This Movie Can Only Be Described With One Word.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Tom Stansfield (Ashton Kutcher) is a researcher at a publishing house in Chicago but he wants to be creative. He has a crush on Lisa Taylor (Tara Reid) who is the daughter of his domineering boss Jack Taylor (Terence Stamp). Jack fires his secretary Audrey Bennett (Molly Shannon) blaming it on Tom. Lisa is housesitting for her dad but she wants to go to a party. Lisa asks Tom to housesit so that she can attend her party. Tom assumes that it's a date. Jack has crazy requirements for his owl. Then the irresponsible brother Red (Andy Richter) returns hiding from drug dealer T.J. (Michael Madsen). Audrey comes by to ask for her job back but she brings her annoying boyfriend Spike (Tyler Labine). Spike drives off and Tom reluctantly lets Audrey stay. Lisa's boyfriend Hans cheated on her and she comes home early.Everybody is annoying in this movie and Ashton Kutcher is the welcome mat for them to walk all over on. The screwball slapstick is annoying. Everything and everyone annoyed me in this movie. This is a David Zucker film but it needs to get the characters right before the slapstick comedy could actually work.

"There are some things you just don't do" so says the tag-line of this, a 2003 David Zucker comedy about a young man caught up in one horrendous situation after another entitled My Boss's Daughter, and it's the tag-line which should speak for both the people that made this junk as well as those contemplating watching it. There are indeed some things you just don't do, with the placing of mostly all of the sort of content to be found within My Boss's Daughter counting as wholly items you just should not do to the medium of cinema by including them in your picture. My Boss's Daugther is a sordid; creepy; grotesque experience, a clunky and heavy handed piece which is infantile beyond words and disgusting beyond expression. To see it is to endure it, to endure it is to survive it and to survive it is an accomplishment all by itself – if any of the cast; writers; extras; Hell, even the guys that worked as runners on the set, aid in producing anything as Earth-shatteringly poor as this again, then it'll be either because they've been sent here by the devil Himself to destroy the medium of film or, it'll be because they've most probably garnered employment on behalf of the Friedberg/Seltzer mob.My Boss's Daugther, (which I'm pretty sure ought to be titled "My Boss' Daugther", grammatically speaking), revolves around its hapless male lead, named Tom Stansfield (Kutcher), and a night in at his boss' house as he chases that seemingly elusive 'goal' that is his young, blonde daughter Lisa Taylor (Reid) - someone whom works within the same department as he does in a towering Chicago office block whilst under the strict eye of Jack Taylor (Stamp). Tom spies Lisa early on, she's taking the subway to work with all the other shmos despite the fact she owns a car and that her father is the boss of the damn company. After trying to talk to her, but having his attempts foiled by a puking baby and a dog for the blind more interested in Tom's crotch than anything else, he finally gets his chance in the office when talk of an after-dark party elsewhere arises and that he ought to come round to her house to visit her - and yes, she does still live with her father. Think Hitchcock's 1960 film Psycho with the gender roles between Norman Bates and his mother reversed and then played for laughs.The distinct establishment of character is made painfully apparent in the opening scene in which Tom sits on the subway train and travels to work with his yuppie cohorts. They are a ruthless and smarmy bunch, whom it's made apparent swipe the briefcases of those unfortunate enough to get them stuck in the door in the ensuing morning rush, without ever returning them. One day it happens with Tom there, and his wish is to return it, thus pounding into us that he's-not-like-other-guys(!) This, as he first sees Lisa down the carriage and is somewhat shy to approach her as the other men treat the whole situation as if it would be a breeze if they were in his position. This rather obvious and flat-footed attempt to try and get us to 'side' with Tom sits uneasily with what it supposedly takes to earn a place amidst these co-workers in this company.It is, however, as close as My Boss's Daughter comes to any level of film-making. From a seemingly harmless premise of a boy meeting a girl and wanting to get to know her arrives the comedy from Hell. Tom's arriving at the house will not see him invited to the party, instead he is charged with house sitting Jack's pet owl and generally keeping out of mischief whilst maintaining a spotless house. It's been established Terrance Stamp's character means business in the strictest of manners, firing people for the smallest of things such as the making of a bad cup of coffee. It's not that Jack is a shrewed businessman, he's a cleanliness freak; obsessed with control and a borderline sociopath in his placings of bear traps in the garden so as to keep the children next door off his land. You can imagine, that when we're let into his large and exquisite house with the orders that nothing should go wrong, there's obviously going to be trouble.The film has fun with this premise of danger for about ten minutes. The first time someone uses the worktop to crack open a beer thus marking the pristine top, you may smirk, but by the time half the house is wrecked and Michael Madsen has shown up urinating all over the rug, you've got your head in your hands. Each joke in the film is set up in an almighty clunky manner before it is played out in a way that is closer to slow and excruciating than slick and faultless, the only thing missing as it follows through to the next gag is the sound effect of someone incorrectly changing the gears to a car as it clunks and creaks onto the next pratfall. Inbetween the gross-out wackiness, the film takes time to roll down a route of yucky, saccharine driven romance as Lisa and Tom bond whilst talking of in-workplace and out-of workplace persona's, and that maybe they have more in common than first thought. By the hour mark, the film's opted for gross out gags and hate filled jibes more than anything when there's an entire scene that exists purely to target paraplegics and a dumb subplot to do with a head-injury sporting neighbour on a blind date in which some truly unwatchable sight gags are unfolded. Throughout, Stamp's character enjoys putting people down and asking if the simplest of tasks are too difficult for them, to which the common-place reply ought to be whilst channeling Jack Taylor: was reading the screenplay first too complicated-a concept for you, Stamp?

This movie has got to be about one of the worst i have ever seen. The humor was crude, hardly funny and been heard a million times before. The start was noting special and it got worse and worse as it went on. I got about halfway through and couldn't stand to watch any more of it. Luckily I was only watching it on TV so it didn't cost anything, but I seriously recommend you do not waste you time or your money.Nothing in the movie was new. The characters were not at all developed. I actually think it would have been better as a little kids movie in that it was full of stupid unrealistic "funny" events occurring ... thats like what happens in home alone or something. Not to imply home alone was in any way as terrible as this.

This is the first time I'm entering a comment for a movie I haven't viewed till the credits. Reason for this is simple...people need to be warned: this is one of the worst comedies of the new millennium. I usually stay away from a good deal of comedies that are in bad taste but I reckoned this to be watchable. A regrettable decision which was based on other Ashton Kutcher comedies that were (semi-) enjoyable such as A Lot Like Love and Guess Who.Where those two movies had their charms and laughs, this had none (and I mean none!!). The acting is horrible, especially the 'boss'. Tara Reid was no surprise, how dare she call herself an actress?! The premise is thin and the plot doesn't thicken at all. Not a problem if you manage to keep it funny and/or sweet...but as you probably already guessed, this was not the cast at all! The script felt like it wasn't quite finished and I wouldn't even be baffled if the director did some rewrites while shooting. My dog could've written a more coherent script, seriously. And he's not exactly Lassie either :-).Stay away from this tripe even if you like silly goof-ball comedies at times (like I do). This low quality movie will not be enjoyed by many...I (almost) never give a one so therefore...a 2.