Bachchan doing the same again and again (he was 55 year old at the time).The worst, most dull, moment ever is when he had to hide from the bad guys as a singer on a stage ! I was screaming LAME.. VERY LAME ! Genius magicians like director (Manmohan Desai) would've made it convincing or acceptable, but never boring after endless similar tricks such as this ! Not to mention that (Desai) already died in (1994), even singer (Kishore Kumar) - who gave his lovely voice to Bachchan in so memorable songs in previous movies - wasn't here to rescue either (he died in 1987). So the player was missing his team especially in a rematch like this !Let alone what I see as the biggest sin at all : a matter of DEAD Bachchan !! I swear that disappointed lots and lots of the audiences back then (and back then precisely) whom went to watch their star after 3 years of separation to witness him simply die at the end ?!! Despite the message of it, I think that wasn't designed well commercially, as it sure stunned the craving viewers and depressed them while what turned out to be a sudden gloomy comeback. I can't say that the performance of the bad guys was overdone, because to tell you the truth in other movies and with lower efforts it hit the mark though, but this time the people just hated it. (Bachchan) delivered such a strong performance, trying his best to be serious, satirical, and adding something else the empty entertainment to his behalf. Though, the dose was very intensive, the formula was trite, and the fans weren't utterly in the mood for their icon to get revived just to be killed !So, was it a matter of vanity that pushed the star to present the same old stuff, confiding blindly that the people will love it as they loved it before ? Or was it the fear of doing something new, presenting the unusual, not expecting the reaction ? In fact, what I do know is that 3 years later, and after many lousy attempts to live the echoes of the past again, the big B would return to be big again after (Mohabbatein - 2000). I think it got something to do with his beginning boldly to accept roles for aged men, giving up finally being a "young" angry man anymore. Ahh.. wise move eventually. And although choosing the wrong scripts, and the enthusiasm over bad projects, are still continuous habits in (Bachchan) unfortunately, but at least every now and then he gets himself into rare experiences like (Aks - 2001), (Black - 2005), and (Nishabd - 2007).I believe (Mrityudaata) in Indian means (The Angel of Death). The commercial Arabic title of it in Egypt stood for (Revenge of The Aggrieved). But I named it (The Angel of Revenge). Anyhow this angel maybe got a lot of demons inside of him to rely on old, seemingly assured, formulas, but he forgot the greatest fact : time is changing, so must him. Otherwise, he would aggrieve himself and us. The lesson here is : don't try to photocopy your old success, every time has its own circumstances, and yes.. The career doesn't demand a flop like Mrityudaata, but sure reforming it needs it.

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