Purely Joyful Movie!

Perfectly adorable

I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Recently, I saw an Off Broadway production of the 1969 Tony nominated play "Indians", an analogy of what was going on at the time in the Vietnam War and the white man's involvement in the displacement of natives and the unkept promises by the government in protecting them. It is ironic that a week later that I pulled out this film from a box set of public domain westerns and found a plot line similar, although this incident took place some 30 years ago. But the basic story is still the same, one culture's inhumanity towards another, and one decent white man's efforts to right the wrong perpetuated by his own people. While the natives are presented fairly for a change for the most part, there's still the nagging feeling that the writers had to include a few savage references simply for shock value, and some of those moments are cringe worthy.This film starts off with President Abraham Lincoln creating a treaty with the Acoma tribe and the betrayal of that treaty after Lincoln's assassination. Chief Ted de Corsia vows vengeance, and Lew Ayres, an army officer who witnessed the treaty being agreed upon, decides to fight for the rights of the natives, even after de Corsia murders the colonel who stopped them from rightfully claiming what was theirs. But first, he must bring de Corsia and the others to justice, along with prejudiced judge Lloyd Corrigan. Walter Greaza and Raymond Burr represent the cruel white men whose ambition it seems was not only settling the land but destroying human beings they cruelly treated like savages. Certainly, the natives seek revenge, but it's not difficult to understand why they did what they felt they had to do. When they do, you can guarantee that those who feel their wrath won't get a painless death.It's nice to see a western where more than just one side is presented, even if much of it seems fictional. Hans Conreid, of all people, is Abraham Lincoln here, and is completely unrecognizable, no traces of Dr. T or his vast array of oddball characters. There are moments that will make you cringe at the cruelties of the white men, particularly when one of Ayres' men takes it upon himself to kill a young native boy right in front of his brother. This leads the surviving son of chief de Corsia to discover early in life the meantime if true hatred, intending to venge his brother's death just like his father would There's little unnecessary comedy relief here (even with the presence of Andy Devine who has one rather offensive quip), and the presence of Marilyn Maxwell as a traveling actress seems superfluous, even if she is accompanied by the lovable character actress Verna Felton. This is a nice attempt to present natives beyond the usual stereotypes even though it's obvious that important facts have been altered or changed to make this cinematic.

Although this film is entitled New Mexico, it certainly might have taken place in any part of our Southwest. It begins with the totally ridiculous premise that Abraham Lincoln took time out in the middle of the Civil War to visit New Mexico territory and make promises to Indian chief Ted DeCorsia that the US government would be feeding the Indians. That was really too much to swallow, anyone who has even a rudimentary knowledge of American history knows that Lincoln never got beyond 50 miles of the White House during his term of office. So when the film began with Hans Conreid as Lincoln getting out of that stagecoach I figured this one would be one ridiculous film.It turned out to be a film that was not half bad, but could have used a lot of improvement including cutting those first six or seven minutes and some other premise used to show the disappointment of the Indians in the white man's failed promises. In that meeting with Conreid and DeCorsia is Captain Lew Ayres who wants peaceful relations and is a man of some honor. But an ambitious colonel played by Walter Greaza and a corrupt judge played by Lloyd Corrigan turn the promises of Lincoln into dust. When Greaza is murdered by the Indians, Ayres has to go in pursuit of DeCorsia.Circumstance places Ayres and his men along with saloon entertainer Marilyn Maxwell and Corrigan at an old mission built on a hillside where they hold off the attacking Indians. One of the troops, Raymond Burr, shoots down a young child who is DeCorsia's son giving him and additional reason to hate the army.Jeff Corey who was having blacklist troubles got to appear in this film as a cavalry Indian scout. That this was an independent film is significant because Corey could not get work at a major studio. New Mexico which was an independent film released by United Artists is too low budget and its characters not sufficiently developed which would have made a much better film. It was a sincere effort and no one in the cast need be ashamed of their work here.

As a young boy in 1952, I went to visit Acoma, a Native American village, near Albuquerque, New Mexico together with my parents and uncle. The scenery was so impressive that it remains alive in my mind , and I remember the houses where to reach the upper floor you had to go through an external ladder. So it was a deception to see this film where such a beautiful scenery is wasted. The DVD I purchased is in black and white, but I read in the IMDb it was made in Ansco Color. I wonder what happened. The story is interesting, about a truce made with the Chief Acoma, which is broken . Lew Ayres is an army captain on a mission to capture Acoma. Marylin Maxwell is Cherry, who joins them against all logic and even provides some musical numbers!!! She is not a bad actress, but here her character does not work. The script is good, but could have been brought to the screen in a much better way. Overall, frustrating, considering what it could have been.

The great cast here, including Ayers, Maxwell, Divine, and Conried cannot save this predictable and routine Western effort. All the stereo-types are here, the fallen woman, the honor-bound Cavalry Captain and comic relief, but none of it seems to work well. The ending attempts to be different, but by that time the viewer could not care less.