Let's be realistic.

If you don't like this, we can't be friends.

I'll tell you why so serious

Great movie. Not sure what people expected but I found it highly entertaining.

"Music for Millions" is a very frustrating film to watch. There is so much to like about it that it's a shame the plot takes a very dark and uncomfortable twist...one that practically ruins the picture. Fortunately, the excellent acting and music manage to salvage it...a bit.When the film begins, poor little Mike (Margaret O'Brien) has arrived unexpectedly in order to live with her sister, Barbara (June Allyson). Barbara plays in an orchestra...an orchestra consisting mostly of women due to the war. In the orchestra, Barbara has a lot of friends and life is grand. During this part of the film, the only real concerns are how to get the nosy landlord to accept having Mike live with Barbara as well as how lonely the pregnant Barbara is with her husband off in the war.About midway through the film, the screenwriter took an insane choice. A telegram arrives saying that Barbara's husband is dead...and they decide to NOT tell her because they were concerned about Barbara's unborn child. So, for months they keep it from her...even when Barbara assumes he MUST be dead because she has heard nothing from him. She's practically hysterical with worry...and yet her friends KEEP up the pretense...which seems cruel and stupid. How does the film manage to handle it...I know...toss in a happily ever after Hollywood ending!!! Huh?!?As I said, the plot was a problem and it's a darn shame. It's probably June Allyson's best performance and yet it's overshadowed by a dopey plot. It's a shame...a real shame.

Music that covers every genre of the time and a wonderful performance by June Allyson as the expectant war bride who works playing a bass fiddle for Jose Iturbi's orchestra are the main hallmarks of Music For Millions. Of course the big name in the cast for the time is little Margaret O'Brien who was winning hearts all over the USA during the World War II years.There were numerous films during those years that covered women doing all kinds of work in occupations for men. Why would playing in a symphony orchestra be different. Jose Iturbi is hemorrhaging male musicians in his orchestra to the draft and his ensemble was starting to look like Phil Spitalny's band.One fine evening Allyson's little sister Margaret O'Brien comes to town and interrupts a concert at Carnegie Hall. Iturbi and orchestra manager Jimmy Durante are put out, but the women in the orchestra really take to O'Brien the way America did. Even Iturbi and Durante come around and Margaret becomes a kind of mascot.A real crisis erupts when a War Department letter arrives for Allyson, but she doesn't get it courtesy of her fellow musicians. June is pregnant now and the women figure no news is good news until she has the baby. One of June Allyson's best acted scenes is with Iturbi where she confesses how frightened she is not knowing and hoping for the best for her husband out in the Pacific.Iturbi does some classical music and appropriately the film ends with Handel's Hallelujah Chorus and why appropriate you watch the film for. And Jimmy Durante is his own comic self and his rendition of Umbriago is a film highlight.Women certainly play in orchestras now. I live around the corner from the Kleinhans Symphony in Buffalo and I see many a female musician parking their cars and carrying their instruments to the hall. And we have a female conductor named Joann Falletta. This review is dedicated to her.

I know we live in a different world than we did in 1944, but its surprising to find a mainstream studio film that has a "power of prayer" theme. A beautifully told, sweet and honest story with (I'll have to admit) lots of overly sentimental scenes, this movie is about hope, and prayer, and belief in a higher power during difficult times. We have forgotten what it feels like to live in a world where most everyone was united against a clearly defined evil, and, I think we have to admit, a country that was much more united in its views of God and faith. I celebrate the diversity of today and am proud of our country because of it, but this ancient world of 1944 did exist. And it is worth celebrating too.

The music is worth the viewing of this WWII film. Jose Iturbi performs some classic pieces as only he could do. This movie gives a slice of life from a different era. Some of the funniest scenes are between Jimmy Durante and Margaret O'Brien. June Allyson's scenes with Marsha Hunt compel even the most cynical person to tears. Seeing tiny June Allyson playing the huge double bass (not the cello) has its own kind of humor, and interestingly, the main character of the movie doesn't appear on screen! But it is the music that makes the film so sweet and memorable. The music is as much a part of the story as the characters. It was a time of innocence and sweetness that June Allyson and Margaret O'Brien capture so perfectly. They don't make movies like this any more.