Very well executed

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

While the story is quite trivial, the flamboyant filmmaking style makes up for it. It is definetely a step forward for the Cuban Film Industry. The film alternates almost chaplinesque moments with some poetic scenes. The film was shot inBlack and white but certain elements in the shots are colored. Thecinematography and editing are quite competent. Some of the characters are alittle exagerated and I didn't find that the tone was right in those moments. But overall: Nice.

I caught this Cuban film at at an arthouse film club. It was shown shortly after the magisterial 1935 Silly Symphony cartoon where the Isle of Symphony is reconciled with the Isle of Jazz. What with the recently deceased Ruben Gonzalez piped through speakers in this old cinema-ballroom and a Cuban flag hanging from peeling stucco rocaille motifs, the scene was set for a riproaring celebration of engaged filmmaking and synchronised hissing at the idiocies of Helms-Burton. But then the film started. And the cinema's peeling paint gradually became more interesting than the shoddy mess on-screen.The storyline of Nada Mas promises much. Carla is a bored envelope-stamper at a Cuban post office. Her only escape from an altogether humdrum existence is to purloin letters and rewrite them, transforming basic interpersonal grunts into Brontëan outbursts of breathless emotion. Cue numerous shots of photogenic Cubans gushing with joy, grief, pity, terror and the like.The problem is that the simplicity of the narrative is marred by endless excursions into film-school artiness, latino caricature, Marx brothers slapstick and even - during a particularly underwhelming editing trick - the celluloid scratching of a schoolkid defacement onto a character's face.Unidimensional characters abound. Cunda, the boss at the post office, is a humourless dominatrix-nosferatu. Her boss-eyed accomplice, Concha, variously points fingers, eavesdrops and screeches. Cesar, the metalhead dolt and romantic interest, reveals hidden writing talent when Carla departs for Miami. A chase scene (in oh-so-hilarious fast-forward) is thrown in for good measure. All this would be fine in a Mortadello and Filemon comic strip, but in a black-and-white zero-FX flick with highbrow pretensions, ahem. Nada Mas attempts to straddle the stile somewhere between the 'quirky-heroine-matchmakes-strangers' of Amelie and the 'poetry-as-great-redeemer' theme of Il Postino. Like Amelie, its protagonist is an eccentric single white female who combats impending spinsterdom by trying to bring magic into the lives of strangers. And like Il Postino, the film does not flinch from sustained recitals of poetry and a postman on a bicycle takes a romantic lead. Unfortunately, Nada Mas fails to capture the lushness and transcendence of either film.There are two things that might merit watching this film in a late-night TV stupor. The first is the opening overhead shot of Carla on a checker-tiled floor, which cuts to the crossword puzzle she is working on. The second is to see Nada Mas as a cautionary example: our post Buena Vista Social Club obsession with Cuban artistic output can often blinker us into accepting any dross that features a bongo on the soundtrack. This film should not have merited a global release - films such as Waiting List and Guantanamera cover similar thematic territory far more successfully.

Nada Más is as complex as the Cuban people itself. The little pieces of daily life activities get complicated by bore and danger. This movie have the kind of juice that make your head spin. The characters are well elaborated and portrayed in the caricaturing way of the silent film era. The viewer feel bouncing between hate, sympathy and despise for everyone involved in the plot and depending of the moment. This movie can be anything but boring. I recommend it.

Although this has been called an over-the-top story some of the writing is done very passionately. I particularly enjoyed the letter being read while a women was taking a bath. I wish some of this passion could be present in more North American movies. Thais Valdes is an excellent actress and hopefully she can get more roles in movies like this in the near future. The satire with the bureaucracy in the mail office is dead on.