People are voting emotionally.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

Lütfi Akad is one of the most important directors of Turkey, he gave our cinema very useful things, a lot of things started with his camera...he was different, he moved cinema from sets to streets, he gave to watchers real world,real people, no star... his actors didn't act in front of the camera, they lived in white-screen...And I think Akad's the best movie is Vesikali Yarim, because he always directs real stories which everybody can live them, but in this story we can't find anything from us...but we forgot one important thing : director is Lütfi Akad...so again we find us in the white-screen between actors. He can do this. Although story is not from us, he can move us his movie...In this movie, he asked us "Who deserve the real love?" and "Does love deserve the reality?" I won't say anything about answers but if you watch this movie, you will see them easily...