Good films always raise compelling questions, whether the format is fiction or documentary fact.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Fay Wray (Carol), Grant Withers (Chief Petty Officer Steve Roberts), Dewey Robinson (Nick Salado), Craig Reynolds (Jimmy Woodford), William von Brincken (Cronjer), George Sorrel (Slavins), André Cheron (Benje), Robert Frazer (Peter), Joseph Crehan (Daly), Duke York (Babe), Arthur Housman ("drunk"), Joe Girard (captain), I. Stanford Jolley (waiter).Director: HOWARD BRETHERTON. Screenplay: Harvey Gates. Based on a Cosmopolitan magazine story, "Shore Leave" by Steve Fisher. Photography: Harry Neumann. Film editor: Russell Schoengarth. Art director: E.R. Hickson. Wardrobe: Louis Brown. Music director: Edward J. Kay. Production manager: Charles Bigelow. Assistant director: W.B. Eason. Producer: William Lackey. Executive producer: Edward R. Dunlap.Copyright 27 January 1939 by Monogram Pictures Corporation 1939. U.S. release: 8 February 1939. No New York opening. Never theatrically released in Australia. 7 reels. 60 minutes. COMMENT: A movie in which Dewey Robinson heads the support cast is certainly a novelty. Alas, like many of his contemporary character players who added such luster to small parts, he seems unable to carry a larger role. True, he does give it a good try, but he simply can't muster the charisma or the presence to effectively carry it off.Never mind, the leads are certainly attractive, whilst the direction is both fast-paced and action-full, often making ingenious use of standing sets and real backgrounds within the studio itself to augment production values. The script too is moderately engaging. A few scenes (the boy on the bicycle in the park) even have genuine charm.Whilst the "solution" to the budding romance between possible spy Withers and possible agent Wray will possibly come as no surprise to most viewers, it is nicely worked through by the principals and an able support cast.

Running at just an hour, the 1939 Monogram film "Navy Secrets" barely ranks any interest as its plot gets off the ground. Craig Reynolds is a sailor in love with Fay Wray who is arrested for being late returning to his ship, and sends pal Grant Withers off to meet her so they can turn in some supposed rare stamps for a large monetary sum. Obviously, it is more than stamps he is selling, and it becomes a wild goose chase between obvious German bad guys (never identified by race) and obvious government agents. Wray and Withers end up stranded in a park with Wray's purse filled with nickles after she wins at an illegal slot machine and an annoying kid riding around him on a bike. Of course, for the few people who have seen this movie, that is the scene they all remember, but the poor kid doesn't seem to be credited anywhere that I can find. Wray and Withers seem out of sorts too because she's supposedly involved with his pal Reynolds (who basically disappears less than 10 minutes into the film) and all of a sudden is flirting with Withers whom she makes several escape attempts from while they are on the run from the bad guys. A few moments of comedy don't make up for the fact that the plot is absurdly put together and never really intriguing.

Navy Secrets is an illustration of how low certain players can fall in terms of box office draw. At one time at the beginning of sound both Grant Withers and Fay Wray were featured in A films. Of course everyone knows that Fay Wray reached the heights in King Kong's gigantic paw in 1933. Now six years later she and Grant are starring in a C picture film for Monogram as a pair of naval intelligence agents trying to break up a spy ring.According to this story the Navy in its infinite wisdom decides not to tell each other that the person they are working with is also an agent. The bad guys are after some new Naval sounding device and they are certainly Teutonic enough in keeping with the times. The spy ring operates out of Dewey Robinson's waterfront café.Years ago Huntz Hall told a story that at Monogram when Sam Katzman needed to get a film under budget he just randomly ripped out a few pages from the script and the director just shot what was left. I got that impression watching Naval Secrets, I had to make many connections in my mind to follow the story and in some cases just gave up trying.There is one funny scene where Withers and Wray keep trying to get rid of this annoying kid who is riding his bicycle and won't give them any privacy. It looked like it was grafted in from another film. I think I would like to have seen that film instead.

Poor little second feature has Grant Withers and Fay Wray wandering around the city trying to track down who wants an envelope carrying navy secrets -- only they think it's collectible stamps. Withers and Wray try to carry this one along on their charm, but they aren't up to it, although there is one good scene in a park and a small, annoying boy on a bicycle.