Am I Missing Something?

It's a mild crowd pleaser for people who are exhausted by blockbusters.

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

When the film begins, the head of a corporation tells the other board members who are there at his hunting lodge that he knows one of them forged company documents. Not surprisingly, before he can tell who it is, he's found dead in his room with a gun in his hand. It's quickly ruled a suicide--which makes you wonder what these board members told the police*. So it's up to a private dick, Lance O'Leary (Dick Purcell) to determine what really happened. However, soon ANOTHER suicide occurs.This short murder mystery is just about exactly the same as about 95% of the B-murder mysteries. There are many clichés here. One is the guy who thinks he knows whodunnit--and vows to say something in the morning....only to then be killed! Another is whenever anything important is said, someone unseen just happens to be listening outside the window! It also features the scene with everyone in the room and the killer betrays himself! And, when the dick is attacked near the end...everyone just stands around except for one dopey lady who, naturally, slugs the dick on the head! All in all, as brainless and mind-numbing as a typical mystery with not to distinguish it.*I checked and apparently testing the body for gunshot residue to determine if a person actually DID kill themselves was not done until the 1970s, so this is not a hole in the story.

MYSTERY STREET gives laconic DICK PURCELL the leading role, while ANN SHERIDAN is seen in one of her early roles at a time when the studio was grooming her for bigger things in the future. She's a nurse caring for a crotchety old woman (ELSPETH DUDGEON) in a wheelchair, an old woman who is annoying as all get out as she bosses everyone around.The setting is a snowbound hunting lodge, a handsome cabin where all of the suspects in a rich man's murder are gathered for the weekend, while Sheridan summons her boyfriend detective Purcell to unravel the murder case. He does so, with the help of a few clues that lead to the murderer's identity and in time for a happy ending with Sheridan promising to marry him.It's standard stuff, respectable enough to play the lower half of double bills back in the '30s. Fans of "Perry Mason" on TV, will recognize WILLIAM HOPPER (with dark black hair), but most of the cast consists of largely unknown players.Lasting only a brisk 56 minutes, it passes the time quickly and is a moderately entertaining B-film mystery.

All things considered Mystery House is not a bad product coming out of Warner Brothers B picture unit. It's another one of those classic shootings in a locked room, where the verdict can be nothing else, but suicide. Or can it?The members of the board of directors of a company are gathered on a retreat where the president confronts them with his suspicion that one of them is guilty of embezzlement. He's found shot to death in a locked room, but the man's daughter can't believe it wasn't murder so she hires a private detective and invites the whole lot of them back to the retreat where the crime occurred.Two murders later and we have an answer. No hints at all as to who and how, but I will say the weapon is in plain sight.Ann Sheridan and Dick Purcell are our leads and television fans will spot a future detective in William Hopper who played Paul Drake on the Perry Mason series. Back in 1938 when it ran as the second feature of a double bill, I don't think too many people left their seats.

This high-speed version of one of Mignon Eberhardt's classically plotted mysteries is directed by Noel Smith, one of Warner's experts in short features, timing in at a bit less than one hour. Mr. Smith spent much of the 1930s and 1940s directing second feature westerns and mysteries.Half a dozen people are isolated in a house while the detective tries to figure out which of them, all with excellent motives, committed the murder. This sort of mystery requires a tremendous amount of talking, and people talk fast. Unhappily, most of the dialogue is exposition and delivered a bit stiffly. Visually, it's very nicely done with some excellent tracking shots to maintain good composition and an overall look like an Old Dark House movie. The print, like many of the major studios' B movies of this period, is in excellent shape.Over all, it's a pleasant way for mystery fans to spend an hour with a story that will keep you guessing until the end.