Don't Believe the Hype

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Joel Seria'first effort came aside as a shock in 1972:"Mais Ne Nous Délivrez Pas du mal"was scandalous ,heterical and nefarious :two girls stifle in their catholic boarding-school and rebel: they sleep together,they desecrate religion (check the title=don't deliver us from evil),burn the harvests,kill the animals and even commit murder;the three follow-ups followed suit and caused a scandal too.But from 1977 on ,Séria became self-indulgent and finesse became crudeness in such works as "Comme La lune ", "Les Deux Crocodiles"and the unspeakable horror of his "San Antonio".After working for TV ,"Mumu " is his silver screen comeback and some people were disappointed ,because they were waiting for the nefarious side of Seria ;but the director was 74 when he made it and time had taken its toll ;which does not mean that "Mumu" is bad,far from it.Nastiness and violence (and very soft sex) are still present though : the father ,the schoolmistress and even the vicar beat the living daylight out of the unfortunate young hero ;it takes place in 1947:the father could never get over his captivity in Germany;besides,he does think his younger son is not his and he makes him his punching bag ,his "Poil De Carotte".And yet this kid is clever ,sensitive, longing to be loved ;the autobiographical story of the director ,it explains,in a way, his first movie :religion is omnipresent ,the vicar teaches latin (then the most prestigious subject)and English (which has since outshone the dead languages);they say a prayer before every meal;the pupils 'only outing is a pilgrimage during which they are only allowed one hour to play . "Caricatures " sneered the critics... The schoolmistress (played by Sylvie Testud , a true character actress))appears first as a shrew in curlers ;sometimes her behavior towards her pupils verges on pathological violence ;but at the time,corporal punishment was not strictly forbidden ,and not only in France .Yet, you should not go by appearance: this teacher has no men (she's got nothing to attract them :it's much to Testud's credit to succeed in such a thankless part);at the time many of the schoolmistresses were spinsters ;she is in need of affection,and most of her pupils are indifferent ,scared by her severity,and often dunces -see what one of them knows about Joan of Arc-;they laugh when a thespian (Michel Galabru ,replacing Séria's old favorite of his earlier films who had to turn down the director's offer)spouts Hugo's "Oceano Nox" and who could blame them?The vicar (Jean-François Balmer) seems a good man,but he slaps his pupils too when they do not pronounce "the" as they should ;and he does not think twice when it comes to making an example of the young hero :sending him back to his father who hates him does not move him that much.So "Mumu" the teacher and her pupil do need each other ;finer feelings may be here ,but the cruel, hostile outside world is too ,and we do not even know if they have a future together ;pedagogy is still entangled in purely theoretical training ,in an atmosphere of purple ink,"Rossignol" anatomical charts and knowing by heart style ,and leaves no much room(or so little) for reasoning or psychology;but the relationship which grows between the teacher and this tormented soul eventually transcends all that fusty teaching ...'

This is the true story of the young life of Roger, an 11 year old boy growing up in the immediate post WW2 era. It starts with his expulsion from school for acting up, and follows him through about a year, as he continues to struggle to fit within the confines of the system. Sent to board at another school, where the teacher is known as Mumu (the biggest cow in the county), he begins to find what he needs, and it's never hard to see where his problems stem from. This film has everything; heartfelt drama, humour, and a touch of French mischief. I've had it two days, and have watched it twice. The lack of subtitles may be a hindrance; my French is a little rusty, but I followed it quite well thanks to the great quality visuals and the fantastic acting by all, including the two main boys.